Peter Alward

RésuméJe critique dans cet article la théorie «naïve»des attributions de croyances, selon laquelle la signification d'un nom propre dans la clause qui figure comme complément d'une telle attribution est son référent. Je soutiens que l'usage que nous faisons de ces attributions dans l'explication du comportement oblige à rejeter la version simple de la sémantique «naïve» au profit de sa cousine plus sophistiquée. Et je soutiens que la théorie «naïve» sophistiquée se compare défavorablement à des versions plausibles de la sémantique non naíve.

In this article, I develop an argument against all Fregean approaches to the semantics of propositional attitude ascriptions. This is a bit pathological on my part given that my own view is itself Fregean in the relevant sense. Perhaps a more sensible strategy would be to sweep the whole thing under the carpet and hope no one notices. Originally, the intended targets of this argument were Fregean accounts of belief ascriptions that were, in my view, insufficiently sensitive to how particular believers conceived of the objects of their beliefs. But the argument proved to be too strong. It shows that, for any Fregean view, including my own, the meanings of ascription complements must vary with believers. Something about babies and bath water seems apt.

Robert Stecker has posed a dilemma for the constructivist theory of interpretation: either interpretations consist of statements with truth values or they do not. Stecker argues that either way, they cannot change the meaning of an artwork. In this article, I argue contra Stecker that if interpretations consist of meaning declarations rather than statements, they can change the meanings of the objects toward which they are directed, where whether they so consist is largely a function of the interpreter's intentions. Hence, the second horn of Stecker's dilemma is defeated

In this paper, I defend a contextualist account of the role of authors’ intentions in interpretation, according to which their role depends on readers’ interpretive interests. In light of a general discussion of intentions and responsibility, I argue that insofar as readers are interested in attributing authorial responsibility for interpretations of fictional works, authors’ intentions need to play a central role in those interpretations. And I investigate the implications of this account for ‘accidental authorship’, cases in which interpretations of a work are neither intended nor reasonably foreseen by the author.

Nathan Salmon has defended what might be called “weak modal anti-realism”—the view that possible-object names can refer to possible objects that neither exist nor are otherwise real. But rather than adopting a similar view in the fictional case, he instead defends fictional creationism—the view that fictional characters are existent but abstract entities created by authors of fiction. In this paper, I first argue that if weak modal antirealism is defensible then weak fictional antirealism is defensible as well. Second, I argue that there is no reason to prefer fictional creationism over weak fictional antirealism but there is very good reason to prefer the latter over the former. And third, I defend weak fictional antirealism against the charge that it cannot provide a satisfactory account of statements that prima facie involve reference to or quantification over fictional characters.

A central motivation for the type-token model of music works is its ability to explain musical multiplicity—the fact that musical works are capable of having multiple performances through which they can be experienced and which cannot be individually identified with the works themselves. The type-token model explains multiplicity by identifying musical works with structural types and taking performances to be tokens of those types. In this paper, I argue that musical works are flexible in ways which permit performances which are tokens of distinct structural types to be performances of the same musical work. And I argue that various attempts to reconcile the type-token model with musical flexibility are ultimately unsuccessful.

People respond to moral criticism of their speech by claiming that they were joking. In this paper, I develop a speech act analysis of the humor excuse consisting of a negative stage, in which the speaker denies he or she was making an assertion, and a positive stage, in which the speaker claims she or he was engaged in non-serious/humorous speech instead. This analysis, however, runs afoul of the group identity objection, according to which there is a moral distinction between jokes targeting members of vulnerable groups made by members of those groups and similar jokes made by non-members. In order to avoid this objection, I offer a revision to the speech act analysis that draws upon Perry’s distinction between beliefs and belief-states.

RÉSUMÉLes œuvres musicales sont à la fois multiples et audibles. Dans le domaine de l'ontologie musicale, deux des principaux modèles conçus pour expliquer ces caractéristiques des œuvres musicales sont le modèle type/instanciation et le modèle étape/continuité. Julian Dodd a soutenu que le modèle type/instanciation a un avantage sur le modèle étape/continuité, car il peut offrir une explication directe de l'audibilité des œuvres musicales en termes de catégorie ontologique. Je défends le modèle étape/continuité contre l'argument de Dodd en invoquant une relation de continuité qui unifie l’œuvre.

meaning of a proper name is simply its referent.[1] This thesis, however, brings with it a whole host of problems. One particularly thorny difficulty is that of negative existentials, sentences of the form ‘N does not exist’ (where ‘N’ is a proper name). Intuitively, some such sentences are true, but the direct reference theory seems to imply that they must be either false or meaningless. After all, if the meaning of a name is just its referent, then a sentence such as ‘Mary does not exist’ is meaningless unless there exists a person Mary who is the referent of the name ‘Mary’. But if such a person exists, then the sentence denying her existence must be false.            Now it might be suggested that negative existentials involve a rather rare and specialized use of names, for which an alternate analysis might well be appropriate. One might, for example, have independent reasons for thinking that existence is not a predicate. Even if this is right, however, the analysis of fictional discourse poses difficulties for the direct reference theory that cannot be so easily avoided. The trouble is that fictional names—‘Sherlock Holmes’ and ‘Bilbo Baggins’, for example—lack referents; fictional characters do not exist. As a result, a simple application of the direct reference view to fictional discourse is entirely untenable—this would entail that claims regarding fictional characters are not only never true, but always meaningless.            The tendency in the philosophy of language has been to treat fictional discourse as a peripheral case, posing little threat to the direct reference view. And, as such, the fact that the analysis of fiction seems to run into intractable difficulties has been downplayed, and the fact the analyses on offer tend to be ad hoc has been tolerated. Typical strategies include treating fictional names as abbreviations for definite descriptions, supposing that fictional names occur within the scope of tacit fictive operators of various sorts, or taking them to directly refer to non-existent objects..

Peter Alward’s rigorous introductory text functions as a roadmap for students, laying out the key issues, positions, and arguments of academic philosophy. The book covers central topics in metaphysics, epistemology, ethics, and political philosophy. An introductory chapter presents the foundations of philosophical discourse and offers a primer on the basics of logic. Those argumentative tools are then employed to address classic philosophical issues such as the relationship between body and mind, skepticism, the possibility of free will, and the existence of God. Later chapters engage issues of morality, justice, and liberty, as well as moral questions concerning abortion and the practice of punishment. Throughout, Alward aims for clarity, providing summaries, diagrams, and reflective questions to assist the student reader.

According to Tiedke, in order for an act to be free it must satisfy two requirements: (PR) The agent must have been the source of the action. (PAP) It must have been possible for the agent to have done otherwise. Different accounts of freedom cash these conditions out in different ways. The Standard Compatibilist offers the following versions of these principles: (PRSC) The agent's choice was a link in the chain of events that caused her to perform the action (PAPSC) If the agent had chosen differently, she would have acted differently. What is important to note is that there is no requirement that the agent in fact have the ability to choose other than she does. Peacocke's version of compatibilist freedom differs from the standard account in exactly this regard. According to (Tiedke's reconstruction of) Peacocke, an act is free just in case the following conditions are satisfied: (PRPC) The agent must be able to conceptualize/reflect upon the factors influencing her decision to..

In this commentary, I am going to focus on the earlier sections of Lapointe’s paper in which she defends an interpretation of Frege’s account of the individuation of lexical types. According to Lapointe, Frege rejects the view that two signs – concrete particulars – belong to the same lexical type just in case they are tokens of the same orthographic or phonographic type. Instead Frege’s position is that two signs belong to the same lexical type “only if they are recognized as belonging to the same lexical type.” [p. 1] And recognizing that a (currently perceived) sign is of the same lexical type as previous perceived sign requires recognizing (i) that the current sign was produced and deployed with communicative intentions and (ii) that the speaker/ inscriber of the current sign and the speaker/ inscriber of the previous sign have “the same mental state or mental states that are similar in some essential manner.” [p.

My original reaction to Yosh’s paper was to grumble. It seemed to me to contain a number of terminological infelicities, unpersuasive arguments, and counterintuitive implications. And while I think that some of my superficial complaints are worth pointing out (and I can’t help myself), a commentary consisting only of grumbling would be neither interesting nor helpful. Paul Viminitz would describe such a commentary as “unseemly”. And so I revisited Yosh’s paper with a more sympathetic eye. My second reaction was to suppose that what Yosh had actually done was to provide a Russellian analysis of sentences containing descriptions but in a 2nd order logical system – a system in which quantification over properties is permitted and in which 1st order quantifiers are reinterpreted as 2nd order properties. This would be an interesting albeit modest contribution to the description literature. But as I reread Yosh’s paper in preparation for writing this commentary, I realized that given the account of individual kinds that was being developed this wasn’t right. Individual kinds are not properties at all, they are a new sort of individual – teams of one. Yosh’s proposal is hardly modest at all. So, in these comments, I am going to focus on the notion of an individual kind and whether or not we ought to endorse such entities in our semantic theorizing. But first, some preliminary grumbling – I really can’t help myself.

In the paper, I develop what I call the “Neo-Hintikkan theory” of belief sentences. What is characteristic of this approach is that the meaning of an ascription is analyzed in terms of the believer’s “epistemic alternatives”: the set of worlds compatible with how the believer takes the world to be. The Neo-Hintikkan approach proceeds by assuming that individuals in believers’ alternatives can share spatio-temporal parts with actual individuals, and ascribers can refer to individuals in believer’s alternatives in virtue of their perceptual or causal interaction with the spatio-temporal parts these “believed individuals” share with actual individuals. The guiding idea underlying this view is that the source of substitutivity failure in certain central cases is that believers have put the spatio-temporal parts of the objects they have encountered together in the wrong way.

In this chapter, a positive account of reader engagement with fiction will developed. According to this picture, the basic reader attitude towards fictional works is imaginative. But, in my view, engagement with fiction does not require any de se imagining on the part of readers; it requires only de dicto and de re imagining. The account of reader engagement is modelled on the attitudes of story-listeners to the stories to which they listen and the performers who tell them. In engaged reading, however, the activity of story-listening is, in an important sense, truncated: reader engagement with the text occurs without the mediation of a storyteller. As a result, readers have to imaginatively supply a substitute – a fictionalized version of the author.

What mysteries lie at the heart of fiction's power to enchant and engage the mind? Empty Revelations considers a number of philosophical problems that fiction raises, including the primary issue of how we can think and talk about things that do not exist. Peter Alward covers thought-provoking terrain, exploring fictional truth, the experience of being "caught up" in a story, and the boundaries between fiction and non-fiction. At the centre of Alward's argument is a figure known as the "narrative informant" who mediates the reader's encounter with fictional events through - sometimes unreliable - reporting. Developing a theory in which the author is a sculptor who constructs works of fiction out of words, Alward demonstrates that much of the confusion about fiction stems from a failure to properly distinguish between writing fiction and telling stories. Combining clarity, philosophical sophistication, ingenuity, and originality, Empty Revelations is a rewarding read for both scholars of philosophy and anyone interested in the complex ways that fiction works.

The problems that arise for analyses of belief ascriptions pose one of the greatest impediments to an adequate semantic theory. My dissertation offers a novel solution to these well-known problems. What I have developed is a version of the believed-world approach to the semantics of propositional attitude ascriptions. Believed-world theories make use of the notion of a person's associated believed world, or a set of worlds compatible with what a person believes, in their semantic theories. Typically, semantic content of ascription 'that'-clauses is determined by the reference or denotation of complement sentence expressions in the believed worlds associated with the believer in question, according to such theories. The first half of my dissertation presents an argument in support of the believed world approach to the semantics of propositional attitude ascriptions. I argue that any adequate semantic theory must imply that the semantic content of ascription 'that'-clauses is a function of who belief is ascribed to. This conclusion undermines many of the linguistic theories that have been defended in the literature. Moreover, I argue that linguistic theories which can accommodate this result, such as the view recently defended by Crimmins, run into serious modal difficulties. The second half of my dissertation presents a novel version of the believed world approach to semantics, which, I argue, is superior to competing believed world theories. The advantage of my theory lies in the account I give of the nature of believed worlds and my explanation of how actual token occurrences of expressions can have referents in believed worlds. On my view, objects in believed worlds can share spatio-temporal parts with actual objects. Moreover, if we suppose, as I do, that reference to an object is achieved by means of a causal relation between a spatio-temporal part of the object and a referring expression, reference to objects in believed worlds becomes manageable. It can proceed by means of causal relations between referring expressions and those spatio-temporal parts common to actual objects and objects in believed worlds