Stella Sandford

Whilst the distinction between French and Anglo-American feminism was always rather dubious two specific linguistic differences between French and English have nevertheless determined two streams of feminist thought, and complicated the relation between them. Since the 1960s, English-language feminisms, in so far as they are distinctive, have centrally either presupposed or explicitly theorized the category of gender, for which there is no linguistic equivalent in French. At the same time, much (although not all) that came to be categorized as ʻFrenchʼ feminism has been articulated around the category of le féminin, for which there is no ready equivalent in English, although there is an obvious translational choice: ʻthe feminineʼ. Various Anglo-American feminisms have made consideration of what have been seen as feminine attributes and values central to their critical and reconstructive projects, but it is not this (adjectival) sense which is at issue here in the translation of le féminin, a noun. For despite the fact that the French and English words connote differently (in particular, le féminin also covers most of what is meant by the English ʻfemaleʼ), ʻthe feminineʼ, as a direct translation of the different and specific uses of le féminin in various French discourses, has become a common category in English-language feminist discourse, specifically English-language feminist philosophy of a ʻcontinentalʼ disposition, where it is often presumed to be both the proper object of such a philosophy and the proper goal of feminism. But is it? Or what exactly is at stake in making it so? Is ʻthe feminineʼ a necessary or useful category for feminism today?

This is the Introduction to Etienne Balibar's book Identity and Difference: John Locke and the Invention of Consciousness. It begins with a brief reprise of Balibar’s main argument concerning Locke’s role in the ‘invention of consciousness’ and draws out the most important aspects of Balibar’s multi-faceted interpretation of Locke on personal identity. After a condensed overview of the main trends in the mainstream interpretation and criticism of Locke’s argument, focusing in particular on the two major objections that continue to be leveled against Locke’s account, it then relocates Locke’s argument and Balibar’s interpretation of it within the context of recent work on the philosophical history of the concept of the subject. This new context for the interpretation of Locke allows us both to understand the dogged persistence of the main criticisms of Locke – from the earliest to some of his most recent ‘analytical’ critics – in a new way and to form of a connection between this part of the Essay Concerning Human Understanding and Locke’s political philosophy.

What does the study of Plato’s dialogues tell us about the modern meaning of ‘sex’? How can recent developments in the philosophy of sex and gender help us read these ancient texts anew? _Plato and Sex _addresses these questions for the first time. Each chapter demonstrates how the modern reception of Plato’s works Ð in both mainstream and feminist philosophy and psychoanalytical theory Ð has presupposed a ‘natural-biological’ conception of what sex might mean. Through a critical comparison between our current understanding of sex and Plato’s notion of genos, Plato and Sex puts this presupposition into question. With its groundbreaking interpretations of the Republic, the Symposium and the Timaeus, this book opens up a new approach to sex as a philosophical concept. Including critical readings of the theories of sex and sexuation in Freud and Lacan, and relating such theories to Plato’s writings, _Plato and Sex_ both questions our assumptions about sex and explains how those assumptions have coloured our understanding of Plato. What results is not only an original reading of some of the most prominent aspects of Plato’s philosophy, but a new attempt to think through the meaning of sex today.

In the philosophical works of Emmanuel Levinasʼs early career, it is in a phenomenology of Eros that he claims to have uncovered the site of what he calls ʻtranscendenceʼ. This is no small claim. According to the argument of the later Totality and Infinity (1961), the history of Western philosophy is to be thought as the history of the ʻphilosophy of the sameʼ. Within this polemical generalization almost the whole of Western philosophy is characterized as a totalizing discourse which aims to reduce everything to the categories of a thematizing consciousness. Conceptual structures are employed (or presupposed) in order to make diverse phenomena commensurable within a system, and according to Levinas this operation always constitutes a reduction of what is ʻotherʼ to the order of the ʻsameʼ. In agreement with a certain transcendentalism which is itself implicated in Levinasʼs critique, these structures of thought are then equated with consciousness itself; the thematizing project is one of mastery in which noemata will of necessity conform to noesis, in which the object is constituted for and by the subject. The experience of transcendence, so rare in this version of philosophyʼs history, is the experience of whatever is and truly remains other than me, recalcitrant to mastery through conceptualization and to the transcendental project of the subject to construe everything as originating from within itself. If, then, it is first of all in the erotic relation that the possibility of the experience of transcendence is said to arise, Eros can in no sense be dismissed as an unimportant or peripheral theme for Levinas, and a full investigation is warranted, especially given the current interest in Levinasʼs work, interest which is not limited to the discipline of philosophy. Furthermore, as the notion of Eros is closely associated, textually and conceptually, with what Levinas calls ʻthe feminineʼ, critical attention has been excited amongst feminist scholars of various persuasions, with claims – both positive and negative – being made for Levinasʼs significance as a resource for feminist philosophy and feminist politics. If assertions of a ʻLevinasianʼ feminism, no matter how qualified, tend to rest on the idea that Levinasʼs phenomenology of Eros, and analyses of ʻthe feminineʼ mark a break in or a new departure from a ʻmasculinistʼ tradition, this article seeks, in part, to argue to the contrary.

This interdisciplinary article takes a philosophical approach to The Interpretation of Dreams, connecting Freud to one of the few philosophers with whom he sometimes identified - Immanuel Kant. It aims to show that Freud's theory of dreams has more in common with Bion's later thoughts on dreaming than is usually recognized. Distinguishing, via a discussion of Kant, between the conflicting 'epistemological' and 'anthropological' aspects of The Interpretation of Dreams, it shows that one specific contradiction in the book - concerning the relation between dream-work and waking thought - can be understood in terms of the tension between these conflicting aspects. Freud reaches the explicit conclusion that the dream-work and waking thought differ from each other absolutely; but the implicit conclusion of The Interpretation of Dreams is quite the opposite. This article argues that the explicit conclusion is the result of the epistemological aspects of the book; the implicit conclusion, which brings Freud much closer to Bion, the result of the anthropological approach. Bringing philosophy and psychoanalysis together this paper thus argues for an interpretation of The Interpretation of Dreams that is in some ways at odds with the standard view of the book, while also suggesting that aspects of Kant's 'anthropological' works might legitimately be seen as a precursor of psychoanalysis.

This chapter examines the relationship between feminist theory and critical theory in Gillian Howie’s Between Feminism and Materialism, and the relation of both to philosophy. The chapter suggests that the relation between feminist theory and critical theory is a contradictory one in which the partners are at the same time close and yet estranged. It examines how Howie characterises this state of affairs and affirms her aim of 'putting Critical Theory to work for feminist theory’, explaining how her return to a set of revivified Marxist categories does this. However, it also argues that Howie’s specific attempt to bring a certain aspect of critical theory to bear on the understanding of sex and gender is limited by its relation to feminist philosophy. But it ends by suggesting that the work undertaken in Between Feminism and Materialism can be extended in another direction to begin the project of a critical theory of sex and a critique of the gender industry.