Søren Brier

The concept of intrasemiotics designates the semiosis of the interpenetration between the biological and psychological autopoietic systems as Luhmann defines them in his theory. Combining a Peircian concept of semiosis with Luhmann’s theory in the framework of biosemiotics makes it possible for us to view the interplay of mind and body as a sign play. The recently suggested term ‘sign play’ pertains to ecosemiotics processes between animals of the same species stretching Wittgenstein’s language concept into the animal world of signs. With intrasemiotics there is an inner interplay. Lorenz in ethology has used the concept of motivation, and Uexküll the concept of tone, mostly describing the outgoing effect on perception and the reactions on perception. One could view intrasemiotics as the interplay between Lorenz’ biologically defined motivations and Freud’s Id, understood as the psychological aspect of many of the natural drives. In the last years of development of his theory Lorenz studied how emotional feedback can introduce just a little learning through pleasurable feelings also into the instinctivesystems because, as he reasoned, there must be some kind of reward going through instinctive movements, thus making the appetitive searching behaviourfor sign stimuli possible. But he never found an acceptable way of modelling motivation in biological science. A cybersemiotic model may combine these approaches, defining various concepts of thoughtsemiotics, phenosemiotic and intrasemiotics, combining them with the already known concepts of exosemiotics, ecosemiotics, endosemiotics to an approach which studies the self-organising semiotic processes in living systems.

Any great new theoretical framework has an epistemological and an ontological aspect to its philosophy as well as an axiological one, and one needs to understand all three aspects in order to grasp the deep aspiration and idea of the theoretical framework. Presently, there is a widespread effort to understand C. S. Peirce's (1837–1914) pragmaticistic semeiotic, and to develop it by integrating the results of modern science and evolutionary thinking; first, producing a biosemiotics and, second, by integrating it with the progress in cybernetics, information science, and system theory to create a cybersemiotics.In this paper, we focus on the understanding of the evolution of the universe that Peirce produced as an alternative to the mechanistic view underlying classical physics and try to place man in an evolving universe as a creative, aesthetical agent. It is true that modern non-equilibrium physics has made a modern foundation for a profound physical understanding of the basic evolutionary processes in the universe. But science still has not produced a theory that can explain how the creativity of the universe could produce signification, interpretation, and first-person consciousness. To this end, Peirce's thoughts on agapastic evolution coupled with the aesthetical influence of the growth of ideas and reasonableness on man could make a contribution.