Charles Siewert

Woven into Dennett's account of consciousness is his belief that certain possibilities are not conceivable. This is manifested in his view that we are not conscious in any sense in which we can imagine that philosophers? ?zombies? might not be conscious, and also in his claims about ?Hindsight?, and what possibilities this can coherently suggest to us. If the possibilities Dennett denies none the less seem conceivable to us, then if he does not give us reason to think they are actually incoherent, we ought to reject his theory, since it denies the intelligibility of the very notion we should want a theory of consciousness to discuss. I argue that Dennett does not provide us with convincing reasons of the relevant sort, and I suggest that his difficulty with the concept of consciousness is rooted in questionable epistemological assumptions which he fails to justify

Levine suggests the following criticisms of my book. First, the absence of a positive account of first-person knowledge in it makes it vulnerable to eliminativist refutation. Second, it is a relative strength of the higher order representation accounts of consciousness I reject that they offer explanations of the subjectivity of conscious states and their special availability to first-person knowledge. Further, the close connection I draw between the phenomenal character of experience and intentionality is unwarranted in the case of both color perception and conceptual thought. In response to Levine's critique, I argue that the eliminativist can be rebutted and higher-order representation theories found wanting, even without offering a positive account of first-person knowledge. Also, I note that I actually have begun to offer an account of this based on my conception of phenomenal consciousness. Finally, it will be seen that Levine's concerns do not undermine my views on color experience, conscious thought, and intentionality, once their justification and character are made clear.

Both Ludwig and Thomasson question my claim that many phenomenal features are intentional features. Further, Ludwig raises numerous objections to my claim that higher order mental representation is not essential to phenomenal consciousness. While Thomasson does not share those objections, she wonders how my view permits me to make first-person knowledge of mind depend on phenomenal consciousness. I respond to these challenges, drawing together questions about the forms of mental representation, the phenomenal character of sensory experience, rational agency, and introspection.

This chapter reports the philosophy focusing mainly on just three foundational concerns. These are: the character of a phenomenological approach; its use to clarify the notion of phenomenal consciousness ; and its application to questions about a specifically sensory phenomenality and its ‘intentionality’ or ‘object-directedness’. Phenomenology involves the use of ‘first-person reflection’. The ways into the notion of phenomenality are elaborated. The ‘subjective experience’ conception of phenomenality uses a conception of experience on which this is something that coincides with the subject's experience of it, and differs insofar as the subject experiences it differently. The conception of phenomenality combines subjective experience, subjective contrast, and subjective knowledge, elaborating on each of these to yield distinct but mutually reinforcing accounts. It then argues on phenomenological grounds that the character of sense experience makes it ‘objectual’ and susceptible to experiences of illusion and disillusion.

In _Phenomenology of Perception_, Merleau–Ponty holds that sensory consciousness of place exhibits an indeterminacy that shows it is, in a sense, _non-representational_. But he thinks this does not preclude its having a kind of _intentionality_. This chapter offers an interpretation and defense of this view. Directing visual attention involves changes to the phenomenal character of experience that cannot be specified by attributing verbal or imagistic content to it. In that sense the character of experience is non-representational. And partly because our anticipation of future experience is not to be construed in terms of beliefs incorporating sensorimotor conditionals, these attentional changes in experience are not conceivable independently of the exercise of sensorimotor skills. However, experience is assessable as correct or illusory in virtue of having such character. Thus, visual experience has, in virtue of its phenomenal character, a distinctively sensorimotor kind of intentionality.

Lycan is concerned that I fail to explain my sense of 'phenomenal consciousness' sufficiently, and that I would unjustifiably criticize his "inner sense" theory for consciousness neglect. In response, I argue that my explanation of what I mean provides an adequate basis for disambiguating and answering Lycan's questions about the relation of phenomenal consciousness to "visual awareness" and the like. While I do not charge Lycan's theory with consciousness neglect, I do argue it employs a notion of non-conceptual higher order representation that has not been explained so as to make it clear we have warrant for applying it to our own experience.