Willem A. DeVries

I argue that John McDowell’s attempt to refute Wilfrid Sellars’s two-component analysis of perceptual experience and substitute for it a conception according to which perceptual experience is the “conceptual shaping of sensory consciousness” fails. McDowell does not recognize the subtle dialectic in Sellars’s thought between transcendental and empirical considerations in favor of a substantive conception of sense impressions, and McDowell’s own proposal seems to empty the notion of sensory consciousness of any real significance.

Wilfrid Sellars has been called "the most profound and systematic epistemological thinker of the twentieth century". He was in many respects ahead of his time, and many of his innovations have become widely acknowledged, for example, his attack on the "myth of the given", his functionalist treatment of intentional states, his proposal that psychological concepts are like theoretical concepts, and his suggestion that attributions of knowledge locate the knower "in the logical space of reasons". However, while many philosophers have begun to acknowledge Sellars's inspiration in their work, their interpretation of his thought has not always been the most accurate. His writings are difficult. Individually, his essays are complex and sometimes rely on doctrines and arguments he put forward elsewhere. Each of his articles is deepened and strengthened by seeing it in its systematic context, but he never wrote a unified exposition of his system, which therefore has to be pieced together from numerous disparate sources. Willem deVries addresses these difficulties specifically and provides a careful reading and remarkable overview of Sellars's systematic philosophy that will become the standard point of reference for all philosophers seeking to understand Sellars's hugely significant body of work.

Though Wilfrid Sellars portrayed himself as a latter-day Kantian, I argue here that he was at least as much a Hegelian. Several themes Sellars shares with Hegel are investigated: the sociality and normativity of the intentional, categorial change, the rejection of the given, and especially their denial of an unknowable thing-in-itself. They are also united by an emphasis on the unity of things—the belief that things do ‘‘hang together.’’ Hegel’s unity is idealist; Sellars’ is physicalist; the differences are substantial, but so are the resonances.

The translationist theory of meaning can provide a plausible understanding of the reenactment methodology of history, although there are disanalogies. It takes as primitive our ability to recognize synonymy relations between linguistic episodes, either within the same language or other languages. In translating a complex linguistic object translators must possess an incredibly large stock of background knowledge about a culture and be sensitive and resourceful speakers of the language into which they are translating. Since there is no codified set of rules which guarantees a good translation, translators need to use creativity. Similarly, in deciding which of the possible meanings to assign to an event or document, historians can follow little better advice than to insert themselves imaginatively into the situation and let their ability to understand their contemporary events and other historical events come to bear upon the events of the past

This essay is a response to Patrick Reider’s essay “Sellars on Perception, Science and Realism: A Critical Response.” Reider is correct that Sellars’s realism is in tension with his generally Kantian approach to issues of knowledge and mind, but I do not think Reider’s analysis correctly locates the sources of that tension or how Sellars himself hoped to be able to resolve it. Reider’s own account of idealism and the reasons supporting it are rooted in the epistemological tradition that informed the British empiricists, rather than in the metaphysical reasons that ruled within the German tradition from Leibniz through Hegel that has much more in common with Sellars’s position. Thus, Reider takes Sellars’s notion of picturing to be just another version of the representationalism that has dominated the Anglo-American tradition since Locke, whereas, in my view, because picturing is a non-semantical relation, it is an important ingredient in naturalizing the coherentist theories of the idealists.

The "Transcendental Deduction" in Kant's Critique of Pure Reason is one of the great mirrors of philosophy. By that I mean that there seems to be no steady and unchanging image to be found in that text; each philosopher who approaches it finds in it a reflection of his or her own deepest concerns. Jay Rosenberg's new book, "Accessing Kant: A Relaxed Introduction to the Critique of Pure Reason" is no exception. Rosenberg lays out a different approach to the central argument of the first Critique from those found in other commentaries. I want to bring out some of the central features of that approach, some of its history, and, finally, raise some questions about how closely his approach might come to Kant's own intentions.

Sellars was committed to the irreducibility of the semantic, the intentional, and the normative. Nevertheless, he was also committed to naturalism, which is prima facie at odds with his other theses. This paper argues that Sellars maintained his naturalism by being linguistically pluralistic but ontologically monistic . There are irreducibly distinct forms of discourse, because there is an array of distinguishable functions that language and thought perform, but we are not ontologically committed to the array of apparently non-natural entities or relations mentioned in the metalanguage. However, there is an underlying relation between language and world presupposed by all empirically meaningful language. In his early work Sellars sought to describe this relation in linguistic terms as a form of 'pure description', but inadequacies in that notion drove him towards the naturalistic relation between language and world that he came to call 'picturing'

This paper investigates Sellars's complex attitude towards idealism. It distinguishes between the epistemologically-based arguments that led many empiricists to idealism and a different set of more purely metaphysical arguments that came to dominate in German Idealism. Sellars resolutely rejects all of the epistemological arguments for idealism, but shows much greater sympathy with the metaphysical arguments. It is then argued that Sellars introduced his notion of picturing to avoid falling into such an idealism.