Genia Schönbaumsfeld

Mozart's great opera, Don Giovanni, poses a number of significant philosophical and aesthetic challenges, and yet it remains, for the most part, little discussed by contemporary philosophers. A notable exception to this is Bernard Williams's important paper, ‘Don Juan as an Idea’, which contains an illuminating discussion of Kierkegaard's ground-breaking interpretation of the opera, ‘The Immediate Erotic Stages or the Musical-Erotic’, in Either/Or. Kierkegaard's pseudonymous author's approach here is, in some respects, reminiscent of a currently rather fashionable narrative-inspired moral philosophy, of which Williams himself is perhaps the most impressive recent exponent. In the light of this apparent methodological confluence, Williams's disagreement with A about the meaning of Don Giovanni's final two scenes seems particularly significant. By offering an interpretation of Don Giovanni that both retains A's fundamental ideas and manages to get round the problems in Williams's account, I will show that the greatness of Mozart's opera is largely a function of the challenge it presents to the ‘morality system’

_ Source: _Volume 6, Issue 2-3, pp 165 - 181 Wittgenstein’s notion of ‘hinge propositions’—those propositions that stand fast for us and around which all empirical enquiry turns—remains controversial and elusive, and none of the recent attempts to make sense of it strike me as entirely satisfactory. The literature on this topic tends to divide into two camps: either a ‘quasi-epistemic’ reading is offered that seeks to downplay the radical nature of Wittgenstein’s proposal by assimilating his thought to more mainstream epistemological views, or a non-epistemic, ‘quasi-pragmatic’ conception is adopted that goes too far in the opposite direction by, for example, equating ‘hinge propositions’ with a type of ‘animal’ certainty. Neither interpretative strategy, I will argue, is promising for the reason that ‘hinges’ are best not conceived as certainties at all. Rather, what Wittgenstein says in respect to them is that doubt is “logically” excluded, and where there can be no doubt, I contend, there is no such thing as knowledge or certainty either.

In a series of recent articles, Duncan Pritchard argues for a ‘neo-Moorean’ interpretation of John McDowell’s anti-sceptical strategy. Pritchard introduces a distinction between ‘favouring’ and ‘discriminating’ epistemic grounds in order to show that within the radical sceptical context an absence of ‘discriminating’ epistemic grounds allowing one to distinguish brain-in-a-vat from non-brain-in-a-vat scenarios does not preclude possessing knowledge of the denials of sceptical hypotheses. I argue that Pritchard’s reading is mistaken for three reasons. First, the distinction between ‘favouring’ and ‘discriminating’ epistemic grounds only works for ‘mules-disguised-as zebras’ examples, but breaks down in the radical sceptical case. Second, McDowellian disjunctivism neutralizes the radical sceptical threat, but does not refute it. Third, any attempt to refute scepticism is confronted by the following dilemma: either one accepts the ‘highest common factor’ conception of perceptual experience thus rendering radical scepticism in principle irrefutable, or one discards it in favour of the disjunctive conception, but then there is no radical sceptical scenario left to refute. So, whichever horn of this dilemma Pritchard grasps, refutation is either impossible or superfluous

In the contemporary literature Wittgenstein has variously been labelled a fideist, a non-cognitivist and a relativist of sorts. The underlying motivation for these attributions seems to be the thought that the content of a belief can clearly be separated from the attitude taken towards it. Such a ”factorization model’ which construes religious beliefs as consisting of two independent ”factors’ -- the belief’s content and the belief-attitude -- appears to be behind the idea that one could, for example, have the religious attitude alone or that religious content will remain broadly unaffected by a fundamental change in attitude. In this article I will argue that such a ”factorization model’ severely distorts Wittgenstein’s conception of religious belief.

It is the object of this paper to investigate the parallels discernible between Wittgenstein’s Tractatus and Kierkegaard’s pseudonymous writings. While such attempts have, in the past, generally focussed on either trying to show that Kierkegaard’s notion of paradox is similar to Wittgenstein’s concept of the ineffable or that both thinkers seek to undermine the idea that there are things that cannot be put into words, I argue here that we must look for the affinities between the two philosophers in an altogether different place, namely, in Kierkegaard’s and Wittgenstein’s concerted endorsement of an anti-consequentialist, quasi-religious conception of ethics.

The aim of this paper is to contest an infl uential recent reading of one of Kierkegaard’s most important books, the pseudonymously written Concluding Unscientific Postscript. According to the reading offered by James Conant, the Postscript is an “elaborate reductio” of the very philosophical project in which it itself appears to be engaged, namely, the project of attempting to clarify the nature of Christianity. I show that Conant’s position depends upon four inter-related theses concerning Kierkegaard’s text, and I argue that noneof these theses is sustainable, either philosophically or exegetically. In the course of this critique, alternative and more convincing theses are developed, and I suggest that these theses are altogether better suited than Conant’s to account for, and to provide a defense of, Kierkegaard’s stature as a religious thinker.

Abstract: “Resolute readings” initially started life as a radical new approach to Wittgenstein's early philosophy, but are now starting to take root as a way of interpreting the later writings as well—a trend exemplified by Stephen Mulhall's Wittgenstein's Private Language (2007) as well as by Phil Hutchinson's “What's the Point of Elucidation?” (2007) and Rom Harré's “Grammatical Therapy and the Third Wittgenstein” (2008). The present article shows that there are neither good philosophical nor compelling exegetical grounds for accepting a resolute reading of the later Wittgenstein's work. It is possible to make sense of Wittgenstein's philosophical method without either ascribing to him an incoherent conception of “substantial nonsense” or espousing the resolute readers' preferred option of nonsense austerity. If the interpretation here is correct, it allows us to recognize Wittgenstein's radical break with the philosophical tradition without having to characterize his achievements in purely therapeutic fashion