Pieter Lemmens

To be alive is to be vulnerable. That is probably the most basic truth all living creatures confront, from the smallest to the greatest and from the most primitive to the most complex. As Hans Jonas states in the introduction to his wonderful treatise, The Phenomenon of Life, the paradoxical, still enigmatic fact that vital substance by some original act of segregation has isolated itself from the general fabric of things and set itself over against the world introduced the tension of ‘to be or not to be’ in the indifferent continuum of material existence. With life, Jonas observes with Friedrich Nietzsche, being appears as being in an emphatic sense for the first time. Life means mortality, it is existence affirmed but as such, given the inherent and continuous threat of relapsing back into non-being (all living creatures’ ultimate fate anyway), it is existence as concern. Being alive as being free from the identity with matter implies having its own being as a burden and this means—h

‘The art of living with ICTs ’ today not only means finding new ways to cope, interact and create new lifestyles on the basis of the new digital technologies individually, as ‘consumer-citizens’. It also means inventing new modes of living, producing and, not in the least place, struggling collectively, as workers and producers. As the so-called digital revolution unfolds in the context of a neoliberal cognitive and consumerist capitalism, its ‘innovations’ are predominantly employed to modulate and control both production processes and consumer behavior in view of the overall goal of extracting surplus value. Today, the digital networks overwhelmingly destroy social autonomy, instead engendering increasing social heteronomy and proletarianization. Yet it is these very networks themselves, as technical pharmaka in the sense of French ‘technophilosopher’ Bernard Stiegler, that can be employed as no other to struggle against this tendency. This paper briefly explores this possibility by reflecting upon current diagnoses of our ‘technological situation’ by some exemplary post-operaist Marxists from a Stieglerian, pharmacological perspective.