Bryan Smyth

Merleau-Ponty recognized that phenomenology's methodological coherence required that it reject anthropocentricity and extend its scope beyond the human realm. But he also recognized that this does not change the central role played by human consciousness in phenomenology, which he thus construed as a practical, humanistic project based on 'ontological faith'. Merleau-Ponty's phenomenological contributions concerning animals, then, and in particular his notion of 'interanimality', need to be understood as 'generative' contributions toward the realization of a singular common world. While this does not address issues of interspecific justice directly, it does reveal the underlying ontology of interspecificity to be a normative projection of a decentred humanism, an insight that has the potential to productively rethink the nature of our ethical relations with animals

The aim of phenomenology is to provide a critical account of the origins and genesis of the world. This implies that the standpoint of the phenomenologicalreduction is properly extramundane. But it remains an outstanding task to formulate a credible account of the reduction that would be adequate to this seemingly impossible methodological condition. This paper contributes to rethinking the reduction accordingly. Building on efforts to thematize its intersubjective and corporeal aspects, the reduction is approached as a kind of transcendental practice in the context of generativity. Foregrounding the psychotherapeutic encounter with persons suffering schizophrenic delusion as paradigmatic of the emergence of shared meaning, it is argued that this is where we may best come to terms with the methodological exigencies of phenomenology’s transcendental aim. It follows that phenomenologists across all disciplines may have something important to learn from how phenomenology has been put into practice in the psychotherapeutic domain.

This paper clarifies the relationship between Merleau-Ponty’s Phenomenology of Perception and Fink’s Sixth Cartesian Meditation with regard to ‘the idea of a transcendental theory of method’. Although Fink’s text played a singularly important role in the development of Merleau-Ponty’s postwar thought, contrary to recent claims made by Ronald Bruzina this influence was not positive. Reconstructing the basic methodological claims of each text, in particular with regard to the being of the phenomenologist, the nature of the productivity that makes phenomenology possible, and the problem of methodological self-reference, I show that Phenomenology of Perception is premised on a decisive rejection of the main theses affirmed in the Sixth Cartesian Meditation. In contrast to Fink’s speculative reinterpretation of phenomenology as an absolute science, Merleau-Ponty viewed it as participating in the historical realization of the world, and hence as ultimately based on a practical faith. Albeit with a Marxian inflection, Merleau-Ponty thus related phenomenology much more closely to Kant. This may not be a better philosophical position, but circa 1945 it was Merleau-Ponty’s, whose work must be approached accordingly.