Kevin Harrelson

This volume contains ten essays that treat the relationship between Kant’s philosophy and those of his predecessors in the early modern canon. The essays divide into five pairs devoted respectively to Descartes, Leibniz, Locke, Berkeley, and Hume. In each case, the work of a prominent Kant scholar precedes a reply by an early modernist. This format provides the opportunity to reevaluate both Kant’s philosophy and those of his predecessors, the contention being that the latter “in our historical conscience” too often are read “in light of Kant’s reconstruction of their thought” .In this review, I discuss a selection of the articles in order to evaluate the extent to which they contribute to the stated historiographic aim of the volume. Each of the ten contributions provides a worthwhile read in isolation from the others, but the success they achieve in reassessing the relationship of Kantian to pre-Kantian philosophy varies significantly from essay to essay. Cumulatively, they offer an inspiring retort to the central arguments of that chapter of modern philosophy entitled “On the division of all philosophies into vorkantische and nachkantische.

Our ability to tell stories about ourselves has captivated many theorists, and some have taken these developments for an opportunity to answer long-standing questions about the nature of personhood. In this essay I employ two skeptical arguments to show that this move was a mistake. The first argument rests on the observation that storytelling is revisionary. The second implies that our stories about ourselves are biased in regard to our existing self-image. These arguments undercut narrative theories of identity, but they leave room for a theory of narrative self-knowledge. The theory accommodates the first skeptical argument because there are event descriptions with retrospective assertibility conditions, and it accommodates the second argument by denying us epistemic privilege in regard to our own past. The result is that we do know our past through storytelling, but that it is a contingent feature of some of our stories that they are about ourselves.