Jim Urpeth

This paper argues that, beginning with its seminal role in Kant's thought, that an increasingly radical - and ontological - notion of the imagination can be discerned in the thought of Nietzsche and Heidegger who thereby undertake a radicalisation of this key aspect of Kant's aesthetics. A wide range of texts and themes is explored from across the work of Kant, Nietzsche and Heideggger and a relation of mutual radicalisation between them is proposed.