Berit Brogaard

Recent research on synesthesia has focused on how the condition may depend on selective attention, but there is a lack of consensus on whether selective attention is required to bind colors to their grapheme inducers. In the present study, we used a novel change detection paradigm to examine whether synesthetic colors guide the subject’s attention to the location of the inducer or whether selective attention is required to act as a unique feature during visual search. If synesthetic experiences are elicited by inducers without selective attention, then a target that is distinct from the distractors by virtue of its unique synesthetic color should capture attention. This should lead to efficiency in the search that is analogous to the efficiency in searches involving unique display colors. If, however, an inducer does not elicit a synesthetic color until the subject selectively attends to it, then the search should be as inefficient as for control subjects. We found that, not only does synesthesia not provide an advantage in complicated visual search tasks, it offers a slight disadvantage, supporting the re-entrant processing hypothesis about the mechanism underlying synesthesia.

Since the publication of David Lewis’ Counterfactuals, the standard line on subjunctive conditionals with impossible antecedents (or counterpossibles) has been that they are vacuously true. That is, a conditional of the form ‘If p were the case, q would be the case’ is trivially true whenever the antecedent, p, is impossible. The primary justification is that Lewis’ semantics best approximates the English subjunctive conditional, and that a vacuous treatment of counterpossibles is a consequence of that very elegant theory. Another justification derives from the classical lore than if an impossibility were true, then anything goes. In this paper we defend non-vacuism, the view that counterpossibles are sometimes non-vacuously true and sometimes non-vacuously false. We do so while retaining a Lewisian semantics, which is to say, the approach we favor does not require us to abandon classical logic or a similarity semantics. It does however require us to countenance impossible worlds. An impossible worlds treatment of counterpossibles is suggested (but not defended) by Lewis (Counterfactuals. Blackwell, Oxford, 1973), and developed by Nolan (Notre Dame J Formal Logic 38:325–527, 1997), Kment (Mind 115:261–310, 2006a: Philos Perspect 20:237–302, 2006b), and Vander Laan (In: Jackson F, Priest G (eds) Lewisian themes. Oxford University Press, Oxford, 2004). We follow this tradition, and develop an account of comparative similarity for impossible worlds.

While much has been written about whether visual perception is cognitively penetrable, the analogous question with respect to auditory perception has received very little attention. Here we argue that instances of top-down modulation of auditory processing, although extensive, do not constitute cases of cognitive penetration of auditory perception since the changes in the phenomenology of auditory perception caused by top-down influences cannot plausibly be attributed to the listeners’ discursive thoughts.

Naive realism is one of the oldest theories of perception. To a first approximation, naive realism is the view that perception is a direct relation between a subject and an object. Many historical philosophers (from Locke to Russell) argued that naive realism must be rejected on the grounds that hallucinations are perceptual experiences without an object. Contemporary philosophers have resurrected the theory by insisting that genuine cases of perception have a different structure or a different metaphysical status than non-genuine ones. This version of naive realism has come to be known as ‘disjunctivism’. Epistemological disjunctivism and disjunctivism about phenomenal belief, or what I shall call ‘Epistemological disjunctivism’, have also gained popularity in recent years. More recently disjunctivist accounts of bodily movements, abilities and reasons for action have entered the philosophical scene. This entry focuses on the contemporary debate about disjunctivism: its characterization, its motivation and its potential shortcomings.