Fiona Macpherson

Abstract: This paper seeks to establish whether the cognitive penetration of experience is compatible with experience having nonconceptual content. Cognitive penetration occurs when one’s beliefs or desires affect one’s perceptual experience in a particular way. I examine two different models of cognitive penetration and four different accounts of the distinction between conceptual and nonconceptual content. I argue that one model of cognitive penetration—“classic” cognitive penetration—is compatible with only one of the accounts of nonconceptual content that I identify. I then consider the other model of cognitive penetration—cognitive penetration “lite”. I provide reasons to think that this is compatible with three accounts of nonconceptual content. Moreover, I argue that the account of nonconceptual content that it is not compatible with is a spurious notion of nonconceptual content that ought to be abandoned. Thus, I claim that cognitive penetration lite is compatible with all reasonable specifications of nonconceptual content.

In this paper, we present new cases of illusion and hallucination that have not heretofore been identified. We argue that such cases show that the traditional accounts of illusion and hallucination are incorrect because they do not identify all of the cases of non-veridical experience that they need to and they elide important differences between cases. In light of this, we present new and exhaustive definitions of illusion and hallucination. First, we explicate the traditional accounts of illusion and hallucination. We then proceed to outline cases of pure property experience—that is, experience as of properties, but not as of objects. We suggest that some might find it to be plausible that olfactory experience is of this kind. We argue that, within instances of such pure property experience, one can identify cases of veridical property perception, illusory property perception and hallucinatory property experience. With these distinctions in hand, we re-examine ordinary cases of experiences as of objects having properties. Drawing on the ideas uncovered by considering pure property experience, we bring to light many new cases of illusion and hallucination within ordinary experience as of objects having properties. These consist in different combinations of veridical perception, illusory perception and hallucination of both objects and properties. In order to accept that these new cases of illusion and hallucination exist in ordinary experience as of objects having properties, nothing turns on accepting the idea that there is pure property experience, or that olfactory experience is an instance of it. Such a conception of experience is simply a tool—a ladder to gain a good vantage point from which one can appreciate that there are these further cases. But this is a ladder that, as Wittgenstein might say, can be thrown away once it is used. Identifying new instances of illusion and hallucination provides much needed, important data for testing theories of experience and perception—theories that are frequently motivated, and should be judged, by their ability to account for cases of illusion and hallucination.

The past 25 years have seen a rapid growth of knowledge about brain mechanisms involved in visual mental imagery. These advances have largely been made independently of the long history of philosophical – and even psychological – reckoning with imagery and its parent concept ‘imagination’. We suggest that the view from these empirical findings can be widened by an appreciation of imagination’s intellectual history, and we seek to show how that history both created the conditions for – and presents challenges to – the scientific endeavor. We focus on the neuroscientific literature’s most commonly used task – imagining a concrete object – and, after sketching what is known of the neurobiological mechanisms involved, we examine the same basic act of imagining from the perspective of several key positions in the history of philosophy and psychology. We present positions that, firstly, contextualize and inform the neuroscientific account, and secondly, pose conceptual and methodological challenges to the scientific analysis of imagery. We conclude by reflecting on the intellectual history of visualization in the light of contemporary science, and the extent to which such science may resolve long-standing theoretical debates.

Unlike those with type 1 blindsight, people who have type 2 blindsight have some sort of consciousness of the stimuli in their blind field. What is the nature of that consciousness? Is it visual experience? I address these questions by considering whether we can establish the existence of any structural—necessary—features of visual experience. I argue that it is very difficult to establish the existence of any such features. In particular, I investigate whether it is possible to visually, or more generally perceptually, experience form or movement at a distance from our body, without experiencing colour. The traditional answer, advocated by Aristotle, and some other philosophers, up to and including the present day, is that it is not and hence colour is a structural feature of visual experience. I argue that there is no good reason to think that this is impossible, and provide evidence from four cases—sensory substitution, achomatopsia, phantom contours and amodal completion—in favour of the idea that it is possible. If it is possible then one important reason for rejecting the idea that people with type 2 blindsight do not have visual experiences is undermined. I suggest further experiments that could be done to help settle the matter.

Is the sense-data theory, otherwise known as indirect realism, a form of representationalism? This question has been underexplored in the extant literature, and to the extent that there is discussion, contemporary authors disagree. There are many different variants of representationalism, and differences between these variants that some people have taken to be inconsequential turn out to be key factors in whether the sense-data theory is a form of representationalism. Chief among these are whether a representationalist takes the phenomenal character of an experience to be explicable in virtue of the properties of an experience that represent something or explicable in virtue of that which gets represented. Another is whether representationalists hold a non-reductionist, or naturalistically or non-naturalistically reductionist variant of representationalism. In addition, subtle differences in what one takes phenomenal character to be on the sense-data theory – either awareness of sense-data or the sense-data themselves – together with one's account of representation, are crucial factors in determining whether sense-data theory is compatible with representationalism. This paper explores these relationships and makes manifest the complexities of the metaphysics of two central theories of perception

Reflection on skeptical scenarios in the philosophy of perception, made vivid in the arguments from illusion and hallucination, have led to the formulation of theories of the metaphysical and epistemological nature of perceptual experience. In recent times, the locus of the debate concerning the nature of perceptual experience has been the dispute between disjunctivists and common-kind theorists. Disjunctivists have held that there are substantial dissimilarities (either metaphysical or epistemological or both) between veridical perceptual experiences occurring when one perceives and perceptual experiences involved in hallucination. Common-kind theorists have denied this. In this paper, I examine the nature of introspection – a faculty that has often been compared and contrasted to perception. I reflect on cases where introspection goes wrong in ways analogous to that in which our perceptual faculties can go wrong and formulate, what I take to be, an attractive theory of introspection. The cases that I focus on in which things go wrong are the case of zombies and the case of subjects with Anton’s syndrome. (Anton’s syndrome is a condition in which people who are blind claim that they can see.) I suggest that, just as it is possible to be a disjunctivist about perception, it is possible to be a disjunctivist about introspection. I argue that this is a good view of one type of introspection, namely, introspection of states that have phenomenal character, such as perceptual experiences. It has a good account to give of the cases in which such introspection seems to go wrong and it yields a plausible metaphysical and epistemological view of the nature of introspection. However, while I favour a disjunctive view of introspection, I do not favour a disjunctive view of perception. And, I suspect, that many disjunctivists about perception would not wish to condone my disjunctivist theory of introspection. I therefore go on to examine to what extent..

I argue that we should reject the sparse view that there are or could be only a small number of rather distinct senses. When one appreciates this then one can see that there is no need to choose between the standard criteria that have been proposed as ways of individuating the senses—representation, phenomenal character, proximal stimulus and sense organ—or any other criteria that one may deem important. Rather, one can use these criteria in conjunction to form a fine-grained taxonomy of the senses. We can think of these criteria as defining a multidimensional space within which we can locate each of the senses that we are familiar with and which also defines the space of possible senses there could be

This thesis is an examination and critique of naturalistic representational theories of phenomenal character. Phenomenal character refers to the distinctive quality that perceptual and sensational experiences seem to have; it is identified with 'what it is like' to undergo experiences. The central claims of representationalism are that phenomenal character is identical with the content of experience and that all representational states, bearing appropriate relations to the cognitive system, are conscious experiences. These claims are taken to explain both how conscious experiential states arise and their nature. After examining the desiderata for naturalistic explanations, I argue that theories which ascribe nonconceptual content to experiences are the most plausible versions of representationalism. Further, causal covariation and teleological theories yield distinctive and interesting representationalist positions, hence, they become the focus of this study. To assess representationalism, I investigate whether all differences in phenomenal character can be correlated with differences in content. I claim that a useful distinction can be drawn between implicit and explicit content, which allows one to best describe the phenomena of perfect and relative pitch. I then argue that ambiguous figures show that two experiences can have the same content but different phenomenal character. I explicate the Inverted Earth hypothesis and claim that to identify content and phenomenal character, representationalists either have to condone the possibility of philosophical zombies, or hold that people lack authoritative first-person knowledge of their current experiences. Both these positions are unpalatable. Finally, I argue that representationalists cannot ascribe contents to experiences of novel colours to account for their phenomenal character. I also question, in light of dissociation phenomena, whether there is one distinctive relationship that all experiences bear to the cognitive system. I conclude that phenomenal character cannot be identical with the type of content under investigation, and that naturalistic representationalist theories cannot fully explain conscious experience

This paper is divided into two main sections. The first articulates what I believe Strawson's position to be. I contrast Strawson's usage of 'physicalism' with the mainstream use. I then explain why I think that Strawson's position is one of property dualism and substance monism. In doing this, I outline his view and Locke's view on the nature of substance. I argue that they are similar in many respects and thus it is no surprise that Strawson actually holds a view on the mind much like one plausible interpretation of Locke's position. Strawson's use of terminology cloaks this fact and he does not himself explicitly recognize it in his paper. In the second section, I outline some of Strawson's assumptions that he uses in arguing for his position. I comment on the plausibility of his position concerning the relation of the mind to the body compared with mainstream physicalism and various forms of dualism. Before embarking on the two main sections, in the remainder of this introduction, I very briefly sketch Strawson's view.

Can the phenomenal character of perceptual experience be altered by the states of one's cognitive system, for example, one's thoughts or beliefs? If one thinks that this can happen then one thinks that there can be cognitive penetration of perceptual experience; otherwise, one thinks that perceptual experience is cognitively impenetrable. I claim that there is one alleged case of cognitive penetration that cannot be explained away by the standard strategies one can typically use to explain away alleged cases. The case is one in which it seems subjects' beliefs about the typical colour of objects affects their colour experience. I propose a two-step mechanism of indirect cognitive penetration that explains how cognitive penetration may occur. I show that there is independent evidence that each step in this process can occur. I suspect that people who are opposed to the idea that perceptual experience is cognitively penetrable will be less opposed to the idea when they come to consider this indirect mechanism and that those who are generally sympathetic to the idea of cognitive penetrability will welcome the elucidation of this plausible mechanism

[1] Recent philosophy of mind and epistemology has seen an important and influential trend towards accounting for at least some features of experiences in content-involving terms. It is a contested point whether ascribing content to experiences can account for all the intrinsic properties of experiences, but on many theories of experiences there are close links between the ascription of content and the ways in which experiences are ascribed and typed. The issues here have both epistemological and psychological dimensions. On the one hand, a theory of experiential content has a fundamental role in explaining how knowledge of the world can be acquired through experience. On the other hand, there are important psychological questions about the phenomenology of experiences and the conditions under which content ascriptions are made

Some naturalistic theories of consciousness give an essential role to teleology.1 This teleology is said to arise due to natural selection. Thus it is claimed that only certain states, namely, those that have been selected for by evolutionary pro- cesses because they contribute to (or once contributed to) an organism’s fitness, are conscious states. These theories look as if they are assigning a creative role to natural selection. If a state is conscious only if it has been selected for, then selec- tion appears to be able to create a new feature of states, namely, their conscious nature. Yet, intuitively, natural selection cannot create anything. Natural selec- tion chooses certain features that already exist and makes them more (or less) prevalent in a population, but it cannot bring features into existence itself. Natu- ral selection can select for conscious states, but it cannot create them. This con- clusion has recently been argued for by Steven Horst (1999). If it is right, then teleological theories of conscious states should be rejected. A state cannot become a conscious experience in virtue of having been selected for by evolu- tionary process

This paper examines the representationalist view of experiences in the light of the phenomena of perfect and relative pitch. Two main kinds of representationalism are identified - environment-based and cognitive role-based. It is argued that to explain the relationship between the two theories a distinction should be drawn between various types of implicit and explicit content. When investigated, this distinction sheds some light on the difference between the phenomenology of perfect and relative pitch experiences and may be usefully applied to describe the nature of experiences in the other sense modalities