Catherine Joanna Rowett

Aristotle's Physics 1.4-9 explores a range of questions about the basic structure of reality, the nature of prime matter, the principles of change, the relation between form and matter, and the issue of whether things can come into being out of nothing, and if so, in what sense that is true. Philoponus' commentaries do not merely report and explain Aristotle and the other thinkers whom Aristotle is discussing. They are also the philosophical work of an independent thinker in the Neoplatonic tradition. Philoponus has his own, occasionally idiosyncratic, views on a number of important issues, and he sometimes disagrees with other teachers whose views he has encountered perhaps in written texts and in oral delivery. A number of distinctive passages of philosophical importance occur in this part of Book 1, in which we see Philoponus at work on issues in physics and cosmology, as well as logic and metaphysics. This volume contains an English translation of Philoponus' commentary, as well as a detailed introduction, commentary notes and a bibliography.

The motifs of love and seduction in the Phaedrus are not about sexual love but about philosophy, and particularly about two different approaches to philosophy, one engaged and emotionally, even poetically, involved and one cold, rational and detached. Socrates' palinode speech in the Phaedrus contrasts the lover of beauty whose philosophical sensitivities enable the wings to grow and intellectual vision to occur, with the cool rational character of the non-lover who has no place for love of beauty and cares only for utility and reason. When Socrates took the part of the non-lover, and denigrated the value of love in philosophical enquiry, in his first speech that attacked love as a distorting factor, and praised reason devoid of emotion, he had been seduced by a calculating and over-rational love of "speeches" which is the dominant character of Phaedrus, cool lover of reason with no emotional intelligence.

I start by asking what Aristotle knew (or thought) about Heraclitus: what were the key features of Heraclitus's philosophy as far as Aristotle was concerned? In this section of the paper I suggest that there are some patterns to Aristotle's references to Heraclitus: besides the classic doctrines (flux, ekpyrosis and the unity of opposites) on the one hand, and the opening of Heraclitus's book on the other, Aristotle knows and reports a few slightly less obvious sayings, one of which is in my title. Secondly, I ask some further questions. Is there any systematic connection between the bits that Aristotle reports? Do they hang together? Ought we to see here some relic of an Aristotelian understanding of what made Heraclitus tick? If we juxtapose these themes and Aristotle's comments on them, I suggest, we can generate some suggestive motifs, in particular a rather curious fascination with smoking, and the pleasures of inhaling. Finally, I suggest that smells (and the way the world would be if smells were the only differences to be discerned) are important in understanding what Heraclitus was doing.

L'A. étudie l'oeuvre d'Hippolyte de Rome qui présente, moins qu'un véritable intérêt philosophique, l'avantage d'une certaine connaissance de l'histoire de la philosophie, sur laquelle il fonde sa défense de la doctrine chrétienne. Le débat s'articule autour de l'originalité de l'interprétation de la philosophie grecque, des Présocratiques en particulier, par Hippolyte. Il s'agit, par comparaison avec Plotin, de délimiter les sources philosophiques de son oeuvre empreinte d'un moyen platonisme traditionnel

In chapter 7 of the third book of De anima Aristotle is concerned with the activity of the intellect, which, here as elsewhere in the work, he explores by developing parallels with his account of sense-perception. In this chapter his principal interest appears to be the notion of judgement, and in particular intellectual judgements about the value of some item on a scale of good and bad. In this paper I shall argue, firstly that there is in fact a coherent structure and focus to this chapter, which has therefore unjustly been criticized as disorganized or corrupt; and secondly that, in the light of such a coherent understanding of the chapter as a whole, we can resolve the difficulties in interpreting the central passage concerned with cross-modal perceptual judgements, and thereby also throw some further light on the related passages in the second chapter of De anima 3, which had been directly concerned with that topic.

In this paper I argue, controversially, that Plato's Meno anticipates Wittgenstein's critique of essentialism. Plato is usually read as an essentialist of the very kind that Wittgenstein was challenging, and the Meno in particular is usually taken as evidence that Plato thought that to know something you must be able to define it, and that if you can't define it you can't investigate any other questions on the topic. I suggest instead that Plato shows Socrates proposing such a position (much as Wittgenstein's imaginary interlocutor might do), only to have it knocked down by what happens in the dialogue. Plato shows that one knows a concept when one can apply it in practice, or, for virtue, when one typically chooses to act in certain ways, passes certain judgements and so on. It turns out, then, that one who claims to "know what virtue is" need not give necessary and sufficient conditions for it.

It is no longer generally believed that Empedocles was the divided character portrayed by nineteenth-century scholars, a man whose scientific and religious views were incompatible but untouched by each other. Yet it is still widely held that, however unitary his thought, nevertheless he still wrote more than one poem, and that his poems can be clearly divided between those which do, and those which do not, concern ‘religious matters’.1 Once this assumption can be shown to be shaky or actually false, the grounds for dividing the quotations of Empedocles into two poems by subject matter disappear; and without that division our interpretation of Empedocles stands in need of radical revision. This paper startswith the modest task of showing that Empedocles may have written only one philosophical poem and not two, and goes on to suggest some of the ways in which we have to rethink the whole story if he did. If all our material belongs to one poem we are bound to link the cycle of the daimones with that of the elements, and this has far-reaching consequences for our interpretation.

I consider the relation between the shape or structure of the world and the moral position occupied by human beings, and show that a cosmology that places earth at the centre does not give the centre of the universe pride of place but the lowest place, so any reluctance to move the earth from the centre of the universe was not due to thinking that humans must be in the most important position. From Plato on, the surface of the earth is at the bottom and the outer heaven is the highest place. This applies to ancient thought and to Christian thought.

Do you need to know the name of the god you're praying to? If you get the name wrong what happens to the prayer? What if the god has more than one name? Who gets to decide whether the name works (you or the god or neither)? What are names anyway? Are the names of the gods any different in how they work from any other names? Is there a way of fixing the reference without using the name so as to avoid the problems of optional names? There is a type of formula used in prayer in ancient Greece which I call (in this paper) a "precautionary formula". The person praying uses expressions like "whether you want to be called [x] or [y]", and "if this is the name by which you would like to be called". I also include here the practice of adding definite descriptions that identify the god by means other than the name (e.g. their place of birth or residence, their deeds etc). In this paper I ask what these formulae were for, why so many occur in philosophical work, particularly Plato, and whether the puzzles about the names of the gods go back to the Presocratics.

I argue that philosophy was naturally conceived and written in verse, not prose, in the early years of philosophy, and that prose writing would be the exception not the norm. I argue that philosophers developed their ideas in verse and did not repackage ideas and thoughts first formulated in non-poetic genres, so there is no adaptation or modification involved in "putting it into poetry". This also means that the content and the form are interdependent, and the poetic details are part of the message, and integral to understanding the philosophy. In both Parmenides and Empedocles there are interesting patterns of linearity and circularity in the composition which mimic and reinforce the message in the poem, which is a philosophical message about, respectively, linear journeys and cosmic cycles.

Ralph Cudworth (1617-88) was one of the Cambridge Platonists. His major work, The True Intellectual System of the Universe, was completed in 1671, a year after Spinoza published (anonymously) the Tractatus Logico-philosophicus. It was published a few years later, in 1678. Cudworth offers a spirited attack against the materialism and mechanism of Thomas Hobbes. His work is couched as a search for truth among the ancient philosophers, and this paper examines his use of the Presocratics as a tool for discussing the issues of his day.

There is an analogy between Timaeus's act of describing a world in words and the demiurge's task of making a world of matter. This analogy implies a parallel between language as a system of reproducing ideas in words, and the world, which reproduces reality in particular things. Authority lies in the creation of a likeness in words of the eternal Forms. The Forms serve as paradigms both for the physical world created by the demiurge, and for the world in discourse created by Timaeus: his discourse gains its validity not from faithfulness to the way things appear, or the way particular things 'actually happened', but in virtue of its attempt to express in words a likeness of the perfect and eternal reality. There are implications for Plato's philosophy of language, and for the relation between words and things (words do not depict or name things but can be used to construct worlds in a parallel way to the manner in which things construct worlds, both worlds being modelled on one common world of ideas). The match between world and discourse is because of their common pictorial relation (likeness) to an independent model.

This unique book challenges the traditional distinction between eros, the love found in Greek thought, and agape, the love characteristic of Christianity. Focusing on a number of classic texts, including Plato's Symposium and Lysis, Aristotle's Ethics and Metaphysics,, and famous passages in Gregory of Nyssa, Origen, Dionysius the Areopagite, Plotinus, Augustine, and Thomas Aquinas, the author shows that Plato's account of eros is not founded on self-interest. In this way, she restores the place of erotic love as a Christian motif, and unravels some longstanding confusions in philosophical discussions of love.