Karin de Boer

Focusing on Greece, this essay aims to contribute to a philosophical understanding of Europe’s current financial crisis and, more generally, of the aporetic implications of the modern determination of freedom as such. One the one hand, I draw on Hegel’s Philosophy of Right in order to argue that modernity entails a potential conflict between a market economy and a state that is supposed to further the interests of the society as a whole. On the other hand, I draw on Sophocles’ Oedipus the King as well as on Hegel’s account of tragedy in the Phenomenology of Spirit to reinterpret the conflict between the spheres of civil society and the state as a tragic conflict. Modernity threatens to undermine itself from within, I maintain, because the simultaneous development of capitalism and democracy makes it very hard to prevent the sphere of particular interests from encroaching upon the sphere of politics.

This essay draws on Hegelrsquo;s conception of tragedy in the emPhenomenology/em to reinterpret the intercultural conflicts that confront us today. It is argued that the prevailing self-conception of modern states, relying on the opposition between universality and particularity, effaces the irresolvable entanglement of contrary values such as progress and tradition or reason and faith. The essay seeks to employ Hegelrsquo;s insight into the dynamic of tragic conflicts to conceptualize precisely this entanglement. This requires, however, that the tragic strand of this insight be extricated from the predominant optimism of Hegelrsquo;s dialectics as a whole. By turning this tragic strand into a conceptual perspective of its own, this essay seeks to account for the inherent tendency of contending cultural paradigms to oppose their counterpart instead of recognizing themselves in the other.nbsp; br /

In this article I aim to clarify the nature of Kant’s transformation of rationalist metaphysics into a science by focusing on his conception of transcendental reflection. The aim of Kant’s Critique of Pure Reason, it is argued, consists primarily in liberating the productive strand of former general metaphysics - its reflection on the a priori elements of all knowledge - from the uncritical application of these elements to all things (within general metaphysics itself) and to things that can only be thought (in special metaphysics). After considering Kant’s conception of metaphysics and his various uses of the term ‘transcendental’ I closely examine his account of logical and transcendental reflection in the section entitled ‘On the Amphiboly of the Concepts of Reflection’. Whereas commentators generally attribute the activity called transcendental reflection to Kant alone, I contend, first, that Kant regarded philosophy as such to rely on a mode of transcendental reflection and, second, that the critical mode of transcendental reflection enacted in the Critique itself yields insight into the reason why our a priori knowledge is limited to the realm of possible objects. This is illustrated by outlining the difference between Kant’s and Leibniz’ employment of the concepts of reflection.

Heidegger often stressed that the analysis of Dasein in Being and Time should be understood as a mere preliminary investigation. That this analysis indeed prepares the investigation into the relationship between time, the understanding of Being and ontology,can only become clear when some light is thrown on the never published third section ofBeing and Time. In this section Heidegger would have explicated in what sense time can be understood as condition of possibility for every kind of ontology. As ontology is a specific possibility of human beings, this possibility must be based on the same basic structures as Dasein as such. In Heidegger's analysis of Dasein, the distinction between a proper and an improper mode of existence is understood as based on a different temporalisation of temporality. Improperness results from a temporal movement in which presentness takes the upper hand and determines the way Dasein understands beings, other people and itself. In the proper mode of existence on the other hand, not only presence, but the three ecstasies of time as a whole would constitute the openness of Dasein. Heidegger would have demonstrated in the third section that this same temporal difference also forms the condition of possibility for the improper and proper mode of ontology: the so-called metaphysics of presence and Heideggers own temporal ontology respectively.From the rather formal perspective of our interpretation, the different moments of the analysis of Dasein are read in view of their significance for the investigation into the essence of metaphysics. By doing so, the third section appears to be the aim of Heidegger's questioning and the 'missing link' between the analysis oí Dasein and the destruction of traditional metaphysics. When Being and Time is read with such a focus on the third section, the often used distinction between the early and the later Heidegger looses much of its sharpness, if not its relevance: it is already in Being and Time itselfthat Heidegger tries to decenter the human being in behalf of a temporality that constitutes meaningful openness as such.

RésuméBien que Hegel soit parfaitement conscient du fait que l'activité de penser nepuisse devenir ce qu'elle est que dans etpar le langage, on peut dire qu'ila préservé une distinction hiérarchisée entre la pensée et le langage dans lequel elle s'exprime. Dans le but de clarifier ce qu'il veut dire exactement lorsqu'il distingue entre, d'un côté, la totalité des concepts purs et, de l'autre, le langage, la première partie du présent article—qui en est aussi la plus longue—fournit une interprétation deplusieurs textes de Hegel sur le rapport entre la pensée pure et le langage, et montre pourquoi la conception qu'il se fait de cette relation est plus difficile à critiquer qu'on ne l'a souvent cru. L'article part de la conception hégélienne du concept absolu et, après avoir briévement esquissé la relation entre la Logique et la philosophic de la nature et de l'esprit, examine divers passages sur le langage, tirés, entre autres, des leçons sur la philosophic de l'histoire mondiale. La deuxième partie de l'article propose—dans une veine heideggérienne—une perspective à partir de laquelle une déconstruction des présupposés de base de cette conception pourrait avoir quelque chance de succès.

This essay re-examines Hegel's account of Greek culture in the section of the _Phenomenology of Spirit_ devoted to “ethical action”. The thrust of this section cannot be adequately grasped, it is argued, by focusing on Hegel's references to either Sophocles' _Antigone_ or Greek tragedy as a whole. Taking into account Hegel's complex use of literary sources, the essay shows in particular that Hegel draws on Aristophanes' comedies to comprehend the collapse of Greek culture, a collapse he considered to result from the tragic conflict constitutive of Greek culture as a whole. The essay thus aims to shed light on Hegel's abstruse remarks on womanhood and, more generally, to demonstrate that Hegel's peculiar employment of literary sources constitutes an essential element of the method he employs throughout the _Phenomenology of Spirit_.

While Kant in the Critique of Pure Reason maintains that things in themselves cannot be known, he also seems to assert that they affect our senses and produce representations. Following Jacobi, many commentators have considered these claims to be contradictory. Instead of adding another artificial solution to the existing literature on this subject, I maintain that Kant’s use of terms such as thing-in-itself, noumenon, and transcendental object becomes perfectly consistent if we take them to acquire a different meaning in the various parts of the work. Challenging the opposed interpretations of Allison and Langton, I argue that Kant’s account of things in themselves is primarily relevant to the second-order reflection on the possibility and limits of a scientific metaphysics that the Critique undertakes.

In his early Jena System Drafts, Hegel elaborates a conception of time which is no longer thematized in later works such as the Encychpaedia. Hegel's early philosophy of nature bears not only on time insofar as it constitutes — together with space — the basic framework of the sciences, but also on the interiorization of time which occurs in the animal. This interiorization marks a decisive moment in the transition from nature to human consciousness, for it is here, in Hegel's view, that time begins to enact itself as pure form of intuition. In this article I reconstruct Hegel's conception of this transition by sketching out the movement in which the pure concept unfolds itself in the element of exteriority and, within the limits imposed by that element, increasingly overcomes its self-externalization. According to Hegel's Jena texts, the concept initially determines itself as ether, space and time, reaches its turning point in the interiorization of time that occurs in the animal, and culminates in the distinction between the pure I and time which allows human consciousness to increasingly overcome its dependence on impressions caused by outward objects. I argue that this construction of the genesis of human consciousness sheds new light on Hegel's understanding of the relation between the pure concept and time, and hence on his philosophy as such.

This article challenges Honneth's reading of Hegel's Philosophy of Right in The Pathologies of Individual Freedom: Hegel's Social Theory (2001/2010). Focusing on Hegel's method, I argue that this text hardly offers support for the theory of mutual recognition that Honneth purports to derive from it. After critically considering Honneth's interpretation of Hegel's account of the family and civil society, I argue that Hegel's text does not warrant Honneth's tacit identification of mutual recognition with symmetrical instances of mutual recognition, let alone his subsequent projection of symmetrical forms of mutual recognition onto the various spheres of the Philosophy of Right as a whole. I conclude by indicating an alternative way in which Hegel's text might be used to understand contemporary society.

This article contends that the relation of early logical empiricism to Kant was more complex than is often assumed. It argues that Reichenbach's early work on Kant and Einstein, entitled The Theory of Relativity and A Priori Knowledge (1920) aimed to transform rather than to oppose Kant's Critique of Pure Reason. One the one hand, I argue that Reichenbach's conception of coordinating principles, derived from Kant's conception of synthetic a priori principles, offers a valuable way of accounting for the historicity of scientific paradigms. On the other hand, I show that even Reichenbach, in line with Neo-Kantianism, associated Kant's view of synthetic a priori principles too closely with Newtonian physics and, consequently, overestimated the difference between Kant's philosophy and his own. This is even more so, I point out, in the retrospective account logical empiricism presented of its own history. Whereas contemporary reconstructions of this history, including Michael Friedman's, tend to endorse this account, I offer an interpretation of Kant's conception of a priori principles that contrasts with the one put forward by both Neo-Kantianism and logical empiricism. On this basis, I re-examine the early Reichenbach's effort to accommodate these principles to the paradigm forged by Einstein.

Given the history of the twentieth century, it is understandable that many contemporary philosophers—in the wake of Kierkegaard, Marx, and Nietzsche—have turned against Hegel’s seemingly unbridled optimism. As I will argue in this chapter, however, Hegel’s account of modern civilizations is much less optimistic than his account of the past. Hegel’s hesitation as to the capacity of modernity to resolve its immanent conflicts preeminently emerges in his account of the oppositions between poverty and wealth and between the state and its citizens. In this chapter I will focus on passages from the Essay on Natural Law, the Lectures on the Philosophy of History, and the Philosophy of Right that express this hesitation and, hence, complicate the prevailing view of Hegel’s philosophy of world history.

This essay draws on Hegelrsquo;s conception of tragedy in the emPhenomenology/em to reinterpret the intercultural conflicts that confront us today. It is argued that the prevailing self-conception of modern states, relying on the opposition between universality and particularity, effaces the irresolvable entanglement of contrary values such as progress and tradition or reason and faith. The essay seeks to employ Hegelrsquo;s insight into the dynamic of tragic conflicts to conceptualize precisely this entanglement. This requires, however, that the tragic strand of this insight be extricated from the predominant optimism of Hegelrsquo;s dialectics as a whole. By turning this tragic strand into a conceptual perspective of its own, this essay seeks to account for the inherent tendency of contending cultural paradigms to oppose their counterpart instead of recognizing themselves in the other.nbsp; br /

Shedding new light on Kant’s use of the term ‘transcendental’ in the Critique of Pure Reason, this article aims to determine the elements that Kant’s transcendental philosophy has in common with Wolffian ontology as well as the respects in which Kant turns against Wolff. On this basis I argue that Wolff’s, Kant’s and Hegel’s conceptions of metaphysics – qua first philosophy – have a deeper affinity than is commonly assumed. Bracketing the issue of Kant’s alleged subjectivism, I challenge the opposition between metaphysical and non-metaphysical readings of Hegel’s Science of Logic. One the one hand, I argue that Hegel was more deeply indebted to Kant than he generally admits. On the other hand, I hold that this debt concerns Kant’s conception of metaphysics rather than his alleged subjectivism.

Hegel is most famous for his view that conflicts between contrary positions are necessarily resolved. Whereas this optimism, inherent in modernity as such, has been challenged from Kierkegaard onward, many critics have misconstrued Hegel's own intentions. Focusing on the Science of Logic, this transformative reading of Hegel on the one hand exposes the immense force of Hegel's conception of tragedy, logic, nature, history, time, language, spirit, politics, and philosophy itself. Drawing out the implications of Hegel's insight into tragic conflicts, on the other hand, De Boer brings into play a form of negativity that allows us to understand why the entanglement of complementary positions always tends to turn into their conflict, but not necessarily into its resolution.

This article challenges the prevailing interpretations of Hegel's account of the concept "contradiction" in the Science of Logic by arguing that it is concerned with the principle of Hegel's method rather than with the classical law of non-contradiction. I first consider Hegel's Doctrine of Essence in view of Kant's discussion of the concepts of reflection in the first Critique. On this basis, I examine Hegel's account of the logical principles based on the concepts "identity," "opposition," and "contradiction." Finally, I point out how the principle Hegel derives from the concept of contradiction actually informs his own method.