Catherine Joanna Rowett

This unique book challenges the traditional distinction between eros, the love found in Greek thought, and agape, the love characteristic of Christianity. Focusing on a number of classic texts, including Plato's Symposium and Lysis, Aristotle's Ethics and Metaphysics,, and famous passages in Gregory of Nyssa, Origen, Dionysius the Areopagite, Plotinus, Augustine, and Thomas Aquinas, the author shows that Plato's account of eros is not founded on self-interest. In this way, she restores the place of erotic love as a Christian motif, and unravels some longstanding confusions in philosophical discussions of love.

Do you need to know the name of the god you're praying to? If you get the name wrong what happens to the prayer? What if the god has more than one name? Who gets to decide whether the name works (you or the god or neither)? What are names anyway? Are the names of the gods any different in how they work from any other names? Is there a way of fixing the reference without using the name so as to avoid the problems of optional names? There is a type of formula used in prayer in ancient Greece which I call (in this paper) a "precautionary formula". The person praying uses expressions like "whether you want to be called [x] or [y]", and "if this is the name by which you would like to be called". I also include here the practice of adding definite descriptions that identify the god by means other than the name (e.g. their place of birth or residence, their deeds etc). In this paper I ask what these formulae were for, why so many occur in philosophical work, particularly Plato, and whether the puzzles about the names of the gods go back to the Presocratics.

I argue that philosophy was naturally conceived and written in verse, not prose, in the early years of philosophy, and that prose writing would be the exception not the norm. I argue that philosophers developed their ideas in verse and did not repackage ideas and thoughts first formulated in non-poetic genres, so there is no adaptation or modification involved in "putting it into poetry". This also means that the content and the form are interdependent, and the poetic details are part of the message, and integral to understanding the philosophy. In both Parmenides and Empedocles there are interesting patterns of linearity and circularity in the composition which mimic and reinforce the message in the poem, which is a philosophical message about, respectively, linear journeys and cosmic cycles.

L'A. étudie l'oeuvre d'Hippolyte de Rome qui présente, moins qu'un véritable intérêt philosophique, l'avantage d'une certaine connaissance de l'histoire de la philosophie, sur laquelle il fonde sa défense de la doctrine chrétienne. Le débat s'articule autour de l'originalité de l'interprétation de la philosophie grecque, des Présocratiques en particulier, par Hippolyte. Il s'agit, par comparaison avec Plotin, de délimiter les sources philosophiques de son oeuvre empreinte d'un moyen platonisme traditionnel

This is a book about the invention of Western philosophy, and the first thinkers to explore ideas about the nature of reality, time, and the origin of the universe. Generations of philosophers, both ancient and modern, have traced their inspiration back to the presocratics, even though we have very few of their writings left. In this book, Catherine Osborne invites her readers to dip their toes into the fragmentary remains of thinkers from Thales to Pythagoras, Heraclitus to Protagoras, to try to fill in the bits of a jigsaw that has been rejigged many times and in many ways.

Ralph Cudworth (1617-88) was one of the Cambridge Platonists. His major work, The True Intellectual System of the Universe, was completed in 1671, a year after Spinoza published (anonymously) the Tractatus Logico-philosophicus. It was published a few years later, in 1678. Cudworth offers a spirited attack against the materialism and mechanism of Thomas Hobbes. His work is couched as a search for truth among the ancient philosophers, and this paper examines his use of the Presocratics as a tool for discussing the issues of his day.

I consider the relation between the shape or structure of the world and the moral position occupied by human beings, and show that a cosmology that places earth at the centre does not give the centre of the universe pride of place but the lowest place, so any reluctance to move the earth from the centre of the universe was not due to thinking that humans must be in the most important position. From Plato on, the surface of the earth is at the bottom and the outer heaven is the highest place. This applies to ancient thought and to Christian thought.