Alex Byrne

“Avowals” are utterances that “ascribe [current] states of mind”; for instance utterances of ‘I have a terrible headache’ and ‘I’m finding this painting utterly puzzling’ (Bar-On 2004: 1). And avowals, “when compared to ordinary empirical reports…appear to enjoy distinctive security” (1), which Bar-On elaborates as follows: A subject who avows being tired, or scared of something, or thinking that p, is normally presumed to have the last word on the relevant matters; we would not presume to criticize her self-ascription or to reject it on the basis of our contrary judgement. Furthermore, unlike ordinary empirical reports, and somewhat like apriori statements, avowals are issued with a very high degree of confidence and are not easily subjected to doubt. (3) The project of this ambitious, original, and challenging book is to explain why avowals have this distinctive security. Bar-On’s guiding idea is that avowals “can be seen as pieces of expressive behavior, similar in certain ways to bits of behavior that naturally express subjects’ states” (227). Crying and moaning are natural expressions of pain, yawning is a natural expression of tiredness, reaching for beer is a natural expression of the desire for beer, and so on. In some important sense, avowals are supposed to be like that. In what sense, though? It will be useful to begin with the simplest answer.

Our reply is in four parts. The first part addresses objections to our claim that there might be "unknowable" color facts. The second part discusses the use we make of opponent process theory. The third part examines the question of whether colors are causes. The fourth part takes up some issues concerning the content of visual experience. Our target article had three aims: (a) to explain clearly the structure of the debate about color realism; (b) to introduce an interdisciplinary audience to the way philosophers have thought about the issue; (c) to argue that colors are certain sorts of physical properties ("productances"). We are very grateful to the commentators in this continuing commentary for their criticism and constructive suggestions.

The 'content view', in slogan form, is 'Perceptual experiences have representational content'. I explain why the content view should be reformulated to remove any reference to 'experiences'. I then argue, against Bill Brewer, Charles Travis and others, that the content view is true. One corollary of the discussion is that the content of perception is relatively thin (confined, in the visual case, to roughly the output of 'mid-level' vision). Finally, I argue (briefly) that the opponents of the content view are partially vindicated, because perceptual error is due to false belief.

Traditionally, perceptual experiences—for example, the experience of seeing a cat—were thought to have two quite distinct components. When one sees a cat, one’s experience is “about” the cat: this is the representational or intentional component of the experience. One’s experience also has phenomenal character: this is the sensational component of the experience. Although the intentional and sensational components at least typically go together, in principle they might come apart: the intentional component could be present without the sensational component or vice versa.