Graham Harman

The Hungarian-born philosopher of science Imre Lakatos introduces the methodology of scientific research programs, and also makes a famous distinction between “progressive” and “degenerating” programs. Although Lakatos does not give extensive guidance as to whether philosophical rather than scientific theories could also be judged in this way, he does give some intriguing hints in his discussion of a debate on induction between Rudolf Carnap and Karl Popper. After considering two extant but misguided attempts to use “degenerating” as a polemical term in philosophy, this article gathers the aforementioned hints from Lakatos and a few others from Alfred North Whitehead in an effort to identify what a “progressive philosophy” might look like.

There have been several criticisms of Object-Oriented Ontology from the political Left. Perhaps the most frequent one has been that OOO’s aspiration to speak of objects apart from all their relations runs afoul of Marx’s critique of “commodity fetishism.” The main purpose of this article is to show that even a cursory reading of the sections on commodity in Marx’s Capital does not support such an accusation. For Marx, the sphere of entities that are not commodities is actually quite wide, including all the beings of nature not subject to exchange, as well as bartered goods, and tithes and rents paid in kind to feudal lords. In short, the theory of commodity fetishism is a theory of v a l u e, not an anti-realist theory of b e i n g, and thus does not touch on OOO at all. In closing, I make some brief comments on Marx’s relation to Kantian formalism and to Heidegger’s famous account of present-at-hand and ready-to-hand.

This article begins by addressing a critique of my book Immaterialism by the archaeologists Þóra Pétursdóttirr and Bjørnar Olsen in their 2018 article “Theory Adrift.” As they see it, I restrict myself in Immaterialism to available historical documentation on the Dutch East India Company (VOC), and they wonder how my account might have changed if I had discussed more typical archaeological examples instead: wrecked and sunken ships, released ballast, deserted harbors, distributed goods, and derelict fortresses. In response, I argue that my account was not therefore non-archaeological, since ruins are the topic of archaeology only by accident: the real subject of the discipline is what Marshall McLuhan describes as “cold media,” in the sense that they are low in information. McLuhan’s distinction between hot and cold media is shown to be surprisingly analogous to Aristotle’s difference between continua and discrete substances, and some consequences are drawn from this analogy.

This article provides a critical treatment of the ontology underlying Thomas Metzinger’s Being No One. Metzinger asserts that interdisciplinary empirical work must replace ‘armchair’ a priori intuitions into the nature of reality; nonetheless, his own position is riddled with unquestioned a priori assumptions. His central claim that ‘no one has or has ever had a self’ is meant to have an ominous and futuristic ring, but merely repeats a familiar philosophical approach to individuals, which are undermined by reducing them downward to their material underpinnings, and ‘overmined’ by reducing them upward to their functional effects. Ultimately, Metzinger blends a rigid form of traditional materialism with an ontology of processes and events that is too reminiscent of late 1990’s continental philosophy. In both directions, the novelty and fertility of Metzinger’s position can be called into question.

This book is a major contribution to the understanding of Heidegger and a rare attempt to bridge the schism between traditions of analytic and Continental philosophy. Cristina Lafont applies the core methodology of analytic philosophy, language analysis, to Heidegger's work providing both a clearer exegesis and a powerful critique of his approach to the subject of language. In Part One, she explores the Heideggerean conception of language in depth. In Part Two, she draws on recent work from theorists of direct reference to reveal the limitations of Heidegger's views and to show how language shapes our understanding of the world without making learning impossible. The book first appeared in German but has been substantially revised for the English edition.

Our own era is widely viewed as a golden age of intellectual tolerance when compared with the persecutions of yesteryear. But in fact, this tolerance serves to mask a fundamental indifference of one perspective to another. Each world view is seen as a personal opinion, walled off from others and immune to challenge or alteration by them. This article blames the current situation in part on the triumph of critical philosophy since Kant. In closing, several concrete and even whimsical proposals are made for remedying the situation and restoring a more wild and fruitful form of intellectual combat of a kind that no longer exists.

Bruno Latour, the French sociologist, anthropologist and long-established superstar in the social sciences is revisited in this pioneering account of his ever-evolving political philosophy. Breaking from the traditional focus on his metaphysics, most recently seen in Harman's book Prince of Networks, the author instead begins with the Hobbesian and even Machiavellian underpinnings of Latour's early period and encountering his shift towards Carl Schmitt and finishing with his final development into the Lippmann / Dewey debate. Harman brings these twists and turns into sharp focus in terms of Latour's personal political thinking. Along with Latour's most important articles on political themes, the book chooses three works as exemplary of the distinct periods in Latour's thinking: The Pasteurization of France, Politics of Nature, and the recently published An Inquiry Into Modes of Existence, as his conception of politics evolves from a global power struggle between individuals, to the fabrication of fragile parliamentary networks, to just one mode of existence among many others.

This article defends a new sense of “formalism” in philosophy and the arts, against recent materialist fashion. Form has three key opposite terms: matter, function, and content. First, I respond to Jane Bennett’s critique of object-oriented philosophy in favor of a unified matter-energy, showing that Bennett cannot reach the balanced standpoint she claims to obtain. Second, I show that the form/function dualism in architecture gives us two purely relational terms and thus cannot do justice to the topic of form. Third, I argue against Greenberg, Heidegger, and McLuhan that content cannot be trivialized in favor of deeper form. I close with a new conception of mimesis as performance rather than as the fabrication of copies. The form underlying any work’s content is provided by the spectator herself as the only real object that does not withdraw from the aesthetic scene

Platonic myth meets American noir in this haunting series of philosophical images, from gigantic ferris wheels to offshore drilling rigs. It has been said that Plato, Nietzsche, and Giordano Bruno gave us the three great mythical presentations of serious philosophy in the West. They have spawned few imitators, as philosophers have generally drifted toward a dry, scholarly tone that has become the yardstick of professional respectability. In this book, Graham Harman tries to restore myth to its central place in the discipline. In Chapter One, the narrator considers the motion of a Ferris wheel of many miles in diameter, which generates disasters and other events in its endless revolutions. In Chapter Two, he moves from the Chesapeake Bay to the depths of Hell, where he observes the show trial of pre-Socratic thinkers. In Chapter Three, the narrator encounters a battered steam calliope in India that may summon tsunamis, solar flares, and other catastrophic forces. In Chapter Four, he tries to explain reports of a ghostly boat in Japanese waters. In Chapter Five, he discusses causation on an offshore drilling platform. And in Chapter Six, amidst a deadly Paris hailstorm, he proposes a theory of objects without relations.