Olivier Massin

This thesis introduces and defends the Axiological Theory of Pleasure (ATP), according to which all pleasures are mental episodes which exemplify an hedonic value. According to the version of the ATP defended, hedonic goodness is not a primitive kind of value, but amounts to the final and personal value of mental episodes. Beside, it is argued that all mental episodes –and then all pleasures– are intentional. The definition of pleasures I arrived at is the following : x is a pleasure of a person P =df x is an intentional episode of P which is finally good for P.

This chapter defends an axiological theory of pain according to which pains are bodily episodes that are bad in some way. Section 1 introduces two standard assumptions about pain that the axiological theory constitutively rejects: (i) that pains are essentially tied to consciousness and (ii) that pains are not essentially tied to badness. Section 2 presents the axiological theory by contrast to these and provides a preliminary defense of it. Section 3 introduces the paradox of pain and argues that since the axiological theory takes the location of pain at face value, it needs to grapple with the privacy, self-intimacy and incorrigibility of pain. Sections 4, 5 and 6 explain how the axiological theory may deal with each of these.

This chapter has three sections. The first introduces Brentano’s view of sensations by presenting the intentional features of sensations irreducible to features of the sensory objects. The second presents Brentano’s view of sensory objects —which include sensory qualities— and the features of sensations that such objects allow to explain, such as their intensity. The third section presents Brentano’s approach to sensory pleasures and pains, which combines both appeal to specific modes of reference and to specific sensory qualities.

This thesis vindicates the common-sense intuition that touch is more objective than the other senses. The reason why it is so, it is argued, is that touch is the only sense essential of the experience of physical effort, and that this experience constitutes our only acquaintance with the mind-independence of the physical world. The thesis is divided in tree parts. Part I argues that sensory modalities are individuated by they proper objects, realistically construed. Part II argues that the proper objects of touch are pressures and tensions, defined as pairs of real and antagonist forces. Part III argues that experiences of pressures are an essential part of the experience of physical effort and that the experience of physical effort (which amounts to the experience of resistance to our will), constitutes our only immediate access to the mind-independence of the physical world.

This paper defends the action-theory of the Will, according to which willing G is doing F (F≠G) in order to make G happen. In a nutshell, willing something is doing something else in order to bring about what we want. I argue that only the action-theory can reconcile two essential features of the Will. (i) its EFFECTIVITY: willing is closer to acting than desiring. (ii) its FALLIBILITY: one might want something in vain. The action-theory of the will explains EFFECTIVITY by claiming that each time one wants G, one accomplishes the action of doing F ( it is argued following Von Wright that every action has a result as a proper part, here F). And the action-theory explains FALLIBILITY by claiming that although willing G entails making some F happen –the result of the action of willing–, it does not entail that G –the intended consequence of our willing– will happen. By contrast, behaviorist accounts of the will (which merely equate willing with an action) captures its EFFECTIVITY but loose its FALLIBILITY. And volitionist accounts (which introduce naked volitions lacking any essential results) capture the FALLIBILITY of the will, but loose its EFFECTIVITY. I consider disjunctivist accounts of trying (such as O'Shaughnessy and Hornsby's ones) as an alternative way to reconcile EFFECTIVITY and FALLIBILITY. I argue that though the view manages to reconcile these two constraints, it does so only at the price of gerrymandering the concept of willing (or trying): failed tryings end up having nothing in common with successful ones. I then address three objections to the action-theory of the will, to the effect (i) that not all actions have a result (ii) that total failures are possible (iii) that willing is more fundamental than acting. I argue in answer (i) that all actions have results (results which can be irrelevant to the production of the goal, or which can be merely mental images), (ii) that total failures do not correspond to acts of will, but to mere desires or wishes, and (iii) that given the possibility of basic actions, acting has to be more fundamental than willing (and trying).

Ingvar Johansson has argued that there are not only determinate universals, but also determinable ones. I here argue that this view is misguided by reviving a line of argument to the following effect: what makes determinates falling under a same determinable similar cannot be distinct from what makes them different. If true, some similarities — imperfect similarities between simple determinate properties — are not grounded in any kind of property-sharing. I suggest that determinables are better understood as maximal disjunctions of brutely and imperfectly similar determinates. Such brute similarities have been thought to clash with realism about universals. I argue that this worry stems from the mistaken assumption that perfect and imperfect similarities are relations of a same kind. If exact and inexact resemblances are distinct and heterogeneous explananda, the realist about universals might explain the first thanks to property-sharing, while happily leaving imperfect similarities between properties unexplained.

The thesis defended is that ordinary perception does not present us with the existential independence of its objects from itself. The phenomenology of ordinary perception is mute with respect to the subject-object distinction. I call this view "phenomenal neutral monism" : though neutral monists are wrong about the metaphysics of perception (in every perceptual episode, there is a distinction between the perceptual act and its perceptual objet), they are right about its phenomenology. I first argue that this view is not as counter-intuitive as it might initially seem, by stressing (i) that the lack of presentation of the mind-independence of perceptual objects does not entail their being presented as mind-dependent. (ii) That phenomenal neutral monism is true of ordinary perception in the thin sense, but not in the thick sense (that includes expectations, guesses, feelings etc. grounded on thin perception). (iii) That the concept of a perceptual perspective or point of view should not be confused with the concept of the subject or intentional act of perception. Second, I propose three positive arguments in favor of phenomenal neutral monism. (i) It does justice to the recurring idea that only resistance to our will presents us with the world qua independent from us. (ii) It does justice to the recurring idea that the most natural attitude towards the perceptual world is that of being absorbed in it. (iii) It is entailed by the view that intentional acts are phenomenally transparent (a view held by Russell and Moore, and most contemporary representationalists) together with the view that in order to be presented with a relation (here the act-object distinction) one has to be presented with its relata.

The thesis defended, the “guise of the ought”, is that the formal objects of desires are norms (oughts to be or oughts to do) rather than values (as the “guise of the good” thesis has it). It is impossible, in virtue of the nature of desire, to desire something without it being presented as something that ought to be or that one ought to do. This view is defended by pointing to a key distinction between values and norms: positive and negative norms (obligation and interdiction) are interdefinable through negation; positive and negative values aren’t. This contrast between the norms and values, it is argued, is mirrored, within the psychological realm, by the contrast between the desires and emotions. Positive and negative desires are interdefinable through negation, but positive and negative emotions aren’t. The overall, Meinongian picture suggested is that norms are to desires what values are to emotions.

Some colors are compound colors, in the sense that they look complex: orange, violet, green..., by contrast to elemental colors like yellow or blue. In the chapter 3 of his Unterschungen zur Sinnespsychologie, Brentano purports to reconcile the claim that some colors are indeed intrinsically composed of others, with the claim that colors are impenetrable with respect to each other. His solution: phenomenal green is like a chessboard of blue and yellow squares. Only, such squares are so small that we cannot discriminate between their location in perception. Consequently we get the impression of an homogeneous green extent. After having presented Brentano's solution, we argued that it is hardly compatible with Brentano's own conception of descriptive psychology, to the extent that it introduces in-existent objects (small yellow and blue squares), which cannot be perceived. We propose another solution to Brentano's puzzle, more in tune with his own assumptions, or so we argue. According to it, the yellow and the blue are in the green without being spatially in the green. A green extent has yellow and blue components, but these are not spatial components. This solution reconciles impenetrability (since the component colors are not localized) with the reality of compounds color. Besides, it has the advantage of taking the phenomenology of compounds colors, as Brentano's describes it, to the letter. Compound colors are what they seem: complex but not spatially complex.

Since Aristotle, touch has been found especially hard to define. One of the few unchallenged intuition about touch, however, is that tactile awareness entertains some especially close relationship with bodily awareness. This article considers the relation between touch and bodily awareness from two different perspectives: the body template theory and the body map theory. According to the former, touch is defined by the fact that tactile content matches proprioceptive content. We raise some objections against such a bodily definition of touch and suggest, as an alternative, to revive the proposal according to which touch is essentially a sense of pressure. According to the body map theory, tactile sensations are localized within the frame of reference provided by the mental representation of the space of the body. We argue that this approach of the location of bodily sensations fares better that the Local Sign theory that denies intrinsic spatiality to touch