•  26
    The Unity of the Kind Artwork
    Rivista di Estetica 23 (43): 3-31. 2002.
    A defence of a meta-representational theory of artworks, accounting for the unity of the kind. Artworks are surmised to be artefacts that are produced with the intention of being recognised as having been produced with the intention of eliciting a conversation
  •  30
    Some varieties of spatial hearing
    with Jérôme Dokic
    In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays, Oxford University Press. 2009.
    We provide some meta-theoretical constraints for the evaluation of a-spatial theories of sounds and auditory perception. We point out some forms of spatial content auditory experience can have. If auditory experience does not necessarily have a rich egocentric spatial content, it must have some spatial content for the relevant mode of perception to be recognizably auditory. An auditory experience devoid of any spatial content, if the notion makes sense at all, would be very different from the au…Read more
  •  3
    Minor entities : surfaces, holes, and shadows
    In Robin Le Poidevin, Simons Peter, McGonigal Andrew & Ross P. Cameron (eds.), The Routledge Companion to Metaphysics, Routledge. 2009.
  •  15
    Introduction. The interdisciplinary study of drawing
    Rivista di Estetica 47 3-7. 2011.
    Drawing — and I speak here of outline drawing that uses just lines: monochrome, with no particular concern for what fills the spaces left between the lines — is a human artifact as ancient as it is mysterious. Even a simple enumeration of facts about it is bound to arouse interest and theoretical curiosity. Here are a few. Drawings are just as old as the oldest human representations known to us. The painted animals in the caves of Lascaux and Chauvet are surrounded by thick lines that have a...
  •  99
    In this article I assess some results that purport to show the existence of a type of 'topological perception', i.e., perceptually based classification of topological features. Striking findings about perception in insects appear to imply that (1) configural, global properties can be considered as primitive perceptual features, and (2) topological features in particular are interesting as they are amenable to formal treatment. I discuss four interrelated questions that bear on any interpretation…Read more
  •  34
    The purpose of Parts and Places, say Casati and Varzi in their introduction, is to construct “a theory of our spatial competence,” a theory that will lay bare how we conceive of space and the things that lie within it. Its purpose, then, is psychological, not metaphysical. Its object of study is not space. It is not the things that lie within it. Rather its object of study is us. In this regard, Parts and Places is at best a mixed success.
  •  41
    Trust, secrecy and accuracy in voting systems: the case for transparency (review)
    Mind and Society 9 (1): 19-23. 2010.
    If voting systems are to be trusted, they not only need to preserve both secrecy (if requested) and accuracy, but the mechanisms that preserve these features should be transparent, in the sense of being both cognitively understandable and accessible. Electronic voting systems, much as they promise accuracy in counting, and on top of being criticized for their insufficient protection of secrecy, violate the transparency requirement
  •  275
    Holes are a good example of the sort of entity that down-to-earth philosophers would be inclined to expel from their ontological inventory. In this work we argue instead in favor of their existence and explore the consequences of this liberality—odd as they might appear. We examine the ontology of holes, their geometry, their part-whole relations, their identity and their causal role, the ways we perceive them. We distinguish three basic kinds of holes: blind hollows, perforating tunnels, and in…Read more
  •  19
    Communication advantages of line drawings
    with Alessandro Pignocchi
    This paper investigates a the cognitive foundations of a pragmatic account of line drawings. It sets to highlight those features of line drawings that make them, as opposed to other types of visual representations, particularly conducive to communication. It is argued that representational and artifactual properties of drawings must be investigated together in order to understand the peculiarities of drawings as communicative tools.
  •  112
    Un altro mondo?
    with Achille Varzi
    Rivista di Estetica 19 (1): 131-159. 2002.
    Alexandre Koyré wrote that Newton and the science that followed led to a splitting of the world: on the one hand is the “world of qualities and of sensible perceptions”, on the other is the “world of quantities and of reified geometry”. A comparison between facts held true by common sense and false by the scientific image of the world (or vice versa) seems to confirm this view. But is the dichotomy a real one? Is the world of common sense really “another world” relative to the world of the natur…Read more