Robert Sokolowski

Philosophers have long agreed that thinking is expressed in the use of language, that we “think in the medium of words.” It is also true, however, that we think in the medium of pictures, and it is likely that these two ways of thinking are interrelated; certainly, we could not think in pictures if we did not have words, and perhaps we could not use words, in principle, unless we were also engaged in some sort of picturing, at least in our imagination. An ideographic language like Chinese would give greater support to the latter possibility than would our phonetically based form of writing.

This book presents the major philosophical doctrines of phenomenology in a clear, lively style with an abundance of examples. The book examines such phenomena as perception, pictures, imagination, memory, language, and reference, and shows how human thinking arises from experience. It also studies personal identity as established through time and discusses the nature of philosophy. In addition to providing a new interpretation of the correspondence theory of truth, the author also explains how phenomenology differs from both modern and postmodern forms of thinking.

WHEN WORDS APPEAR THEY INTERRUPT the dense continuity of things. Pictures do so as well, but in a different way. The things surrounding me form a dense continuum: my attention can move from one thing to another without leaving what is immediately there. I can go from the table to the rug to the chair to the lamp and to the wall. But if at some point I come to a picture, this plain sequence is broken, and although it may quickly be picked up again, it is interrupted by the picture. When I hit the picture, I am no longer just with what is immediately there. I am with the depicted as well as with what is itself there. It is as though a fourth spatial dimension suddenly came into play, not effacing but being added to the three that were and are there all along. A new horizon appears and is blended with the one in which I am engaged.

This book explores a dimension in Husserl's thought that is, unfortunately, usually neglected, the analysis of formal structures in thinking. It examines such topics as formal ontology, formal logic, logic and mathematics, set theory, and, most of all, the theme of parts and wholes. Moreover the book does not just comment on Husserl's treatment of these topics; it pursues them as philosophical issues, shows how Husserl's position can be compared with that of other thinkers, and traces some of the influence he has exercised.

For all these reasons, it is helpful to have a volume such as the one under review, which gives the historical and textual background for Crisis. Ably edited by Reinhold N. Smid, who has been associated with the Husserl Archives at Cologne for many years, the volume contains papers from the period 1934-37, just before Husserl's death in 1938. Crisis itself was published in its present form only posthumously in 1954, but its first two parts appeared in the journal Philosophia, published in Belgrade, in 1936. The idea of composing this work came to Husserl after he gave two lectures in Prague on 14-15 November 1935. The lectures provided the nucleus for Crisis, and the typescript for them is published in thirty-three pages of this volume. It is interesting to note that the title for the typescript is "Psychology in the Crisis of European Science." Although psychology is extensively treated in Crisis, the issue of that science is not one of the themes that commentators usually discuss. It is helpful to see how central psychology was in Husserl's later thought. The point is that he must distinguish the philosophical study of man from the empirical psychological study if he is to avoid taking philosophy as merely a partial science and if he is not to betray the special mode of being of transcendental subjectivity. The study of man must not be carried out according to the "objectivist" methods of modern science.