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7Collingwood: The Great PhilosophersRoutledge. 1997.First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company
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7Vi *—nietzsche and the re-evaluation of valuesProceedings of the Aristotelian Society 105 (2): 171-191. 2005.
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7Kristin Thompson, Breaking the Glass Armor: Neoformalist Film Analysis Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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6Nietzsche: The Anti-Christ, Ecce Homo, Twilight of the Idols: And Other Writings (edited book)Cambridge University Press. 2005.Nietzsche's late works are brilliant and uncompromising, and stand as monuments to his lucidity, rigour, and style. This volume combines, for the first time in English, five of these works: The Antichrist, Ecce Homo, Twilight of the Idols, Nietzsche contra Wagner, and The Case of Wagner. Here, Nietzsche takes on some of his greatest adversaries: traditional religion, contemporary culture, and above all his one-time hero, the composer Richard Wagner. His writing is simultaneously critical and cre…Read more
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5TragedyIn Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics, Oxford University Press. 2003.
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4Richard Abel, ed., French Film Theory and Criticism 1907-1939: A History/Anthology Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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3Expression in ArtIn Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics, Oxford University Press. 2003.
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3Wagner's Parsifal: the Music of Redemption by Roger Scruton (London: Allen Lane, 2020)Philosophy 95 (4): 523-529. 2020.
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28. Dramatis Personae: Nietzsche, Culture, and Human TypesIn Alan D. Schrift (ed.), Why Nietzsche Still?: Reflections on Drama, Culture, and Politics, University of California Press. pp. 136-153. 2000.
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2Persona sometimes grata : on the appreciation of expressive musicIn Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work, Oxford University Press. 2007.
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2Noël Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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1Robert Lapsley and Michael Westlake, Film Theory: An Introduction Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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1NietzscheIn Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2000.
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16 Science in the service of lifeIn M. W. F. Stone & Jonathan Wolff (eds.), The Proper Ambition of Science, Routledge. pp. 2--91. 2000.
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Robert Lapsley and Michael Westlake, Film Theory: An Introduction (review)Philosophy in Review 10 345-351. 1990.
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Noël Carroll, Philosophical Problems of Classical Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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Constance Penley, ed., Feminism and Film Theory Reviewed byPhilosophy in Review 10 (9): 345-351. 1990.
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What is the meaning of aesthetic idealsIn Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.), Nietzsche, Philosophy and the Arts, Cambridge University Press. 1998.
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Noël Carroll, Philosophical Problems of Classical Film Theory (review)Philosophy in Review 10 345-351. 1990.
Areas of Specialization
Value Theory |
History of Western Philosophy |
Areas of Interest
Value Theory |
History of Western Philosophy |