David Kyle Johnson

Skeptical theists argue that no seemingly unjustified evil (SUE) could ever lower the probability of God's existence at all. Why? Because God might have justifying reasons for allowing such evils (JuffREs) that are undetectable. However, skeptical theists are unclear regarding whether or not God's existence is relevant to the existence of JuffREs, and whether or not God's existence is relevant to their detectability. But I will argue that, no matter how the skeptical theist answers these questions, it is undeniable that the skeptical theist is wrong; SUEs lower the probability of God's existence. To establish this, I will consider the four scenarios regarding the relevance of God's existence to the existence and detectability of JuffREs, and show that in each—after we establish our initial probabilities, and then update them given the evidence of a SUE—the probability of God's existence drops

Arguments against our free will pose a serious problem. Although there are not very many philosophers who call themselves fatalists, quite a few are convinced that fatalism follows from common assumptions. Assuming that most believe themselves to be free, identifying ways to avoid the conclusion of such fatalist arguments is quite an important task. I begin by dealing specifically with theological fatalism. I present many versions of theological fatalism, but come to the conclusion that only one version constitutes a genuine problem. That version, I argue, is reducible to a deeper fatalist dilemma that follows from assumptions so common that it must be faced by even the atheist: the mutually incompatibility of human freedom, the principle of alternate possibilities and bi-valance. After considering other objections to my argument, I conclude that the only way to avoid the fatalist conclusion is to either deny the principle of alternate possibilities or deny bi-valance. I argue that, although each option is somewhat problematic, denying bivalence is the more defensible of the two options.

How is it that humans can react emotionally to fiction when they know it is not real? Following the lead of Denis Dutton in The Art Instinct, we propose a solution to this so-called paradox of fiction. The paradox assumes that our conscious awareness that something is not real should prevent an emotional reaction. But such reactions are often the result of aptly named “mirror neurons” that mimic the brain activity of those around us and cause us to mimic the emotions of others. So because mirror neurons do not distinguish between fiction and reality, we react emotionally to both fiction and reality.

What can _South Park_ tell us about Socrates and the nature of evil? How does _The Office_ help us to understand Sartre and existentialist ethics? Can _Battlestar Galactica_ shed light on the existence of God? _Introducing Philosophy Through Pop Culture_ uses popular culture to illustrate important philosophical concepts and the work of the major philosophers With examples from film, television, and music including _South Park_, _The Matrix_, _X-Men_, _Batman_, _Harry Potter, Metallica_ and _Lost,_ even the most abstract and complex philosophical ideas become easier to grasp Features key essays from across the Blackwell _Philosophy and Pop Culture_ series, as well as helpful editorial material and a glossary of philosophical terms From metaphysics to epistemology; from ethics to the meaning of life, this unique introduction makes philosophy as engaging as popular culture itself Supplementary website available with teaching guides, sample materials and links to further resources at _www.pop-philosophy.org_.

_The first unauthorized look at the philosophy behind _Heroes_, one of TV's most popular shows_ When ordinary individuals from around the world inexplicably develop superhuman abilities, they question who they are, struggle to cope with new responsibilities, and decide whether to use their new power for good or for evil. Every episode of Tim Kring's hit TV show _Heroes_ is a philosophical quandary. _Heroes and Philosophy_ is the first book to analyze how philosophy makes this show so compelling. It lets you examine questions crucial to our existence as thinking, rational beings. Is the Company evil, or good? Does Hiro really have a destiny? Do we? Is it okay to lie in order to hide your powers or save the world? _Heroes and Philosophy_ offers answers to these and other intriguing questions. Brings the insight of history's philosophical heavyweights such as Plato and Nietzche to _Heroes_ characters and settings Adds a fun and fascinating dimension to your understanding of the show Expands your thinking about _Heroes_ as the series expands from graphic and text novels to action figures and a video game Whether you're new to _Heroes_ or have been a fan since day one, this book will take your enjoyment of the show to the next level