Catherine Joanna Rowett

I argue that philosophy was naturally conceived and written in verse, not prose, in the early years of philosophy, and that prose writing would be the exception not the norm. I argue that philosophers developed their ideas in verse and did not repackage ideas and thoughts first formulated in non-poetic genres, so there is no adaptation or modification involved in "putting it into poetry". This also means that the content and the form are interdependent, and the poetic details are part of the message, and integral to understanding the philosophy. In both Parmenides and Empedocles there are interesting patterns of linearity and circularity in the composition which mimic and reinforce the message in the poem, which is a philosophical message about, respectively, linear journeys and cosmic cycles.

Ralph Cudworth (1617-88) was one of the Cambridge Platonists. His major work, The True Intellectual System of the Universe, was completed in 1671, a year after Spinoza published (anonymously) the Tractatus Logico-philosophicus. It was published a few years later, in 1678. Cudworth offers a spirited attack against the materialism and mechanism of Thomas Hobbes. His work is couched as a search for truth among the ancient philosophers, and this paper examines his use of the Presocratics as a tool for discussing the issues of his day.

There is an analogy between Timaeus's act of describing a world in words and the demiurge's task of making a world of matter. This analogy implies a parallel between language as a system of reproducing ideas in words, and the world, which reproduces reality in particular things. Authority lies in the creation of a likeness in words of the eternal Forms. The Forms serve as paradigms both for the physical world created by the demiurge, and for the world in discourse created by Timaeus: his discourse gains its validity not from faithfulness to the way things appear, or the way particular things 'actually happened', but in virtue of its attempt to express in words a likeness of the perfect and eternal reality. There are implications for Plato's philosophy of language, and for the relation between words and things (words do not depict or name things but can be used to construct worlds in a parallel way to the manner in which things construct worlds, both worlds being modelled on one common world of ideas). The match between world and discourse is because of their common pictorial relation (likeness) to an independent model.

This unique book challenges the traditional distinction between eros, the love found in Greek thought, and agape, the love characteristic of Christianity. Focusing on a number of classic texts, including Plato's Symposium and Lysis, Aristotle's Ethics and Metaphysics,, and famous passages in Gregory of Nyssa, Origen, Dionysius the Areopagite, Plotinus, Augustine, and Thomas Aquinas, the author shows that Plato's account of eros is not founded on self-interest. In this way, she restores the place of erotic love as a Christian motif, and unravels some longstanding confusions in philosophical discussions of love.

A discussion of De anima 3.3 designed to show that phantasia serves to prevent a dualism of different objects for perception and thought, and ensures that attention is directed to real objects in the world, for both animals and humans. when they perceive and when they think about things in their absence. There is a continuity between animal and human behaviour, based on the common use of perceptual attention as the basis of mental attention. The objects of thought are not any more propositional or conceptual than the things that both humans and animals encounter and engage with in normal behaviour.

I ask whether the Recollection argument commits Socrates to the view that our only source of knowledge of the Forms is sense perception. I argue that Socrates does not confine our presently available sources of knowledge to empirically based recollection, but that he does think that we can't begin to move towards a philosophical understanding of the Forms except as a result of puzzles prompted by the shortfall of particulars in relation to the Forms, and hence that our awareness of the Forms is first prompted by sense-perception. This leaves open the possibility that once that critical awareness of the Forms is established, further reflection at a conceptual level may lead to continued recollection and learning without further input from the senses, and that this approach is what is recommended for the more advanced philosopher. Hence the position endorsed by Socrates in the Phaedo, recommending that the philosopher get in training for death, fleeing as far as is possible from the bodily senses which only distract, is consistent with the position on sense perception in the Recollection argument. The senses are treated as a necessary prompt to reflection, not because they provide our best source of knowledge, but because we start life tied to the senses and believing their objects important.

In this paper I explore a famous part of Plato’s Theaetetus where Socrates develops various models of the mind (picturing it first as a wax tablet and then as an aviary full of specimen birds). These are to solve some puzzles about how it is possible to make a mistake. On my interpretation, defended here, the discussion of mistakes is no digression, but is part of the refutation of Theaetetus’s thesis that knowledge is “true doxa”. It reveals that false doxa is possible only if there is a certain stock of abstract knowledge, conceptual knowledge, that is not awareness of the particular individual that is being described. The individual must be identified under some description, or seen as something of a certain kind. Error can only occur if the description applied misdescribes the situation, but then if it is to be applied falsely it must first have been known from somewhere else. So knowledge cannot be reduced to the application of descriptions to particulars, but is to be found in the prior possession of abstract descriptions that can be deployed in identifying particular individuals on the ground.

In this, the first half of Philoponus' analysis of book one of "Aristotle's Physics", the principal themes are metaphysical. Aristotle's opening chapter in the "Physics" is an abstract reflection on methodology for the investigation of nature, 'physics'. Aristotle suggests that one must proceed from things that are familiar but vague, and derive more precise but less obvious principles to constitute genuine knowledge. His controversial claim that this is to progress from the universal to the more particular occasions extensive apologetic exegesis, typical of Philoponus' meticulous and somewhat pedantic method. Philoponus explains away the apparent conflict between the 'didactic method' (unavoidable in physics) and the strict demonstrative method described in the "Analytics". After 20 pages on chapter 1, Philoponus devotes the remaining 66 pages to Aristotle's objections to two major Presocratic thinkers, Parmenides and Melissus. Aristotle included these thinkers as an aside, because they were not engaged in physics, but in questioning the very basis of physics. Philoponus investigates Aristotle's claims about the relation between a science and its axioms, explores alternative ways of formalising Aristotle's refutation of Eleatic monism and provides a sustained critique of Aristotle's analysis of the Eleatics' purported mistakes about unity and being.

Professor Christopher Stead was Ely Professor of Divinity from 1971 until his retirement in 1980 and one of the great contributors to the Oxford Patristic Conferences for many years. In this paper I reflect on his work in Patristics, and I attempt to understand how his interests diverged from the other major contributors in the same period, and how they were formed by his philosophical milieu and the spirit of the age. As a case study to illustrate and diagnose his approach, I shall focus on a debate between Stead and Rowan Williams about the significance of the word idios in Arius's theology (in the course of which I also make some suggestions of my own about the issue).

If Socrates is portrayed holding one view in one of Plato's dialogues and a different view in another, should we be puzzled? If (as I suggest) Plato's Socrates is neither the historical Socrates, nor a device for delivering Platonic doctrine, but a tool for the dialectical investigation of a philosophical problem, then we should expect a new Socrates, with relevant commitments, to be devised for each setting. Such a dialectical device – the tailor-made Socrates – fits with what we know of other contributions to the genre of the Sokratikos Logos, to which Plato was neither the first nor the only contributor.

This is a book about the invention of Western philosophy, and the first thinkers to explore ideas about the nature of reality, time, and the origin of the universe. Generations of philosophers, both ancient and modern, have traced their inspiration back to the presocratics, even though we have very few of their writings left. In this book, Catherine Osborne invites her readers to dip their toes into the fragmentary remains of thinkers from Thales to Pythagoras, Heraclitus to Protagoras, to try to fill in the bits of a jigsaw that has been rejigged many times and in many ways.

Philosophers are generally somewhat wary of the hints of number mysticism in the reports about the beliefs and doctrines of the so-called Pythagoreans. It's not clear how much Pythagoras himself (as opposed to his later followers) indulged in speculation about numbers, or in more serious mathematics. But the Pythagoreans whom Aristotle discusses in the Metaphysics had some elaborate stories to tell about how the universe could be explained in terms of numbers—not just its physics but perhaps morality too. Was this just fanciful speculation? Is it muddled as a theory of causality, as Aristotle suggests? I shall try to rehabilitate the passion for numbers by linking it with the notions of harmony and proportion in other thinkers who have a higher credibility factor in the philosophical stakes, and by showing that the desire to reduce quality to quantity, and to discover an exact science that can explain human life and meaning, is a serious philosophical passion that doesn't easily go away. And, after all, why should it?