Ursula Renz

In the introduction to the Leviathan, Hobbes famously defends the anthropological point of departure of his theory of the state by invoking the Delphic injunction ‘Know thyself!’ of which he presents a peculiar reading thereafter. In this paper, I present a reading of the anthropology of the Leviathan that takes this move seriously. In appealing to Delphic injunction, Hobbes wanted to prompt a particular way of reading his anthropology for which it is crucial that the reader relate the presented anthropological views to his self-conception. The anthropology of the Leviathan is thus a kind of manual for a certain kind of self-reflection by which the reader's self-knowledge is to be improved. Furthermore, I will argue that Hobbes' interpretation of the Delphic injunction illuminates several theoretical issues relevant to the epistemology of that kind of ‘self-knowledge’ that was demanded by the Delphic injunction. While Hobbes does not solve all the epistemological problems related with the ideal appealed to by this inscription, he does provide some interesting insights into some general requirements that any epistemological account of Socratic self-knowledge has to meet.

This article discusses the question whether or not Cassirer’s philosophical critique of technological use of myth in The Myth of the State implies a revision of his earlier conception and theory of myth as provided by The Philosophy of Symbolic Forms. In the first part, Cassirer’s early theory of myth is compared with other approaches of his time. It is claimed that Cassirer’s early approach to myth has to be understood in terms of a transcendental philosophical approach. In consequence, myth is conceived as a form of cultural consciousness which is constituted by specific symbolic processes. In the second part, the theoretical assumptions underlying Cassirer’s criticism of myth are discussed and compared with his earlier theory. It is argued that there is a strong conceptual and theoretical continuity between Cassirer’s early views on myth as a symbolic form and his later critique of technological use of myth

This paper takes Udo Thiel’s The Early Modern Subject: Self-Consciousness and Personal Identity from Descartes to Hume as an example of a study that aims to provide an account of a particular philosophical development, and discusses both the methodological requirements and the philosophical commitments connected with this ambition. In a first step, I distinguish between two fundamentally different ways of thinking about philosophical development, viz. externalism and internalism with regard to historical developments in philosophy, and I consider two ways of defining the two respective positions. Next, I specify certain methodological decisions that are relevant when writing a study on a particular philosophical development, and I characterize Udo Thiel’s book with respect to them. While no definitive position is taken with regard to the issues raised, the paper does advocate a reflective approach to them.

In ancient as well as in early modern theories of emotion, philosophy is often described as some kind of therapy. However, the assumption that philosophical reflection can influence our emotional life is only plausible, if the following requirements are met. First, one has to defend a realist account of self-knowledge. Second, one must allow for some kind of constructivism in regard to the description of one′s own experience. Finally, one has to maintain a strictly cognitivist conception of emotion. The article discusses these three conditions and shows that, while the idea of a therapeutic influence of philosophical reflection is valid in principle, it is only of a restricted use

Relying on the assumption that Spinoza makes a double use of the principle of sufficient reason, Michael Della Rocca has defended a reconstruction of Spinoza’s approach as a metaphysical outlook according to which all particulars vanish in the only and one divine substance. This implies nothing less than a radical attempt to suggest a new and completely revisionary form of metaphysics. After a short discussion of Strawson’s distinction between revisionary and descriptive metaphysics and an exposition of the basic principles of Della Rocca’s interpretation, I critically assess his attack of the use of intuitions in analytic philosophy. After discussing the extent to which the first book of Spinoza’s Ethics is appropriately described as a revisionary project, I conclude with an argument for the necessity of both descriptive and revisionary elements in metaphysics.