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Shannon Mussett

Utah Valley University
  •  Home
  •  Publications
    38
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 More details
  • Utah Valley University
    Department of Philosophy and Humanities
    Regular Faculty
Villanova University
Department of Philosophy
PhD, 2002
Orem, Utah, United States of America
Areas of Specialization
19th Century Philosophy
20th Century Philosophy
Philosophy of Gender, Race, and Sexuality
Areas of Interest
Continental Philosophy
European Philosophy
  • All publications (38)
  •  38
    Bonnie Mann. Sovereign Masculinity: Gender Lessons from the War on Terror (review)
    philoSOPHIA: A Journal of Continental Feminism 5 (1): 161-165. 2015.
  •  38
    Personal choice and the seduction of the absolute in The Mandarins
    In Sally J. Scholz & Shannon M. Mussett (eds.), The Contradictions of Freedom: Philosophical Essays on Simone de Beauvoir's The Mandarins, State University of New York Press. pp. 135--156. 2005.
    Social and Political PhilosophySimone de Beauvoir
  •  1
    On the Threshold of History: The Role of Nature and Africa in Hegel’s Philosophy
    The American Philosophical Association Newsletter on Philosophy and the Black Experience 3 (1): 39-46. 2003.
    Hegel: Philosophy of History
  •  15
    Beauvoir, Simone de
    Internet Encyclopedia of Philosophy. 2003.
    Simone de Beauvoir
  •  1374
    Ageing and Existentialism: Simone de Beauvoir and the Limits of Freedom
    In Charles Tandy (ed.), Death and Anti-Death, Volume 4: Twenty Years After De Beauvoir, Thirty Years After Heidegger, Palo Alto: Ria University Press. 2006.
    Simone de Beauvoir
  •  120
    Response to “A Sign of Our Times?”
    Teaching Ethics 12 (1): 153-155. 2011.
    Professional Ethics
  •  40
    Beauvoir and Plato on Philosophical Fiction
    In Shannon M. Mussett & William S. Wilkerson (eds.), Beauvoir and Western Thought from Plato to Butler, State University of New York Press. pp. 15. 2013.
    Simone de Beauvoir
  •  959
    Irony and the Work of Art: Hegelian Legacies in Robert Smithson
    Evental Aesthetics 1 (1): 45-73. 2012.
    This paper utilizes Robert Smithson's philosophy as a kind of counterpoint, rather than refutation, to many of Hegel's convictions on the nature and function of art in world historical spirit
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