Mark Sainsbury

When are two tokens of a name tokens of the same name? According to this paper, the answer is a matter of the historical connections between the tokens. For each name, there is a unique originating event, and subsequent tokens are tokens of that name only if they derive in an appropriate way from that originating event. The conditions for a token being a token of a given name are distinct from the conditions for preservation of the reference of a name. Hence a name may change its reference. Defending the theory requires considerations about the identity of acts, and about empty names and disagreement. The upshot is a causal theory of the identity of names, but not what would normally be counted as a causal theory of the reference of names. Although reference is often transmitted causally, what determines semantic reference is conventionalized speaker-reference.

Reference is a central topic in philosophy of language, and has been the main focus of discussion about how language relates to the world. R. M. Sainsbury sets out a new approach to the concept, which promises to bring to an end some long-standing debates in semantic theory. Lucid and accessible, and written with a minimum of technicality, Sainsbury's book also includes a useful historical survey. It will be of interest to those working in logic, mind, and metaphysics as well as essential reading for philosophers of language

My commentators point to respects in which the picture provided in Reference without Referents is incomplete. The picture provided no account of how sentences constructed from intensional verbs can be true when one of the referring expressions fails to refer. And it gave an incomplete, and possibly misleading, account of how to understand certain serious uses of fictional names, as in "Anna Karenina is more intelligent than Emma Bovary" and "Anna Karenina does not exist". In the present response, I indicate how I would now wish to make good these deficiencies. The truth of sentences constructed from intensional verbs can be explained in terms of the truth of sentences that are unproblematic for RWR, for example, sentences dominated by operators expressing propositional attitudes. Reflection on the way in which we can temporarily accept commitments we do not in fact share leads to a more nuanced account of serious uses of fictional names, some of which manifest precisely such a temporary acceptance. /// Mis comentadores señalan aspectos en los que la propuesta de Reference without Referents es incompleta: no ofrecía una explicación de cómo oraciones construidas con verbos intensionales pueden ser verdaderas cuando una de las expresiones referenciales no refiere; y dio una explicación incompleta, y quizás engañosa, de cómo entender ciertos usos serios de nombres de ficción como en "Anna Karenina es más inteligente que Emma Bovary" y "Anna Karenina no existe". En esta respuesta indico cómo quiero ahora subsanar estas deficiencias. La verdad de las oraciones construidas con verbos intensionales puede explicarse en términos de la verdad de oraciones que no son problemáticas para la explicación de Reference without Referents, por ejemplo, oraciones dominadas por operadores que expresan actitudes proposicionales. Una reflexión sobre cómo podemos aceptar temporalmente compromisos que de hecho no compartimos conduce a una explicación más matizada de los usos serios de los nombres de ficción, algunos de los cuales manifiestan precisamente esa aceptación temporal.

Are fictional characters such as Sherlock Holmes real? What can fiction tell us about the nature of truth and reality? In this excellent introduction to the problem of fictionalism R. M. Sainsbury covers the following key topics: what is fiction? realism about fictional objects, including the arguments that fictional objects are real but non-existent; real but non-factual; real but non-concrete the relationship between fictional characters and non-actual worlds fictional entities as abstract artefacts fiction and intentionality and the problem of irrealism fictionalism about possible worlds moral fictionalism. R. M. Sainsbury makes extensive use of examples from fiction, such as Sherlock Holmes, Anna Karenina and Madame Bovary and examines the work of philosophers who have made significant contributions to the topic, including Meinong, David Lewis, and Bas Van Fraassen. Additional features include chapter summaries, annotated further reading and a glossary of technical terms, making _Fiction and Fictionalism_ ideal for those coming to the issue for the first time

There is no straightforward inference from there being fictional characters to any interesting form of realism. One reason is that “fictional” may be an intensional operator with wide scope, depriving the quantifier of its usual force. Another is that not all uses of “there are” are ontologically committing. A realist needs to show that neither of these phenomena are present in “There are fictional characters”. Other roads to realism run into difficulties when negotiating the role that presupposition plays when we make intuitive evaluations of the truth or falsehood of sentences involving fiction, for we may presuppose things we do not believe. This means that a judgment of truth, implicitly relative to a presupposition we do not believe, can be sincerely made by someone who, from a more austere perspective, would regard the judgment as false.