•  23
    Easy Possibilities
    Philosophy and Phenomenological Research 57 (4): 907-919. 1997.
  •  1
    Referring Descriptions
    In Marga Reimer & Anne Bezuidenhout (eds.), Descriptions and beyond, Oxford University Press. 2004.
  •  92
    Projections and Relations
    The Monist 81 (1): 133-160. 1998.
    The paper evaluates Hume's alleged projectivism about causation and moral values.
  •  87
    Vagueness and Semantic Methodology
    Philosophy and Phenomenological Research 90 (2): 475-482. 2015.
  •  99
  •  5
    Meeting the Hare in her doubles : Causal belief and general belief
    In Marina Frasca-Spada & P. J. E. Kail (eds.), Impressions of Hume, Oxford University Press. 2005.
    Article
  •  613
    The review praises the philosophical quality, but is less enthusiastic about the scholarship and historical accuracy.
  •  1
    The Sainsbury Discussion
    Philosophy International. 1997.
  •  53
    Intensional Transitives and Presuppositions
    Critica 40 (120): 129-139. 2008.
    My commentators point to respects in which the picture provided in Reference without Referents is incomplete. The picture provided no account of how sentences constructed from intensional verbs can be true when one of the referring expressions fails to refer. And it gave an incomplete, and possibly misleading, account of how to understand certain serious uses of fictional names, as in "Anna Karenina is more intelligent than Emma Bovary" and "Anna Karenina does not exist". In the present response…Read more
  •  78
    Rejoinder to Rasmussen
    Analysis 44 (3). 1984.
  •  333
    Fiction and Fictionalism
    Routledge. 2009.
    Are fictional characters such as Sherlock Holmes real? What can fiction tell us about the nature of truth and reality? In this excellent introduction to the problem of fictionalism R. M. Sainsbury covers the following key topics: what is fiction? realism about fictional objects, including the arguments that fictional objects are real but non-existent; real but non-factual; real but non-concrete the relationship between fictional characters and non-actual worlds fictional entities as abstract art…Read more