Stephen Mumford

This paper contains a consideration of the notion of genius and its significance to the discussion of the aesthetics of sport. We argue that genius can make a positive aes- thetic contribution in both art and sport, just as some have argued that the moral content of a work of art can affect its aesthetic value. A genius is an exceptional inno- vator of successful strategies, where such originality adds aesthetic value. We argue that an original painting can have greater aesthetic value than an exact replica, merely because it is the original. By parity of reasoning, a successful innovation in sport has additional aesthetic value just because it is a new creation. The genius is one who can provide this extra aesthetic pleasure and on that basis is rightly valued. The genius need not be conscious of how they achieve such innovations and thus find their own genius to be something they cannot explain but only demonstrate. In sport, innova- tions that offer new ways of playing or solving problems can produce competitive success which demands instant recognition and rewards

Metaphysics and Science brings together important new work within an emerging philosophical discipline: the metaphysics of science. In the opening chapter, a definition of the metaphysics of science is offered, one which explains why the topics of laws, causation, natural kinds, and emergence are at the discipline's heart. The book is then divided into four sections, which group together papers from leading academics on each of those four topics. Among the questions discussed are: How are laws and measurement methods related? Can a satisfactory reductive account of laws be given? How can Lorentz transformation laws be explained? How are dispositions triggered? What role should dispositional properties play in our understanding of causation? Are natural kinds and natural properties distinct? How is the Kripke-Putnam semantics for natural kind terms related to the natural kind essentialist thesis? What would have to be the case for natural kind terms to have determinate reference? What bearing, if any, does nonlinearity in science have on the issue of metaphysical emergence?

This paper has three aims. First, I aim to stress the importance of the issue of the dispositional/categorical distinction in the light of the evident failure of the traditional formulation, which is in terms of conditional entailment. Second, I consider one radical new alternative on offer from Ullin Place: intentionality as the mark of the dispositional. I explain the appeal of physical intentionality, but show it ultimately to be unacceptable. Finally, I suggest what would be a better theory. If we take disposition ascriptions to be functional characterizations of properties, then we can explain all that was appealing about the new alternative without the unacceptable consequences

There are many ways that we can watch sport but not all of them are philosophically interesting. One can watch it enthusiastically, casually, fanatically or drunkenly. One might watch only because one has bet on the outcome. Some watch a friend or relative compete and have a narrow focus on one individual's performance. A coach or scout on the lookout for new talent may have completely different interests to a supporter of a team. But what of the ways of watching sport that are of philosophical interest?

A theory of laws is developed that takes from E. J. Lowe the claim of natural laws being consistent with certain classes of exceptions. Neither abnormal cases, such as albino ravens, nor miracles falsify covering laws. This suggests that law statements cannot have the form of a universally quantified conditional. Lowe takes it that this is best explained by natural laws having normative force in the same way as moral laws and laws of the land. I argue that there is a non-normative, descriptivist account that also explains the exception cases and which is preferable, given our reservations about normative laws of nature. I also suggest an improved account of miracles within the descriptivist account

I develop a metaphysical position that is both lawless and anti-Humean. The position is called realist lawlessness and contrasts with both Humean lawlessness and nomological realism – the claim that there are laws in nature. While the Humean view also allows no laws, realist lawlessness is not Humean because it accepts some necessary connections in nature between distinct properties. Realism about laws, on the other hand, faces a central dilemma. Either laws govern the behaviour of properties from the outside or from the inside. If the former, an unacceptable quidditist view of properties follows. But no plausible account of laws within properties can be developed that permits a governing role specifically for laws. I conclude in favour of eliminativism about laws. At the conceptual core, the notion of a law in nature is misleading. It is suggestive of an otherwise static world in need of animation.

One often chooses to work collaboratively. Given that there is a cost in effort of doing so, it suggests that there also has to be some real advantage in teamwork. The idea that the whole can be greater than the sum of the parts is applied to teams in terms of the non-linear composition of causes. One can thus do things together that one could not do alone or one can do them better. This supports Gaffney’s communitarian approach thereby explaining how the individual can be at their best when part of a collective and indeed how a collective endeavor can be the making of the individual self

Do we watch sport for pure dumb entertainment? While some people might do so, Stephen Mumford argues that it can be watched in other ways. Sport can be both a subject of high aesthetic values and a valid source for our moral education. The philosophy of sport has tended to focus on participation, but this book instead examines the philosophical issues around watching sport. Far from being a passive experience, we can all shape the way that we see sport. Delving into parallels with art and theatre, this book outlines the aesthetic qualities of sport from the incidental beauty of a well-executed football pass to the enshrined artistic interpretation in performed sports such as ice-skating and gymnastics. It is argued that the purist literally sees sport in a different way from the partisan, thus the aesthetic perception of the purist can be validated. The book moves on to examine the moral lessons that are to be learned from watching sport, depicting it as a contest of virtues. The morality of sport is demonstrated to be continuous with, rather than separate from, the morality in wider life, and so each can inform the other. Watching sport is then recognised as a focus of profound emotional experiences. Collective emotion is particularly considered alongside the nature of allegiance. Finally, Mumford considers why we care about sport at all. Addressing universal themes, this book will appeal to a broad audience across philosophical disciplines and sports studies.