Elizabeth S. Radcliffe

This brief text assists students in understanding Hume's philosophy and thinking so that they can more fully engage in useful, intelligent class dialogue and improve their understanding of course content. Part of the "Wadsworth Philosophers Series,", ON HUME is written by a philosopher deeply versed in the philosophy of this key thinker. Like other books in the series, this concise book offers sufficient insight into the thinking of a notable philosopher better enabling students to engage in the reading and to discuss the material in class and on paper.

Comprised of twenty-nine specially commissioned essays, _A Companion to Hume_ examines the depth of the philosophies and influence of one of history's most remarkable thinkers. Demonstrates the range of Hume's work and illuminates the ongoing debates that it has generated Organized by subject, with introductions to each section to orient the reader Explores topics such as knowledge, passion, morality, religion, economics, and politics Examines the paradoxes of Hume's thought and his legacy, covering the methods, themes, and consequences of his contributions to philosophy.

The theory that practical reasoning is wholly instrumental says that the only practical function of reason is to tell agents the means to their ends, while their ends are fixed by something other than reason itself. In this essay I argue that Hume has an instrumentalist theory of practical reasoning. This thesis may sound as unexciting as the contention that Kant is a rationalist about morality. For who would have thought otherwise? After all, isn't the ‘instrumentalist’ line in contemporary discussions of this topic descended directly from Hume himself? Contrast the following recent comment from Robert Audi's book on practical reasoning, holding the standard line, with the comment from Christine Korsgaard following it:Hume's conception of practical reasoning, so far as we can formulate it, can be located within … the foundationalist account of motivation in which reason plays the instrumentalist role … by virtue of arousing and directing our desires.