Marco Giovanelli

This paper offers an introduction to Hermann Cohen’s Das Princip der Infinitesimal-Methode, and recounts the history of its controversial reception by Cohen’s early sympathizers, who would become the so-called ‘Marburg school’ of Neo-Kantianism, as well as the reactions it provoked outside this group. By dissecting the ambiguous attitudes of the best-known representatives of the school, as well as those of several minor figures, this paper shows that Das Princip der Infinitesimal-Methode is a unicum in the history of philosophy: it represents a strange case of an unsuccessful book’s enduring influence. The “puzzle of Cohen’s Infinitesimalmethode,” as we will call it, can be solved by looking beyond the scholarly results of the book, and instead focusing on the style of philosophy it exemplified. Moreover, the paper shows that Cohen never supported, but instead explicitly opposed, the doctrine of the centrality of the ‘concept of function’, with which Marburg Neo-Kantianism is usually associated.

This paper attempts to show how the logical empiricists’ interpretation of the relation between geometry and reality emerges from a “collision” of mathematical traditions. Considering Riemann’s work as the initiator of a 19th century geometrical tradition, whose main protagonists were Helmholtz and Poincaré, the logical empiricists neglected the fact that Riemann’s revolutionary insight flourished instead in a non-geometrical tradition dominated by the works of Christoffel and Ricci-Curbastro roughly in the same years. I will argue that, in the attempt to interpret general relativity as the last link of the chain Riemann–Helmholtz–Poincaré–Einstein, logical empiricists were led to argue that Einstein’s theory of gravitation mainly raised a problem of mathematical under-determination, i.e. the discovery that there are physical differences that cannot be expressed in the relevant mathematical structure of the theory. However, a historical reconstruction of the alternative Riemann–Christoffel–Ricci–Einstein line of evolution shows on the contrary that the main philosophical issue raised by Einstein’s theory was instead that of mathematical over-determination, i.e. the recognition of the presence of redundant mathematical differences that do not have any correspondence in physical reality

Einstein’s “point-coincidence argument'” as a response to the “hole argument” is usually considered as an expression of “Leibniz equivalence,” a restatement of indiscernibility in the sense of Leibniz. Through a historical-critical analysis of Logical Empiricists' interpretation of General Relativity, the paper attempts to show that this labeling is misleading. Logical Empiricists tried explicitly to understand the point-coincidence argument as an indiscernibility argument of the Leibnizian kind, such as those formulated in the 19th century debate about geometry, by authors such as Poincaré, Helmholtz or Hausdorff. However, they clearly failed to give a plausible account of General Relativity. Thus the point-coincidence/hole argument cannot be interpreted as Leibnizian indiscernibility argument, but must be considered as an indiscernibility argument of a new kind. Weyl's analysis of Leibniz's and Einstein's indiscernibility arguments is used to support this claim.

The article attempts to reconsider the relationship between Leibniz’s and Kant’s philosophy of geometry on the one hand and the nineteenth century debate on the foundation of geometry on the other. The author argues that the examples used by Leibniz and Kant to explain the peculiarity of the geometrical way of thinking are actually special cases of what the Jewish-German mathematician Felix Hausdorff called “transformation principle”, the very same principle that thinkers such as Helmholtz or Poincaré applied in a more general form in their celebrated philosophical writings about geometry. The first two parts of the article try to show that Leibniz’s and Kant’s philosophies of geometry, despite their differences, appear to be preoccupied with the common problem of the impossibility to grasp conceptually the intuitive difference between two figures (such as a figure and its scaled, displaced or mirrored copy). In the third part, it is argued that from the perspective of Hausdorff’s philosophical-geometrical reflections, this very same problem seems to find a more radical application in Helmholtz’s or Poincaré’s thought experiments on the impossibility of distinguishing distorted copies of our universe from the original one. I draw the conclusion that in Hausdorff’s philosophical work, which has received scholarly attention only recently, one can find not only an original attempt to frame these classical arguments from a set-theoretical point of view, but also the possibility of considering the history of philosophy of geometry from an uncommon perspective, where especially the significance of Kant’s infamous appeal to “intuition” can be judged by more appropriate standards

The paper analyses the significance of the modern concept of „symmetry“ for the understanding of the concept of „intuition“ in Kant's philosophy of geometry. A symmetry transformation or automorphism is a structure preserving mapping of the space into itself that leaves all relevant structure intact so that the result is always like the original, in all relevant respects. Hermann Weyl was the first to show that this idea can be drawn on Leibniz's definition of similarity: two figures are similar if they are only distinguishable through the simultaneous perception of them ( comperceptio ): „an automorphism carries a figure into one that in Leibniz's words is ‚indiscernible from it if each of the two figures is considered by itself‘“. The author argues that, under the light of this definition, Leibniz's notion of „comperceptio“ turns out to play a similar role for the notion of „intuition“ in Kant's philosophy of space and time. Both cases are about the „difference between conceptual definition and intuitive exhibition“, as Weyl puts it. This result has on the one hand an exegetical significance: it frees Kant's notion of „intuition“ from every vague reference to the „visualisation“ of geometrical figures; on the other hand a theoretical one: it makes easy to compare Kant's philosophy of space and time with modern developments of sciences, in which as Weyl first showed, the concept of symmetry plays a fundamental role