Mitchell Aboulafia

Sartre seeks both to overcome solipsism and clarify how the individual becomes an object—with a seemingly fixed char acter—through his account of The Look in Being and Nothingness. While his description of how The Look of the other transforms one into an object may at first appear to be confirmed by experience, the account proves to be inade quate as a refutation of solipsism and in showing exactly how one becomes an object. On the other hand, G.H. Mead has a convincing approach to how the self comes into being as an object. In the first section of this paper I present and criticize Sartre's position, especially his explanation for how one can experience The Look when the other is not empirically present. The second section investigates Mead's approach to the genesis of the self as social object, and then shows how Mead's ideas can be employed to clarify inconsistencies in Sartre's account, highlighting why Sartre's description ap pears to be confirmed by experience.

George Herbert Mead (1863-1931), American philosopher and social theorist, is often classed with William James, Charles Sanders Peirce, and John Dewey as one of the most significant figures in classical American pragmatism. Dewey referred to Mead as “a seminal mind of the very first order” (Dewey, 1932, xl). Yet by the middle of the twentieth-century, Mead's prestige was greatest outside of professional philosophical circles. He is considered by many to be the father of the school of Symbolic Interactionism in sociology and social psychology, although he did not use this nomenclature. Perhaps Mead's principal influence in philosophical circles occurred as a result of his friendship with John Dewey. There is little question that Mead and Dewey had an enduring influence on each other, with Mead contributing an original theory of the development of the self through communication. This theory has in recent years played a central role in the work of Jürgen Habermas. While Mead is best known for his work on the nature of the self and intersubjectivity, he also developed a theory of action, and a metaphysics that emphasizes emergence and temporality, in which the past and future are viewed through the lens of the present. Although the extent of Mead's reach is considerable, he never published a monograph. His most famous work, Mind, Self, and Society from the Standpoint of a Social Behaviorist, was published after his death and is a compilation of student notes and selections from unpublished manuscripts.

After more than seventy-five years of scholarship on Mead’s notion of the self, commentators still debate the meaning of the term. There are those who argue that it should be understood primarily as a socially constructed “me,” while others claim that the self is a combination of the spontaneous “I” and the “me.” In addition, there are those who emphasize facets of the self that do not fit neatly into either of these two camps. Support for various interpretations of the self can in fact be found in Mead’s work. This article addresses Mead’s uses of the term, guided by two questions: what kinds of unity or continuity are characteristic of selves? And is there a form of unity – a “meta-self” – that can encompass the types of selves that we find in Mead? In response to the second question, it is demonstrated that Mead had a narrative account of the self, one that has the potential to incorporate different kinds of selves, although Mead left his account underdeveloped.

Traditionally pragmatists have been favorably disposed to improving our understanding of agency and ethics through the use of empirical research. In the last two decades simulation theory has been championed in certain cognitive science circles as a way of explaining how we attribute mental states and predict human behavior. Drawing on research in psychology and neuroscience, Alvin I. Goldman and Robert M. Gordon have not only used simulation theory to discuss how we “mindread”, but have suggested that the theory has implications for ethics. The limitations of simulation theory for “mindreading” and ethics are addressed in this article from an interactionist or neo-Meadian pragmatic perspective. To demonstrate the limitations of simulation theory scenes from the television show Mad Men are used as “thought-experiments”.