Jason Wirth

This essay seeks to explicate the ethical dimension of Schelling’s project. Schelling complicates the theory/praxis distinction by arguing that these two modalities are different sides of the same movement in thinking. I attempt to establish this by first examining Schelling’s early essay, Neue Deduktion des Naturrechts, and then by turning to his celebrated Freedom essay. Although I chiefl y examine an early work and then a work from his middle period, I contend that the ethical dimension governs all of Schelling’s thinking. I examine closely Schelling’s description of Mitwissenschaft (the conscience). I further develop my argument by contrasting Nietzsche’s understanding of this notion with Heidegger’s treatment of it in Being and Time. I then turn to Hannah Arendt and her discussion of “radical evil” and the “conscience” in order to deepen our appreciation of Schelling’s watershed contribution.

Schelling argued that early modern science had discarded the ancient teaching of matter – the world soul (die Weltseele or anima mundi, the unity of soul and body, eternity and time, absolute possibility and existence) – «into the common grave they dug for nature and have brought about the death of all science». In order to put science on a more philosophical tract, Schelling retrieved the work of Giordano Bruno as part of his «handful» of thinkers who in a contemporary context appear on the border between an ancient but still vital sense of philosophy and the emerging scientific study of nature.

Continental philosophy, beginning with Kant, has found itself exposed to the abyss of reason. This crisis makes it a more ready dialogue partner with some of the Zen tradition. I explore this opening by bringing Eihei Dōgen into an encounter with Continental thought, broadly construed. Rather than demonstrate how Dōgen already fits within Continental thought or re-engineering the latter so that he can fit, I argue that this encounter, already precipitated by Continental philosophy’s own acknowledgement of the felix culpa of Western philosophy’s otherwise indefensible overreach, transforms and expands the manners in which thinking counts as philosophical. This is no less than to recover a sense of philosophy as genetic and creative, rather than a shopworn tool kit of universal insights.

John McCumber’s new book takes up the current professional crisis in the discipline of philosophy and traces it back to a series of fateful philosophical distinctions that have resulted in an oppressively substantialist disposition and, in so doing, have rendered philosophy pernicious. When humankind thrives, philosophy wanes, but when philosophy thrives, humankind generally wanes. In reviewing McCumber’s timely and important work, I also reflect on philosophy’s current crisis of relevance, both in itself and with reference to this journal.

On the True Sense of Art collects essays by philosophers responding to John Sallis's Transfigurements: On the True Sense of Art as well as his other works on the philosophy of art, including Force of Imagination and Logic of Imagination. Each of the chapters, by some of the leading thinkers in Continental philosophy, engages Sallis's work on both ancient and new senses of aesthetics--a transfiguration of aesthetics--as a beginning that is always beginning again. With a responsive essay by Sallis himself, On the True Sense of Art forms a critical introduction to the thought of this generation's most important aesthetician.

How are the teachings of a thirteenth-century master relevant today? Twenty contemporary writers unpack Dogen's words and show how we can still find meaning in his teachings. Engaging Dogen's Zen is a practice oriented study of Shushogi (a canonical distillation of Dogen's thought used as a primer in the Soto School of Zen) and Fukanzazengi (Dogen's essential text on the practice of "just sitting," a text recited daily in the Soto School of Zen). It is also a study of the entire self. Here, the principles of Soto Zen practice are unpacked and explained by leading contemporary Buddhists from the living tradition--monks, priests, academics, and community teachers. Tackling Dogen's approach to key issues, such as the preeminence of shikantaza, universal buddha nature, and what it means to be a Mahayana Buddhist, the contributors to the volume help Zen practitioners and any who are trying to deepen their lives to appreciate better the teachings of Soto Zen and make these teachings part of their lives. By revisiting what remains precious in Shushogi and Fukanzazengi, we let them breathe just as we learn to breathe in zazen. We find that Soto practice not only engages Dogen and Sakyamuni, but all of our sisters and brothers, and indeed the great earth itself. Includes essays from Kosho Itagaki, Taigen Dan Leighton, Tenshin Charles Fletcher, Shudo Brian Schroeder, Glen A. Mazis, David Loy, Drew Leder, Steven DeCaroli, Steve Bein, John Maraldo, Michael Schwartz, Tetsuzen Jason M. Wirth, Leah Kalmanson, Erin Jien McCarthy, Dainen David Putney, Steven Heine, Graham Parkes, Mark Unno, Shudo Brian Schroeder, and Kanpu Bret W. Davis.