Michael Kelly

The most comprehensive reference work in its field, this book covers a broad range of topics--military, political, economic, social, painting, literature, music, cinema, dance, theater, sports, and daily life--related to France and her empire during World War II. Starting with the 1938 Munich Crisis and continuing through the 1940 defeat, Occupation, Vichy, Resistance, Liberation, and the establishment of the post-Liberation Provisional Government, the work also addresses such legacies of the wartime experience as the role of former President François Mitterrand and the trial of former Vichy official Maurice Papon. Designed to be the reference of first recourse for those interested in World War II France, the book's focus on Occupation, Vichy, and the French Resistance will familiarize the reader with the most recent historical interpretations of French life during a troubled and dramatic period. The work will also introduce the reader to many of the controversies concerning collaboration and resistance, which have stirred postwar French public discourse to the present day. The book is also a bibliographic guide for those who would like to know more about the period

More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents list, extensive index and suggestions for further reading. The Encyclopedia will provide hours of enjoyable browsing for all francophiles, and essential cultural context for students of French, Modern History, Comparative European Studies and Cultural Studies

More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents list, extensive index and suggestions for further reading. The Encyclopedia will provide hours of enjoyable browsing for all francophiles, and essential cultural context for students of French, Modern History, Comparative European Studies and Cultural Studies

This book provides a phenomenological analysis of envy. The author's account takes a descriptive look at the whole experience of envy as it pertains to the envier's sense of self and the envied. Philosophical work on envy has predominately focused on how the envier perceives, thinks about, or schemes against the person envied. This book proposes a phenomenological analysis of envy that articulates its essentially comparative character according to which we can further incorporate the role of the envier. This approach offers a novel contribution in three ways. First, it develops a notion of two predominant ways in which envy expresses itself: one that is bad for the envied and the other that is bad for the envier. Second, it renews the traditional defense of the view that envy is bad or vicious. Third, it provides original phenomenological descriptions of differences between envy and covetousness, indignation, emulation, ressentiment, and jealousy. By drawing on literary sources and social scientific literature, the author provides concrete examples of the lived experience of an envier. A Phenomenological Analysis of Envy will appeal to researchers and advanced students working in ethics, moral psychology, phenomenology, and philosophy of emotion.

Black Art and Aesthetics comprises essays, poems, interviews, and over 50 images from artists and writers: GerShun Avilez, Angela Y. Davis, Thomas F. DeFrantz, Theaster Gates, Aracelis Girmay, Jeremy Matthew Glick, Deborah Goffe, James B. Haile III, Vijay Iyer, Isaac Julien, Benjamin Krusling, Daphne Lamothe, George E. Lewis, Sarah Elizabeth Lewis, Meleko Mokgosi, Wangechi Mutu, Fumi Okiji, Nell Painter, Mickaella Perina, Kevin Quashie, Claudia Rankine, Claudia Schmuckli, Evie Shockley, Paul C. Taylor, Kara Walker, Simone White, and Mabel O. Wilson. The stellar contributors practice Black aesthetics by engaging intersectionally with class, queer sexuality, female embodiment, dance vocabularies, coloniality, Afrodiasporic music, Black post-soul art, Afropessimism, and more. Black aesthetics thus restores aesthetics to its full potential by encompassing all forms of sensation and imagination in art, culture, design, everyday life, and nature and by creating new ways of reckoning with experience, identity, and resistance. Highlighting wide-ranging forms of Black aesthetics across the arts, culture, and theory, Black Art and Aesthetics: Relationalities, Interiorities, Reckonings provides an unprecedented view of a field enjoying a global resurgence. Black aesthetics materializes in communities of artists, activists, theorists, and others who critique racial inequities, create new forms of interiority and relationality, uncover affective histories, and develop strategies for social justice.

In this chapter, the author aims to make a case that Foucault does indeed have a viable conception of critical agency. The issue of critical agency emerges implicitly and explicitly throughout Foucault's work, but appears consistently. The key capacities of critical agency are present all along in Foucault's discussions of painting and, moreover, they culminate in the aesthetics of existence. The kind of critical agency evident in Foucault's discussions of various painters from the Renaissance to modern art can now be found in more explicit form in his conception of the aesthetics of existence, that is, in the various techniques or practices that individuals adopt to transform their lives ethically as if they were works of art.