Markus Schrenk

Metaphysics and science have a long but troubled relationship. In the twentieth century the Logical Positivists argued metaphysics was irrelevant and that philosophy should be guided by science. However, metaphysics and science attempt to answer many of the same, fundamental questions: What are laws of nature? What is causation? What are natural kinds? In this book, Markus Schrenk examines and explains the central questions and problems in the metaphysics of science. He reviews the development of the field from the early modern period through to the latest research, systematically assessing key topics including: dispositions counterfactual conditionals laws of nature causation properties natural kinds essence necessity. With the addition of chapter summaries and annotated further reading, _Metaphysics of Science_ is a much-needed, clear and informative survey of this exciting area of philosophical research. It is essential reading for students and scholars of philosophy of science and metaphysics.

Hume glaubte, die Kausalverknüpfung sei eine „secret connection“, also eine Verknüpfung, die mindestens unerkennbar, wenn nicht sogar inexis- tent ist. Einige moderne Gegner Humes halten dem entgegen, dass apos- teriorisch entdeckte, metaphysische Notwendigkeit, wie wir sie bei- spielsweise von Kripke und Putnam kennen, diejenige objektiv-reale Verknüpfung in der Welt ist, die auch die Rolle einer kausalen Verknüp- fung in der Welt spielen kann. Ich hinterfrage diese anti-Hume’sche Identifizierung kausaler mit me- taphysischer Notwendigkeit, zeige aber auch einen anderen Weg auf, kausale Kräfte zu postulieren: Wenn unsere willentlichen Handlungen auf Widerstände in der Welt stoßen, haben wir (direkten) Beobachtungszu- gang zu einer Verknüpfung in der Welt, die mindestens einen essentiellen Teil kausaler Kraft ausmacht.

This paper concerns anti-Humean intuitions about connections in nature. It argues for the existence of a de re link that is not necessity.Some anti-Humeans tacitly assume that metaphysical necessity can be used for all sorts of anti-Humean desires. Metaphysical necessity is thought to stick together whatever would be loose and separate in a Hume world, as if it were a kind of universal superglue.I argue that this is not feasible. Metaphysical necessity might connect synchronically co-existent properties—kinds and their essential features, for example—but it is difficult to see how it could also serve as the binding force for successions of events. That is, metaphysical necessity seems not to be fit for diachronic, causal affairs in which causal laws, causation, or dispositions are involved. A different anti-Humean connection in nature has to do that job.My arguments focus mainly on a debate which has been the battleground for Humean vs. anti-Humean intuitions for many decades—namely, the analysis of dispositional predicates—yet I believe (but do not argue here) that the arguments generalise to causation and causal laws straightforwardly

I argue for the possibility of a proprioceptive art in addition to, for example, visual or auditory arts, where aspects of some martial arts will serve as examples of that art form. My argument is inspired by a thought of Ted Shawn’s, one of the pioneers of American modern dance: "Dance is the only art wherein we ourselves are the stuff in which it is made.” In a first step, I point out that in some practices of martial arts (in the paper I will introduce “hyongs” & “katas”), we are, too, the stuff these performances are made of. Second, I show that we, as martial arts practitioners, are not in the first place visual or auditorial observers (as common in painting or music or ballet) but introspective, proprioceptive perceivers of our bodies and their movements. (As a corollary we get that we are, in such a case, necessarily our exclusive audience.) In an third crucial step, I show that the martial arts practices referred to, hyongs & katas, and especially the proprioceptive aspects thereof, can indeed count as art. Thus, proprioceptive art is possible because some practices of some martial arts are actual existing examples of that art form.