Iain Thomson

In Heidegger on Ontotheology: Technology and the Politics of Education, I argue that Heidegger’s ontological thinking about education forms one of the deep thematic undercurrents of his entire career, but I focus mainly on Heidegger’s later work in order to make this case. The current essay extends this view to Heidegger’s early magnum opus, contending that Being and Time is profoundly informed – albeit at a subterranean level – by Heidegger’s perfectionist thinking about education. Explaining this perfectionism in terms of its ontological and ethical components (and their linkage), I show that Being and Time’s educational philosophy seeks to answer the paradoxical question: How do become what we are? Understanding Heidegger’s strange but powerful answer to this original pedagogical question, I suggest, allows us to make sense of some of the most difficult and important issues at the heart of Being and Time, including what Heidegger really means by possibility, death, and authenticity.

This article examines the development of Heidegger's philosophical views on university education, situates these views within their broader historical and philosophical context, and shows them to be largely responsible for Heidegger's decision to become the first Nazi Rector of Freiburg University in 1933. Did Heidegger learn from this appalling political misadventure and so transform the underlying philosophical views that helped motivate it? It is argued, against the interpretations of Pöggeler and Derrida, that the later Heidegger continued to develop and refine the core of these philosophical views rather than abandoning them after 1933.

This paper examines Charles Taylor's case against complete secularization in A Secular Age in the light of Nietzsche's and Heidegger's critiques of the potential for nihilism inherent in different kinds of philosophical appeals to ?transcendence?. The Heideggerian critique of metaphysics as ontotheology suggests that the theoretical pluralism Taylor rightly embraces is more consistently thought of as following from a robust ontological pluralism, and that Taylor's own commitment to ontological monism seems to follow from his own desire to leave room in his theoretical account for an ontotheological creator God who stands outside the world and ultimately unifies its meaning. The Nietzschean critique contends that any such appeal to something that transcends the limits of human finitude remains nihilistic, insofar as such valorizations of the otherworldly undermine our capacity to appreciate and experience the genuine meaningfulness of human existence in its this-worldly finitude. The paper explores Taylor's response to this Nietzschean critique, showing that Taylor ?deconstructs? the crucial distinction between immanence and transcendence that any ?exclusively humanist? worldview must presuppose. Taylor's response only partly resolves the problem, however, because the Nietzschean can still draw a defensible distinction between legitimate and meaningful appeals to transcendence and illegitimate and nihilistic ones. The paper concludes by suggesting that traditional appeals to a transcendent creator God, a heavenly afterlife, and so on, continue to run afoul of Nietzsche's critique of the nihilism of otherworldliness, and that we would do better to explicitly abjure such otherworldly appeals

In Time and Death: Heidegger's Analysis of Finitude, Carol White pursues a strange hermeneutic strategy, reading Heidegger backwards by reading the central ideas of his later work back into his early magnum opus, Being and Time. White follows some of Heidegger's own later directives in pursuing this hermeneutic strategy, and this paper critically explores these directives along with the original reading that emerges from following them. The conclusion reached is that White's creative book is not persuasive as a strict interpretation of Heidegger's early work, but remains extremely helpful for deepening our appreciation of Heidegger's thought as a whole. Most importantly, White helps us to understand the pivotal role that thinking about death played in the lifelong development of Heidegger's philosophy.

Heidegger, Art, and Postmodernity offers a radical new interpretation of Heidegger's later philosophy, developing his argument that art can help lead humanity beyond the nihilistic ontotheology of the modern age. Providing pathbreaking readings of Heidegger's 'The Origin of the Work of Art' and his notoriously difficult Contributions to Philosophy, this book explains precisely what postmodernity meant for Heidegger, the greatest philosophical critic of modernity, and what it could still mean for us today. Exploring these issues, Iain D. Thomson examines several postmodern works of art, including music, literature, painting and even comic books, from a post-Heideggerian perspective. Clearly written and accessible, this book will help readers gain a deeper understanding of Heidegger and his relation to postmodern theory, popular culture and art.

Postmodernism isn't what it used to be. As a meaningful philosophical movement (rather than a vague term of disparagement), "postmodernism" primarily designated a diverse series of Heidegger inspired attempts to situate and guide our late modern historical age by uncovering and transcending its most destructive metaphysical presuppositions. Ironically, however, the only major contemporary philosophers still willing to call themselves "postmodernists" have renounced that "utopian" quest for a philosophical passage beyond modernity. From their perspective, the definitive Heideggerian hope for a "postmodern" understanding of being looks like a retro futuristic fantasy, a quaint image of what the future might have been, which (like the Jetsons or Steampunk) has now been rendered obsolete. Unfortunately, when self described "postmodernists" abandon the attempt to identify and transcend the distinctive problems of modernity, they empty the philosophical movement of its primary meaning and purpose, allowing the label to degenerate into a vague shorthand many philosophers use merely to deride and dismiss..