Rebecca Copenhaver

This chapter provides an account of the basic emotions and their expression. Emotions are experiences that have the function of indicating how we are faring in our environment. Emotions are also objects of experience: our perceptual systems are sensitive to the expression of emotion in our environment by features that have the function of indicating emotions. Thus, we come to have to knowledge of emotions by perceptually representing properties that function to indicate them. The chapter applies this account to expression in art. What does it mean to say that an artwork expresses sadness? Is perceiving joy in an artwork the same kind of experience as perceiving joy in a friend’s face? How may artworks express emotions without having emotions? The chapter offers a representationalist account of the basic emotions on which exteroceptive and interoceptive systems combine to constitute a system whose states—emotions—indicate how we are faring. Building on the work of Dominic Lopes (2005) and Mitchell Green (2007), the chapter offers a teleosemantic account of emotional expression in art that is impersonal and continuous with a representationalist account of the basic emotions. Features in the environment express emotions even in conditions in which there is no person to whom the emotion is attributable. We experience emotions in two ways: we may have emotions, and we experience emotions as represented properties of the environment. In both cases, experiencing emotions is a matter of experiencing how things are in the world and thus provides perceptual knowledge.