Jin Y. Park

This essay considers an ethical paradigm that can be drawn from Buddhist and postmodern philosophy. Ethics is a practical branch of philosophy and an ethical paradigm is closely connected to the fundamental structure and tenets of a philosophical system. That ethics is a practical branch of philosophy also indicates that meaning and value of a certain ethical paradigm is directly related to the environments in which the paradigm is understood and practiced. In considering an ethical paradigm based on Buddhist and postmodern philosophy, and doing so in the context of the 21st century in which we live, we will examine a paradigm I call an "ethics of tension." I will first outline the concept, and discuss how this paradigm can be a form of ethics that can be envisioned in Buddhist and postmodern philosophy. Finally, I will consider the meaning of ethics and the ethical that the ethics of tension would like to underline as an ethical discourse and for an ethical life.

This essay attempts a paradigmatic comparison between the fourfold worldview of Hua-yen Buddhism and the postmodern philosophy of Jean-François Lyotard. Employing a tension between centripetal and centrifugal forces as a structural underpinning of these two philosophies, the essay illuminates the liberating nature of Hua-yen Buddhism and postmodern thought together with the shadow of skepticism involved in endorsing a vision for a poly-lingual existence. Despite human beings' desire for a totalitarian vision hidden in every aspect of our discourse, Hua-yen Buddhism and postmodern thought demand us to envision the world of the 'inconceivable' in which the diversity of existence raises its own voice beyond the regulating force of our society

A TrajectoryIn an essay that is now a classic piece in understanding post-modern culture, Jean-François Lyotard wrote, “[e]clecticism is the degree zero of contemporary general culture: one listens to reggae, watches a western, eats McDonald’s food for lunch and local cuisine for dinner, wears Paris perfume in Tokyo and ‘retro’ clothes in Hong Kong” (Lyotard 1989: 76). The boundaries have become blurred in both positive and negative senses. Geographical borders have loosened through ever-increasing mobility as cultural exchanges become more accessible and are rapidly flowing through electronic exchanges in the cyberspace arena. Almost a quarter century after Lyotard described the present era as the time of eclecticism, the world has become more global, and the demand for cross-, inter-, and multi-cultural knowledge has become stronger than ever. In this context, globalization, cosmopolitanism, and world-citizenship have become some of the expressions with which the present time is defi.

Merleau-Ponty and Buddhism explores a new mode of philosophizing through a comparative study of Maurice Merleau-Ponty's phenomenology and philosophies of major Buddhist thinkers such as Nagarjuna, Chinul, Dogen, Shinran, and Nishida Kitaro. Challenging the dualistic paradigm of existing philosophical traditions, Merleau-Ponty proposes a philosophy in which the traditional opposites are encountered through mutual penetration. Likewise, a Buddhist worldview is articulated in the theory of dependent co-arising, or the middle path, which comprehends the world and beings in the third space, where the subject and the object, or eternalism and annihilation, exist independent of one another. The thirteen essays in this volume explore this third space in their discussions of Merleau-Ponty's concepts of the intentional arc, the flesh of the world, and the chiasm of visibility in connection with the Buddhist doctrine of no-self and the five aggregates, the Tiantai Buddhist concept of threefold truth, Zen Buddhist huatou meditation, the invocation of the Amida Buddha in True Pure Land Buddhism, and Nishida's concept of basho.