David Pan

Though he has become known to his detractors as a theorist who has replaced rational discourse with pure power in his theory of the decision, Carl Schmitt's notion of politics is, on a fundamental level, culturally and ethically based. This cultural and ethical conception of politics permeates his work, not only in texts about explicitly cultural issues, such as his 1916 study of Theodor Däubler's Expressionist Nordlicht or his meditation on the connection between politics and art in Shakespeare in Hamlet oder Hekuba,1 but also in Political Theology, one of the key texts of his theory of decisionism. While commentators….

ExcerptIf recent discussions of Schmitt in these pages have made a broad case for the centrality of culture for his thinking, the current issue both specifies and generalizes this approach. The specificity derives from our focus on one key text by Schmitt that is often passed over but is in fact crucial for understanding his work. The generality is a result of the breathtaking sweep of issues that this text opens up for the contributors to this issue: the relation of sovereignty to popular will, the ontological status of modernity, the role of myth in society, the representational structure of…