Lena Halldenius

"The introduction of Historical Dictionary of Feminist Philosophy provides a useful overview of the subject, while the chronology runs the gamut from ancient Greek to contemporary feminist philosophers. Dictionary entries cover both the central figures and ideas from the historical tradition of philosophy, as well as ideas and theories from contemporary feminist philosophy, such as epistemology and topics like abortion and sexuality. In addition to including entries on Aristotle, Plato, Descartes, Kant, Wollstonecraft, Beauvoir, and Daly, relevant aspects of other fields of philosophy, the major concepts, and prevailing interpretations and conjectures are also covered. A comprehensive bibliography allows for further reading."--BOOK JACKET

The scholarship on Mary Wollstonecraft is divided concerning her views on women's role in public life, property rights, and distribution of wealth. Her critique of inequality of wealth is undisputed, but is it a complaint only of inequality or does it strike more forcefully at the institution of property? The argument in this article is that Wollstonecraft's feminism is partly defined by a radical critique of property, intertwined with her conception of rights. Dissociating herself from the conceptualization of rights in terms of self-ownership, she casts economic independence—a necessary political criterion for personal freedom—in terms of fair reward for work, not ownership. Her critique of property moves beyond issues of redistribution to a feminist appraisal of a property structure that turns people into either owners or owned, rights-holders or things acquired. The main characters in Wollstonecraft's last novel—Maria, who is rich but has nothing, and Jemima, who steals as a matter of principle—illustrate the commodification of women in a society where even rights are regarded as possessions

For Mary Wollstonecraft, the moral purpose of government is to act on the principle of equality and protect the weak against the fact of inequality. The political day-to-day is characterized by classes and groups with competing interests, some more powerful than others. Wollstonecraft was a republican thinker and so it is reasonable to expect in her writings a notion of political society as representative, but how? After placing Wollstonecraft in relation to contemporary republicanism, we can see that Wollstonecraft’s notion of representation operates on different levels of right: constitutional and political. The “what” that is represented on is, respectively, authority of the people and the perspectives of groups or classes. The people as an abstract, idealized union, so crucial for many republicans, makes sense only on the constitutional level. The political field of law making and policy is an agonistic one where representation has to be practical and no unity is to be expected beyond class or group interests. That is why women and the labouring classes need to have their own interests represented by representatives who share their interests and perspectives.

The argument in this article is that Hobbes' theory of freedom in Leviathan allows for four ways of being free to act - corporal freedom by nature, freedom from obligation by nature, the freedom to disobey and the freedom of no-rule - each corresponding to a particular absence, some of which make sense only in the civil state. Contrary to what some have claimed, this complexity does not commit Hobbes to an unarticulated definition of freedom in tension with the only one that he explicitly offers, which is that freedom consists of nothing other than the absence of external impediments of motion. To be free from obligation is to be free from impediments. As a political subject in the state, the power that is blocked or compelled by law is a person's power to perform artificial acts as her will directs. Laws and prior commitments are external impediments that block or compel making an artificial, institution-dependent act either impossible or unavoidable. The bonds of law bind artificially yet corporally, given that the power that makes them is, quite literally, an external body that moves at will.