Val Dusek

Feyerabend and Lakatos were invited to be assistants of the literary Marxists Brecht and Lukács, respectively. In the 1930s Expressionism Debate, Lukács associated artistic expressionism with irrationalism and fascism, while Brecht criticized Lukács' anti-modernism. Lakatos' criti cisms of Kuhn echo Lukács' denunciations of German idealism, and Lukács influenced the terminology and topics in Lakatos' methodol ogy. Lakatos, concerned with progress, and fearful of irrationalism and degeneration, recapitulates positions of his teacher, Lukács, in the latter's attack on modern art. Feyerabend's criticisms of Lakatos paral lel Brecht's critique of Lukács.

Sokal and Bricmont in their exposé of allegedly meaningless statements about science by recent French philosophers take errors of particular applications of philosophical ideas to science as refutations of the whole general framework utilized. They also seem to think that taking snippets out of context is sufficient to expose the "fashionable nonsense." In the early twentieth century, British analytic philosophers such as Bertrand Russell and A. N. Whitehead did the same with Hegel on mathematics. After deciding not to bother to read Hegel because of distaste for what he wrote about mathematics, Whitehead was later surprised to learn that his own relational process philosophy resembled that of Hegel in various respects.