Bence Nanay

This paper proposes to carve out a new position in the scientific realism/antirealism debate and argue that it captures some of the most important realist and some of the most important antirealist considerations. The view, briefly stated, is that there is always a fact of the matter about whether the singular statements science gives us are literally true, but there is no fact of the matter about whether the non-singular statements science gives us are literally true. I call this view singularist semirealism. Singularist semirealism sides with scientific realism with regards to singular statements but it is an antirealist view with regards to non-singular statements. In this sense, singularist semirealism could be considered to be ‘the best of both worlds’. 1 Introduction2 Truth and Correctness3 Property-Tokens and Property-Types4 Singularist Semirealism5 Encouragement from Actual Scientific Practice6 Some Potentially Worrying Consequences of Singularist Semirealism7 Some Promising Consequences of Singularist Semirealism8 Conclusion: Theory Change

Evolutionary psychology and the selectionist theories of neural development are usually regarded as two unrelated theories addressing two logically distinct questions. The focus of evolutionary psychology is the phylogeny of the human mind, whereas the selectionist theories of neural development analyse the ontogeny of the mind. This paper will endeavour to combine these two approaches in the explanation of the human mind. Doing so might help in overcoming some of the criticisms of both theories. The first part of the paper mentions three standard objections to evolutionary psychology and then outlines three philosophical problems evolutionary psychology has to offer a solution to. The second part will try to show that an approach combining evolutionary psychology and the selectionist theory of neural development might overcome some of these objections.

There are two very different ways of thinking about perception. According to the first one, perception is representational: it represents the world as being a certain way. According to the second, perception is a genuine relation between the perceiver and a token object. These two views are thought to be incompatible. My aim is to work out the least problematic version of the representational view of perception that preserves the most important considerations in favor of the relational view. According to this version of representationalism, the properties represented in perception are tropes—abstract particulars that are logically incapable of being present in two distinct individuals at the same time. I call this view ‘trope representationalism’

Two widespread strategies of resisting racism are the following. The first one is to deny the existence of races and thus block even the possibility of racist claims. The second one is to grant that races exist but insist that racial differences do not imply value differences. The aim of this paper is to outline a strategy of resisting racism that is weaker than the first but stronger than the second strategy: even if we accept that races exist, we can still deny that there are projectible racial differences. And this is enough to block the possibility of racist claims without appealing to the slippery topic of value differences. I use some considerations from philosophy of biology in order to argue for this claim.

One of the most deeply entrenched ideas in Popper's philosophy is the analogy between the growth of scientific knowledge and the Darwinian mechanism of natural selection. Popper gave his first exposition of these ideas very early on. In a letter to Donald Campbell, 1 Popper says that the idea goes back at least to the early thirties. 2 And he had a fairly detailed account of it in his "What is dialectic?", a talk given in 1937 and published in 1940: 3 If we want to explain why human thought tends to try out every conceivable solution for any problem with which it is faced, then we can appeal to a highly general sort of regularity. The method by which a solution is approached is ..

Theories of singular causation have a genuine problem with properties. In virtue of what property do events (or facts) cause other events? One possible answer to this question, Davidson’s, is that causal relations hold between particulars and properties play no role in the way a particular causes another. According to another, recently fashionable answer, in contrast, events cause other events in virtue of having a trope (as opposed to a property-type). Both views face serious objections. My aim in this paper is to combine these two very different solutions to the problem of the properties of singular causation and to argue that this combined view can avoid objections against both of them.

The aim of the paper is to argue that the difference between creative and non-creative mental processes is not a functional/computational, but an experiential one. In other words, what is distinctive about creative mental processes is not the functional/computational mechanism that leads to the emergence of a creative idea, be it the recombination of old ideas or the transformation of one’s conceptual space, but the way in which this mental process is experienced. The explanatory power of the functional/computational theories and the experiential account is compared and it is pointed out that if creativity is a natural kind, it is not a functional/computational, but an experiential natural kind.

It is widely held that some properties are more natural than others and that, as David Lewis put it, “an adequate theory of properties is one that recognises an objective difference between natural and unnatural properties” (Lewis 1983, p. 347). The general line of thought is that such ‘elitism’ about properties is justified as it can give simple and elegant solutions to a number of old metaphysical and philosophical problems. My aim is to analyze what these natural properties are: super-determinates or determinable (or maybe both) and argue that all three of these options would lead to serious difficulties for metaphysical elitism and would prevent natural properties from fulfilling their supposed grand explanatory role.

The question of whether cognition can influence perception has a long history in neuroscience and philosophy. Here, we outline a novel approach to this issue, arguing that it should be viewed within the framework of top-down information-processing. This approach leads to a reversal of the standard explanatory order of the cognitive penetration debate: we suggest studying top-down processing at various levels without preconceptions of perception or cognition. Once a clear picture has emerged about which processes have influences on those at lower levels, we can re-address the extent to which they should be considered perceptual or cognitive. Using top-down processing within the visual system as a model for higher-level influences, we argue that the current evidence indicates clear constraints on top-down influences at all stages of information processing; it does, however, not support the notion of a boundary between specific types of information-processing as proposed by the cognitive impenetrability hypothesis.

Richard Wollheim claimed that twofoldness is a necessary condition for the perception of pictorial representations and it is also a necessary condition for the aesthetic appreciation of pictures. Jerrold Levinson pointed out that these two questions are different and argued that though twofoldness may be a necessary condition for the aesthetic appreciation of pictures, it cannot be a necessary condition for the perception of pictorial representations. I argue that Wollheim's use of the term ‘twofoldness’ alternates between two concepts: the simultaneous visual awareness of the surface and of the represented object on the one hand and the simultaneous visual awareness of the represented object and the way it is represented on the other. Finally, I argue that twofoldness in the first sense is a necessary condition for the perception of pictorial representations, whereas twofoldness in the second sense is a necessary condition for the aesthetic appreciation of pictures.

Look at a red apple. Now close your eyes and visualize this apple. Your perceptual state and your imagery of the apple are very similar in some respects. They are also different in some respects. The aim of this paper is to address three questions about the relation between perception and imagination: -/- (a) How similar are perception and imagination and what explains this similarity? (b) How different are perception and imagination and what explains this difference? (c) How do perception and imagination interact?

The aim of this paper is to make an unlikely connection between the old question about the meaning of life and some important concepts in philosophy of biology. More precisely, I argue that while biology is unlikely to help us to figure out the meaning of life, the fact that this question has been considered to be such a crucial one could be explained with the help of some consideration of our evolutionary past. I argue that if there is evidence for group selection in the course of human evolution, this may explain not the meaning of life but rather the reason why we are preoccupied with this question. First, I examine what group selection is and what role it played in human evolution. After surveying the evidence for the claim that in the course of human evolution we lived in isolated group societies, I analyse what influence this social structure had on our present psychological dispositions, including our quest for the meaning of life.

Here is a dilemma concerning the history of science. Can the history of scientific thought be reduced to the history of the beliefs, motives and actions of scientists? Or should we think of the history of scientific thought as in some sense independent from the history of scientists? The aim of this paper is to carve out an intermediate position between these two. I will argue that the history of scientific thought supervenes on, but not reducible to, the history of scientists. There is a legitimate level of description for analyzing the history of scientific thought that does not reduce to the individual level of scientists. Yet, every aspect of the history of scientific thought is determined by the actual motives and actions of individual scientists. Maybe surprisingly, I use Imre Lakatos’s controversial concept of the rational reconstruction of the history of science in order to argue for this intermediate position.

The aim of this paper is to show that we can deny that reality is neatly segmented into natural kinds and still give a plausible view about what science is supposed to do – and the way science in fact works does not rely on the dubious metaphysical assumption that reality is segmented into natural kinds. The score is simple: either there are natural kinds or there aren’t. The former view has been the default position in mainstream analytic metaphysics and philosophy of science. I want to put the latter on the table as a metaphysically and scientifically plausible alternative.

Do we (sometimes) perceive apples as edible? One could argue that it is just a manner of speaking to say so: we do not really see an object as edible, we see it as having certain shape, size and color and we only infer on the basis of these properties that it is. I argue that we do indeed see objects as edible, and do not just believe that they are. My argument proceeds in two steps. First, I point out that Susanna Siegel's influential argument in favor of the claim that we represent sortal properties perceptually does not work. Second, I argue that we can fix this argument if we replace the sortal property in question with the property of being edible, climbable or Q-able in general

I aim to give a new account of picture perception: of the way our visual system functions when we see something in a picture. My argument relies on the functional distinction between the ventral and dorsal visual subsystems. I propose that it is constitutive of picture perception that our ventral subsystem attributes properties to the depicted scene, whereas our dorsal subsystem attributes properties to the picture surface. This duality elucidates Richard Wollheim’s concept of the “twofoldness” of our experience of pictures: the “visual awareness not only of what is represented but also of the surface qualities of the representation.” I argue for the following four claims: (a) the depicted scene is represented by ventral perception, (b) the depicted scene is not represented by dorsal perception, (c) the picture surface is represented by dorsal perception, and (d) the picture surface is not necessarily represented by ventral perception

Abstract: When I throw a ball at you, do you see it as catch-able? Do we perceive objects as edible, climbable or Q-able in general? One could argue that it is just a manner of speaking to say so: we do not really see an object as edible, we only infer on the basis of its other properties that it is. I argue that whether or not an object is edible or climbable is indeed represented perceptually: we see objects as edible, and do not just believe that they are. My argument proceeds in two steps. First, I argue that in order to perform an action Q with respect to an object, we need to represent this object as Q-able and, second, I argue that we represent objects as having these properties perceptually

Andreas Gursky is the darling of philosophers and art theorists of all kinds of traditions and denominations. He has been used as a prime example of the return of the sublime in contemporary art, as a trailblazer in the use of the digital manipulation of images in order to represent something abstract and even as a philosopher of perception who makes some subtle point about the nature of visual experience. All of these arguments are based on some or another technological innovation Gursky uses: the size of his photos, their postproduction (often digital) manipulation and their unusually high resolution. The aim of this paper is to shift the emphasis from these arguments on the significance of the new technology in Gursky’s oeuvre to a much more important role technology plays in his works, namely, in their aesthetics.

It has been argued that picture perception is sometimes, but not always, ‘inflected’. Sometimes the picture’s design ‘inflects’, or is ‘recruited’ into the depicted scene. The aim of this paper is to cash out what is meant by these metaphors. Our perceptual state is different when we see an object fact to face or when we see it in a picture. But there is also a further distinction: our perceptual state is very different if we perceive objects in pictures in an inflected or uninflected manner. The question is what this difference amounts to. My answer is that it is a difference of attention. In the case of inflected, but not uninflected, picture perception, we are consciously attending to certain properties: to relational property that cannot be fully characterized without reference to both the picture’s design and to the depicted object. I defend this way of interpreting inflected picture perception from some important objections and emphasize the importance of this, inflected, way of perceiving pictures.

The aim of this paper is to reinterpret success semantics, a theory of mental content, according to which the content of a belief is fixed by the success conditions of some actions based on this belief. After arguing that in its present form, success semantics is vulnerable to decisive objections, I examine the possibilities of salvaging the core of this proposal. More specifically, I propose that the content of some very simple, but very important, mental states, the immediate mental antecedents of action, can be explained in this manner