Heather Reid

The ancient world witnessed a meaningful transition in the conception of human thought and belief. What some have called the “discovery” of the mind can also be understood as a release from dependence on oracular wisdom and mythological explanation, made possible by the invention of more reliable and democratic methods for discovering and explaining truths. During roughly the same epoch, Hellenic sport distinguished itself by developing objective mechanisms for selecting single winners from varied pools of contestants. Is there a connection? Following the general thesis that sport is an expression of thehuman desire to know, this paper will explore the epistemological nature of the earliest forms Hellenic athletics. I begin by interpreting the funeral games depicted in Homer’s Iliad as an unbiased, publicly monitored means for settling questions of social honor. I then consider the ancient Olympic games, arguing that their religious foundations motivated a new focus on objective and reliable methods for selecting single winners who could be symbolically sacrificed to the god. In both manifestations, athletic games are used to objectively answer important questions about merit. Eventually, competitive methods of truth‐seeking would become commonplace in Western thought. By examining early the origins of Greek sport in this light, however, Olympia may be identified as a key source of epistemological testing methods, and sport itself may be characterized fundamentally as a search for knowledge.

Classical Greece is famous for its athletic art, particularly the image of the nude male athlete. But how did the Greeks understand athletic beauty? Plato, Aristotle, Xenophon, and others discuss athletes’ beauty, while the educational ideal of kalokagathia conceptually connects athletic beauty with the good. More questions need to be answered, however, if we are to understand ancient athletic beauty. We need to ask ourselves what the Greeks appreciated when they looked at athletic bodies. What did those qualities mean to them? In what way was it erotic? How did it differ for females and males? In this paper I argue that the beautiful athletic body is framed in ancient Greek thought, not just as an aesthetically pleasing image, but as an ideal expression of a certain kind of soul.