Richard Brown

[originally written for Final Fantasy and Philosophy but I was not happy with editorial decisions and decided to let it remain unpublished] Everyone knows that moogles are disgustingly cute. I know people who would kill to be able to have one in real life, but could there really be moogles? Say, for instance, that archeologists discovered a species of animal in some remote land that completely resembled the chocobo in every way. Would that count as discovering that the beloved Final Fantasy creatures were real? Even if we don’t make such a discovery are chocobos and moogles metaphysically possible? That is, can we coherently imagine a situation which would count as one which contained moogles? The answer to these questions depends, surprisingly, on what the meaning of ‘moogle’ and ‘chocobo’ is; or so many contemporary philosophers of language think. In particular one contemporary philosopher, Saul Kripke (1940- ), has argued that the answer to both of these questions is a resounding no. In order to understand why he thinks this and whether he is right we’ll have to begin by looking at the debate philosophers have had over the meaning of names.

One popular approach to theorizing about phenomenal consciousness has been to connect it to representations of a certain kind. Representational theories of consciousness can be further sub-divided into first-order and higher-order theories. Higher-order theories are often interpreted as invoking a special relation between the first-order state and the higher-order state. However there is another way to interpret higher-order theories that rejects this relational requirement. On this alternative view phenomenal consciousness consists in having suitable higher-order representations. I call this ‘HOROR’ (‘Higher-Order Representation Of a Representation’) theory to distinguish it from relational versions of higher- order theory. In this paper I make the case that HOROR theory is a plausible account of the real nature of phenomenal consciousness whatever one’s views are about whether it is physical/reducible or not. I first clarify HOROR theory and compare it to the more traditional same-order and higher-order thought theories. Afterwards I move to presenting some considerations in favor of HOROR theory.

We discuss cases where subjects seem to enjoy conscious experience when the relevant first-order perceptual representations are either missing or too weak to account for the experience. Though these cases are originally considered to be theoretical possibilities that may be problematical for the higher-order view of consciousness, careful considerations of actual empirical examples suggest that this strategy may backfire; these cases may cause more trouble for first-order theories instead. Specifically, these cases suggest that (I) recurrent feedback loops to V1 are most likely not the neural correlate of first-order representations for conscious experience, (II) first-order views seem to have a problem accounting for the phenomenology in these cases, and either (III) a version of the ambitious higher-order approach is superior in that it is the simplest theory that can account for all results at face value, or (IV) a view where phenomenology is jointly determined by both first-order and higher-order states. In our view (III) and (IV) are both live options and the decision between them may ultimately be an empirical question that cannot yet be decided.

This book covers a vast amount of material in the philosophy of mind, which makes it difficult to do justice to its tightly argued and nuanced details. It does, however, have two overarching goals that are visible, so to speak, from space. In the first half of the book Kirk aims to show that, contra his former self, philosophical zombies are not conceivable. By this he means that the zombie scenario as usually constructed contains an unnoticed contradiction, and explaining the contradiction reveals a radical misconception about the nature of phenomenal consciousness. His second aim of the book is to construct a theory of perceptual-phenomenal consciousness that avoids this contradiction.

[written in 2002/2003 while I was a graduate student at the University of Connecticut and ultimately submitted as part of my qualifying exam for the Masters of Philosophy] The question I am interested in revolves around Kant’s notion of the unity of experience. My central claim will be that, apart from the unity of experiencings and the unity of individual substances, there is a third unity: the unity of Experience. I will argue that this third unity can be conceived of as a sort of ‘experiential space’ with the Aesthetic and Categories as dimensions. I call this ‘Euclidean Experience’ to emphasize the idea that individual experiencings have a ‘location’ within this framework much like individual objects have a location in space and time. The first sort of unity, that of experiences (or ‘experiencings’ as I will call them) is not enough. In order to have self-consciousness (ascribed atomic experiencings) there must be a consciousness in which the experiencings ‘take place’ just as in order for there to be objects there must be space in which they are located. With such a notion of experience in hand I argue that it can be used to bring together the solipsistic and non-solipsistic strands in Kant’s thinking. The resulting position I call ‘Polysolipsism.’

This book appears as the eighth installment of the series Controversies, which is edited by Marcelo Dascal at Tel Aviv University. The series has as its stated goal publishing "studies in the theory of controversy, . . . studies in the history of controversy forms and their evolution, case studies of particular or current controversies, . . . and other controversy focused books". Senderowicz is a Kantian scholar, having also written The Coherence of Kant's Transcendental Idealism and several papers interpreting Kant. Both of these themes are evident in Controversies and the Metaphysics of Mind. The book offers a decidedly neo-Kantian interpretation of the role that controversies play in metaphysical theorizing and applies this interpretation to two recent debates in the metaphysics of mind. The first is the debate about physicalism and the second is the debate about personal identity. The issues that are addressed include the relation of metaphysics to science and whether or not metaphysics deals with a distinctive subject matter or uses a distinctive method. This puts the book amongst the growing number of works in metametaphysics.

Adviser: Professor Stefan Baumrin In the first chapter I introduce the distinction between metaethics and normative ethics and argue that metaethics, properly conceived, is a part of cognitive science. For example, the debate between rationalism and sentimentalism can be informed by recent empirical work in psychology and the neurosciences. In the second chapter I argue that the traditional view that one’s theory of semantics determines what one’s theory of justification must be is mistaken. Though it has been the case that there are ‘typical’ combinations of semantic and justificational theories this is by no means forced on one. In the third chapter I examine two current kinds of expressivism; that of Blackburn and Copp. Each gives us an example of different combinations of semantic and justificatory theory. In Blackburn’s case he combines a use theory of meaning with a classic emotivist theory of justification, In Copp’s case it is a neo-Gricean philosophy of language with a realist’s theory of justification. I find both of these wanting as they ultimately collapse into relativistic subjectivism. In the fourth and fifth chapter I turn to developing Emotive Realism. The basic idea behind this view is that when someone says ‘x is wrong/right’ that person has (a) expressed a moral emotion about x and at the same time (b) expressed the belief that the emotion in (a) is the correct one to have. The belief expressed in (b) will be true or false depending on one’s theory of justification. In the fourth chapter I argue that we need separate semantic theories for thoughts and sentences. In the fifth chapter I fill in the details of Emotive Realism as I see it.