Robert Vinten

The prominent literary theorist, Terry Eagleton, is one of a limited number of Marxist theorists to have taken Wittgenstein’s ideas seriously. He wrote the script for Derek Jarman’s film about Wittgenstein and his work in cultural theory is clearly indebted, to some extent, to Wittgenstein. His Ideology: an Introduction employs the Wittgensteinian notions of ‘family resemblance’ and ‘forms of life’ and he also leans on Wittgenstein’s remarks about epistemological matters in it. Among the novels inspired by Wittgenstein there is one by Eagleton—Saints and Scholars—that has a semi-fictionalised version of Wittgenstein meeting in Dublin with James Connolly, Nikolai Bakhtin and Leopold Bloom. Eagleton has clearly both endeavoured to understand Wittgenstein as a person and engaged with Wittgenstein’s philosophical work. In this paper I will argue that Eagleton’s interpretation of Wittgenstein, in his paper ‘Wittgenstein’s Friends’, is defective in various respects, but I will conclude that the project of uniting the insights of Wittgenstein and Marx is nonetheless a sound one.

I start by arguing that Mackie’s claim that there are no objective values is a nonsensical one. I do this by ‘assembling reminders’ of the correct use of the term ‘values’ and by examining the grammar of moral propositions à la Wittgenstein. I also examine Hare’s thought experiment which is used to demonstrate “that no real issue can be built around the objectivity or otherwise of moral values” before briefly looking at Mackie’s ‘argument from queerness’. In the final section I propose that Robert Arrington’s ‘conceptual relativism’, inspired by Wittgenstein, helps to make our use of moral language more perspicuous and avoids the problems faced by Mackie