Dimitris Vardoulakis

Sophocles seems to have already reached in Antigone the same insight about the body politic which will again be expressed in the seventeenth century by Spinoza: namely, the political has as its condition of possibility the potential for being challenged from within. Sophocles’ play starts immediately after Thebes has successfully stoved off a challenge from an external enemy – from Argos, another city state. However, during the battle, Eteocles, the king, and his own brother, Polynices, who in fact was heading the Argeans, both died. Thus afterwards Creon is elected ruler of Thebes. Creon’s first act of government is to decree that Polynices’ body is to remain unburied. If the new king thought that the worse was past him after the end of the battle, he was sorely mistaken. A challenge to his degree from one of the citizens and his own niece, Antigone, will not only lead to the decimation of his own family, but also to the new king being stranded alone at the end of the play, in charge of a self-incurred desert. Antigone, a stubborn teenage girl, is the cause of challenging the sovereign of Thebes and hence the city’s body politic

This article examines the connection between lying and the concept of freedom, especially in the wake of the social contract tradition. I show that the liar poses a particular threat to the social contract. As a result, lying has been portrayed as a pernicious threat to the political. This culminates in Kant’s outright rejection of lying under any circumstance. From the Kantian perspective, one can be free only if one does not lie. Conversely, Spinoza’s co-implication of virtue and power entails that lying is acceptable under certain circumstances, which enhance one’s freedom. The contrast between Kant’s and Spinoza’s response to lying reveals two fundamentally different ways of conceiving freedom

This book questions what sovereignty looks like when it is de-ontologised; when the nothingness at the heart of claims to sovereignty is unmasked and laid bare. Drawing on critical thinkers in political theology, such as Schmitt, Agamben, Nancy, Blanchot, Paulhan, The Politics of Nothing asks what happens to the political when considered in the frame of the productive potential of the nothing? The answers are framed in terms of the deep intellectual histories at our disposal for considering these fundamental questions, carving out trajectories inspired by, for example, Peter Lombard, Shakespeare and Spinoza. This book offers a series of sensitive and creative reflections that suggest the possibilities offered by thinking through sovereignty via the frame of nihilism. This book was originally published as a special issue of Culture, Theory and Critique