Graham Harman

"Qu'est-ce qu'une chose? " Question déjà ancienne. Elle n'est toujours neuve que parce qu'il faut sans cesse la poser à nouveau ", observait Heidegger. C'est le traitement de cette question fondamentale de la métaphysique qu'entreprend, à nouveaux frais, Graham Harman en proposant une théorie originale de l'objet compris comme une unité autonome et concrète. Un objet, en effet, n'est jamais épuisé par l'usage ou la connaissance que j'en prends. Sa réalité ne se réduit pas non plus aux interactions qu'il peut avoir avec les autres objets qui l'entourent. II outrepasse toute perspective et toute synthèse qui prétendraient le soumettre, possédant un " en soi " qui, enfoui dans les profondeurs mêmes de l'être, en assure l'altérité radicale. La question Qu'est-ce qu'une chose? en cache donc une autre, plus inquiétante : Comment penser ce qui, du réel, ne se montre en aucun cas? Rouvrant un dossier qui semblait clos depuis la mise au ban de la " chose en soi " kantienne, l'auteur trouve dans la phénoménologie les concepts de base de cette remarquable aventure ontologique : dans la pensée husserlienne de l'objet intentionnel et, plus encore, dans l'analyse heideggérienne de l'outil dont Graham Harman suggère la continuité avec le thème mystérieux du " Quadriparti ". C'est alors que l'objet pourra se laisser penser dans toute sa profondeur, réalité multipolaire et conflictuelle, à la fois manifeste et retirée, dont le présent ouvrage dessine la carte inédite". Olivier Dubouclez.

Until quite recently, almost no philosophers trained in the continental tradition saw anything of value in realism. The situation in analytic philosophy was always different, but in continental philosophy realism was usually treated as a pseudo-problem. That is no longer the case. In this provocative new book, two leading philosophers examine the remarkable rise of realism in the continental tradition. While exploring the similarities and differences in their own positions, they also consider the work of others and assess rival trends in contemporary philosophy. They begin by discussing the relation between realism and materialism, which DeLanda links closely but which Harman tries to separate. Part Two covers the many different meanings of realism, with the two authors working together to develop an expanded definition of the term. Part Three features a spirited exchange on the respective virtues and drawbacks of DeLanda's realism of attractors and singularities and Harman's object-oriented theory. Part Four shifts to the question of the knowability of the real, as the authors discuss whether scientific knowledge does full justice to reality. In Part Five, they shift the focus to space, time, and science more generally, and here Harman offers a defence of actor-network theory despite its obvious anti-realist elements. Lively, accessible and engaging, this book is the best attempt so far to clarify the different paths for realism in continental philosophy. It will be of great value to students and scholars of continental philosophy and to anyone interested in the cutting-edge debates in philosophy and critical theory today.

Our own era is widely viewed as a golden age of intellectual tolerance when compared with the persecutions of yesteryear. But in fact, this tolerance serves to mask a fundamental indifference of one perspective to another. Each world view is seen as a personal opinion, walled off from others and immune to challenge or alteration by them. This article blames the current situation in part on the triumph of critical philosophy since Kant. In closing, several concrete and even whimsical proposals are made for remedying the situation and restoring a more wild and fruitful form of intellectual combat of a kind that no longer exists.

These writings chart Harman's rise from Chicago sportswriter to co-founder of one of Europe's most promising philosophical movements: Speculative Realism. In 1997, Graham Harman was an obscure graduate student covering Chicago sporting events for a California website. Unpublished in philosophy at the time, he was already a popular conference speaker on Heidegger and related themes. Little more than a decade later, as the author of stimulating and highly visible books on continental philosophy, he was Associate Vice Provost for Research at the American University in Cairo, and a key member of the Speculative Realist movement along with Ray Brassier, Iain Hamilton Grant, and Quentin Meillassoux. This fascinating collection of eleven essays and lectures from 1997-2009, anchored by Harman's rebellious transformation of Heideggerian philosophy, show the evolution of his object-oriented metaphysics from its early days into an increasingly developed philosophical position. Each chapter is preceded by Harman's delightful and witty scene-setting commentary.

This article defends a new sense of “formalism” in philosophy and the arts, against recent materialist fashion. Form has three key opposite terms: matter, function, and content. First, I respond to Jane Bennett’s critique of object-oriented philosophy in favor of a unified matter-energy, showing that Bennett cannot reach the balanced standpoint she claims to obtain. Second, I show that the form/function dualism in architecture gives us two purely relational terms and thus cannot do justice to the topic of form. Third, I argue against Greenberg, Heidegger, and McLuhan that content cannot be trivialized in favor of deeper form. I close with a new conception of mimesis as performance rather than as the fabrication of copies. The form underlying any work’s content is provided by the spectator herself as the only real object that does not withdraw from the aesthetic scene