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Curtis L. Carter

Marquette University
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  •  Publications
    262
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    6

 More details
  • Marquette University
    Department of Philosophy
    Distinguished Professor
Boston University
Department of Philosophy
PhD, 1971
Areas of Specialization
Value Theory
Philosophical Traditions
Philosophy, Misc
Other Academic Areas
Areas of Interest
Value Theory
Philosophical Traditions
Philosophy, Misc
Other Academic Areas
  • All publications (262)
  •  84
    Hegel and Whitehead on Aesthetic Symbols
  •  60
    Aesthetic Values and Human Habitation: A Philosophical and Interdisciplinary Approach to Environmental Aesthetics
    Aesthetics
  •  55
    Skepticism and Moral Theory in Contemporary Philosophy
    Skepticism is the one problem above all others which has commanded the attention of moral philosophers in our century. Sometimes the problem is taken up explicitly, in full but uneasy consciousness; at others times it is treated indirectly, as in the troubled reflections from which emerge such questions as "Can moral principles be proved?" or "Is there a single 'right' point of view for confronting moral questions?" or "Why should I be moral at all?" In either case, skepticism as a moral view ha…Read more
    Skepticism is the one problem above all others which has commanded the attention of moral philosophers in our century. Sometimes the problem is taken up explicitly, in full but uneasy consciousness; at others times it is treated indirectly, as in the troubled reflections from which emerge such questions as "Can moral principles be proved?" or "Is there a single 'right' point of view for confronting moral questions?" or "Why should I be moral at all?" In either case, skepticism as a moral view has never lacked vehement advocates or equally passionate and numerous opponents. Whereas earlier moral philosophers-such as nineteenth-century Idealists, whose views still influence thought in the twentieth century-proceeded on the assumption that moral values could be definitively established, contemporary British and American ethical theorists have tended to challenge that basic assumption. It may therefore, come as a surprise to many to find that the essays of this volume have been written in opposition to the generally dominant trend of twentieth -century skepticism.
  •  54
    Director's Statement to American Antique and Amish Quilts
    Political Realism and Utopianism
  • Style, Painting, and Language: A Study of Language-Like Features of Painting
    Dissertation, Boston University Graduate School. 1971.
  •  52
    Three Essays in Dance Aesthetics: Dance Perspectives
    Journal of Aesthetics and Art Criticism 34 (2): 223-225. 1975.
    Aesthetics
  •  40
    The Joffrey Ballet
  •  46
    Utah Repertory Dance Theatre
  •  34
    "The Nutcracker": The Milwaukee Ballet Company
  •  46
    Habitat: A Festive Air, Serious Business
    Applied Ethics
  •  75
    Inaugural Year Gifts 1984-85: An Exhibition of Selected Paintings, Works on Paper, Sculpture and Decorative Arts
  •  47
    Naomi Sorkin and Lawrence Rhodes: UW-M Summer Evenings of Music
  •  45
    The Milwaukee Ballet [Review of performances done by the Milwaukee Ballet]
  •  54
    Alvin Ailey American Dance Theater and the Ko-Thi Dance Company
  •  32
    Twyla Tharp [Discussion of the career of Twyla Tharp]
  •  42
    The Des Moines Ballet: A Star in the Midwest
  •  36
    Chelonia Dance Ensemble [Review of a performance of the Chelonia Dance Ensemble]
  •  47
    Bauer's "Giving Rise to Habit": An Encouraging Experiment
  •  39
    The Nikolais Perform at UW-Madison [A review of a performance by the Nikolais Dance Theater]
  •  40
    Intelligence and Sensibility in the Dance
  •  43
    U.W.M. Dancers Perform at Governor's Mansion
  •  64
    The Humanities and Dance: The Contemporary Choreographers' Response in the Arts to Aesthetic and Moral Values
  •  40
    Reissue of Martha Graham: Sixteen Dances in Photographs
    Photography
  •  30
    The Milwaukee Ballet's Daphnis and Chloe
  •  57
    Salvador Dali
  •  42
    Pandemonium Dance Circus
  •  53
    The Milwaukee Ballet: At Century Hall and the Pabst Theater
  •  96
    Industrial Design: On Its Characteristics and Relationships to the Visual Fine Arts
    Industrial design and the visual arts share a common aesthetic basis as demonstrated by their common use of aesthetic principles and by designers who are also visual artists. The author examines the rationale for exhibiting industrial products in art museums and the similarities and differences between industrial design and the fine arts. He argues that industrial design shares important theoretical concepts (expression, representation and style) with the visual fine arts.
    Philosophy of Visual Art, Misc
  •  54
    Amy Greenfield's "Dance for the Camera"
    Philosophy of Specific Arts
  •  30
    A Focus on Images-Sense and Form: Inaugural Exhibition
    "A Focus on Images - Sense and Form, an exhibition of selected works from the Permanent Collection with added selections from private collectors, is an occasion to explore a sampling from a variety of artists' images encompassing the 12th century to the present and to reflect upon their importance in human experience. From the mysterious and elegant masks of African tribal arts to the often provocative figurative and abstract wall markings of yesterday's graffitists, artists' images have enjoyed…Read more
    "A Focus on Images - Sense and Form, an exhibition of selected works from the Permanent Collection with added selections from private collectors, is an occasion to explore a sampling from a variety of artists' images encompassing the 12th century to the present and to reflect upon their importance in human experience. From the mysterious and elegant masks of African tribal arts to the often provocative figurative and abstract wall markings of yesterday's graffitists, artists' images have enjoyed cultural significance quite beyond any apparent contribution to the necessities of day-to- day practical living."
    Mental Imagery
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