Bryan Smyth

Whereas Phenomenology of Perception concludes with a puzzling turn to “heroism,” this article examines the short essay “Man, the Hero” as a source of insight into Merleau-Ponty’s thought in the early postwar period. In this essay, Merleau-Ponty presented a conception of heroism through which he expressed the attitude toward post-Hegelian philosophy of history that underwrote his efforts to reform Marxism along existential lines. Analyzing this conception of heroism by unpacking the implicit contrasts with Kojève, Aron, Caillois, and Bataille, I show that its philosophical rationale was to supply experiential evidence attesting to the latent presence of human universality. It is a mythic device intended to animate the faith necessary for Marxist politics by showing that universal sociality is possible, and that the historically transformative praxis needed to realize it does not imply sacrifice. This sheds considerable light on Merleau-Ponty’s early postwar political thought. But inasmuch as the latter cannot be severed from his broader philosophical concerns, the prospect is raised that his entire phenomenological project in the early postwar period rested on a myth. Not necessarily a bad myth, but a myth nonetheless

This paper clarifies the relationship between Merleau-Ponty’s Phenomenology of Perception and Fink’s Sixth Cartesian Meditation with regard to ‘the idea of a transcendental theory of method’. Although Fink’s text played a singularly important role in the development of Merleau-Ponty’s postwar thought, contrary to recent claims made by Ronald Bruzina this influence was not positive. Reconstructing the basic methodological claims of each text, in particular with regard to the being of the phenomenologist, the nature of the productivity that makes phenomenology possible, and the problem of methodological self-reference, I show that Phenomenology of Perception is premised on a decisive rejection of the main theses affirmed in the Sixth Cartesian Meditation. In contrast to Fink’s speculative reinterpretation of phenomenology as an absolute science, Merleau-Ponty viewed it as participating in the historical realization of the world, and hence as ultimately based on a practical faith. Albeit with a Marxian inflection, Merleau-Ponty thus related phenomenology much more closely to Kant. This may not be a better philosophical position, but circa 1945 it was Merleau-Ponty’s, whose work must be approached accordingly.

This paper takes up the question as to what has primacy within Merleau-Ponty’s existential phenomenology as a way to provide insight into the relation between empirical science and transcendental philosophy within his account of embodiment. Contending that this primacy necessarily pertains to methodology, I show how Kurt Goldstein’s conception of biology provided Merleau-Ponty with a scientific model for approaching human existence holistically in which primacy pertains to the transcendental practice of productive imagination that generates the eidetic organismic Gestalt in terms of which sense is made of empirical facts. Considering the analogous role played by imagination in Merleau-Ponty’s account of perceptual synthesis in the form of what he called projection, I argue that his account of embodiment is, parallel to Goldstein, grounded methodologically on the projection of an organismic Gestalt, and that as a form of operative-intentional praxis projection is the site of primacy in his phenomenology overall. In terms of the relation between natural science and transcendental philosophy in Merleau-Ponty’s account of embodiment, while the theoretical dimension of the latter—the eidetic apriority of the organismic Gestalt—is coupled dialectically with empirical facts on an epistemically coeval basis, these are jointly subordinated to the normative commitments implied by the imaginative projection of that Gestalt. The primacy of the latter is transcendental but in a distinctly practical sense, such that any substantive discrepancy between natural science and Merleau-Pontian phenomenology reflects metaphilosophical, not theoretical, disagreement.

Merleau-Ponty recognized that phenomenology's methodological coherence required that it reject anthropocentricity and extend its scope beyond the human realm. But he also recognized that this does not change the central role played by human consciousness in phenomenology, which he thus construed as a practical, humanistic project based on 'ontological faith'. Merleau-Ponty's phenomenological contributions concerning animals, then, and in particular his notion of 'interanimality', need to be understood as 'generative' contributions toward the realization of a singular common world. While this does not address issues of interspecific justice directly, it does reveal the underlying ontology of interspecificity to be a normative projection of a decentred humanism, an insight that has the potential to productively rethink the nature of our ethical relations with animals