Patrick Stokes

Kierkegaard’s identification of “consciousness” with “interest” (interesse) in his unfinished work Johannes Climacus adds a distinctive dimension to his phenomenology of subjectivity. Commentators, however, have largely identified interesse with lidenskab (“passion”), a conflation I argue to be mistaken, or have otherwise failed to note the structural implications of interesse for Kierkegaard’s account of cognition. I draw out these implications and argue that the Climacan account of interest as the experience of finding ourselves in-between ideality and reality implies, in the context of Kierkegaard’s trichotomous ontology of consciousness, a form of non-thetic self-referentiality built into cognition itself. This self-referentiality also has the intriguing implication of making consciousness itself inherently teleological.

In a series of important papers, Galen Strawson has articulated a spectrum of “temporal temperaments,” populated at one end by “Diachronics”, who experience their selves (understood as the “mental entity” they are at this moment) as something that existed in the past and will exist in the future, and at the other end by “Episodics”, who lack any such sense of temporal extension. As a self-declared Episodic, Strawson provides lucid descriptions of what episodicity is like, but cannot furnish a corresponding phenomenology of diachronic self-experience. He further argues that nothing normatively significant depends upon diachronicity, so Episodics can live fully moral (and fully satisfying) lives. I attempt to supply this missing phenomenology of diachronic self-experience using Kierkegaard’s account of “contemporaneity” (samtidighed). Kierkegaard operates with something quite close to Strawson’s “me/me*” (human/self) distinction, yet he nonetheless offers a compelling description of diachronic self-experience that is fully normative in character. I discuss some of the implications of this normativity for Strawson’s claim that there is nothing ethically or psychologically deficient in the Episodic’s self-experience.