Raja Halwani

How is love different from lust or infatuation? Do love and marriage really go together “like a horse and carriage”? Does sex have any necessary connection to either? And how important are love, sex, and marriage to a well-lived life? In this lively, lucid, and comprehensive textbook, Raja Halwani pursues the philosophical questions inherent in these three important aspects of human relationships, exploring the nature, uses, and ethics of romantic love, sexuality, and marriage. The book is structured in three parts: _Love_ begins by examining how romantic love differs from other types of love, such as friendship and parental love. It asks which properties of love are essential, whether people have a choice in whom they love, and whether lovers have moral obligations to one another that differ from those they owe to others _Sex_ demonstrates the difficulty in defining sex and the sexual, and examines what constitutes good and bad sex in terms of pleasure, 'naturalness', and moral permissibility. It offers theoretical and applied ethical approaches to a wide range of sexual phenomena _Marriage_ traces the history of the institution, and describes the various forms in which marriage exists and the reasons why people marry. It also surveys accounts of why people should or should not marry, and introduces the main arguments for and against gay marriage. Features include: suggestions for further reading online eResource site with dowloadable discussion questions a clear, jargon-free writing style.

abstract The paper, using Spielberg's Munich as a test case, argues that the theory of ethicism – the view that a work of art's moral point of view affects the work's overall aesthetic evaluation – has serious restricted applicability owing to a number of reasons. Ethicism does not apply to works of art (1) that have no moral content; (2) that do have moral content but whose prescribed responses are non-moral; (3) whose prescribed moral responses do not ask the audience to accept or reject the moral claim but merely to contemplate or entertain it; (4) whose prescribed moral responses assert moral claims that are indeterminate; and (5) whose prescribed moral responses are embodied in equally plausible or true but incompatible interpretations.